Here's a track by track breakdown with some information about the recording I lifted from the good ol' web. I apologize now if there is any mis-information or errors, I was too lazy to proof-read.
CD 1, VOLUME 1
NOBODY PERFECT, ca. 1975 – Apparently
from the Black and Blue sessions, I would argue that this track has much
more of an 80’s feel, the production a give away – That and the drive
of Charlie’s drumming. Both Ronnie and Keith’s licks playfully lap
against each other. (1985 – 4:02)
TROUBLE’S A COMING, 1972 – Not
1972, surely but from much later in the decade. An incredible, insistent
groove with a solid March – The chorus is fantastic in and of it’s own!
Jagger’s vocals are mixed much lower in the mix than they should be so
assume this to be an earlier rehearsal / working take that never came to
fruition. Previously released as ‘Break Away’ – an embryonic version –
on VGP’s ‘The Pain Of Love’ (1979 – 4:41)
DREAMS TO REMEMBER, Ca.
1983 – A classic Stones take on country tonk, Jaggers vocals are
variously spoken and screamed while the band barroom it up in the
background. The guitar licks flicker and squeak while the whole track
has a cataclysmic tone of collapse. A certain 1970’s sound in the vein
of John Lennon’s ‘Walls and Bridges’ album (1982 – 7:43)
DON’T LIE
TO ME, 1972 – No, not that one but an 80’s version instead. Very
interesting lyrics referencing a “Monkey Man”, this is in the very same
style as ‘Troubles A Coming’ (Track 2) (1985 – 2:08)
FIJI JIM,
1978 – Originally heard on boots such as ‘Palace Pigalle’ (VGP), ‘Paris
Outtakes Vol.2’ (Vigotone), ‘Hot Stuff Two’ (Great Dane) and several
hundred more, this take is at the later stages of production (1977 –
3:38)
ELIZA UPCHINK, 1983 – Regards a certain lady of no scrupels, this dash of blues runs slightly longer than previously bootlegged at 4:38. (1982 – 4:47)
DEEP
LOVE, 1985 – A deep and funky, loose guitar driven track from the Dirty
Work sessions. Keith veers between roar and growl with his vocals.
(1985 – 3:45)
SHE’S DOING HER THING, 1967 – Sorry? It sounds very
much like a TMSR outtake – Fey 60’s Newleyisms, whistling, a jumpy mix
between early Stones but with a psychedelic, whispy organ in the back
ground. It IS one of those tracks that’ll have you sit, raise your
eyebrows and mutter, ‘wow’. As you realise that, as Kinksian as it is,
it would have made a belter or a B, arguably, A-side in 1967 without
distracting from sales of the album. this has also appeared before on
boot as ‘Title 15’, without vocals (1967 – 3:02)
PUTTY IN YOUR
HANDS,1982 – Soul styled romp with Keith staring just as closely as
Mick’s bellowed vocals. This track has as much sass as the girl who’s
leading Mick around and up and down. It’s a cover-version of a Chirelles
track from 1962 and makes a good fist of attempting to sound like it
might. (1985 – 3:07)
DOG SHIT, 1983 – I guess you’d rather putty
in your hands rather than the alternative but this track, which made
it’s inaugural appearance on ‘Foxes In The Boxes’ as a thrilling
instrumental now features vocals. A storming horn lead thruster with an
insatiable appetite for longevity (Sounds about right, eh?) is far too
good to have been left by the side of the road but here we are. (1983 –
6:05)
20 NIL, ca 1991 – A dusty little piece from the Voodoo Brew
sessions (I wonder how deep THAT well is?) – It fits well of the time
and would still sound amazing now. An extended, indieish into leads in
to an almost primal squall from Mick while Ronnie and Keith ad-lib in
the background, taking turns at stripping off levels of slow-burn
guitar. (1997 – 5:43)
TELL HER HOW IT IS, 1971 – OK, you’ll hit
the first few notes of this very well known bootleg placement (Otherwise
known as ‘Potted Shrimp’), it’s upgraded – not by a million miles,
accepted, but it’ll be an upgrade, that’s good enough, surely? No! 0.17
in – vocals! Much like the Exile tracks that got us stoked on the deluxe
treatment of a few years earlier, this track is now replete with an
extra pinch of Jagger salt and he sounds crazed! The vocals are of the
fact that they sound vintage enough to be of the time – The beauty of
looking after your voice for the past 60 years, I guess – we could
ponder the fact that they could also have been recorded for the reissue
but this stuff is better than we could have imagined. (1970 – 4:05)
YOU
BETTER STOP THAT, 1983 – Short but sweet, very much of it’s time and
sounding like ‘Neighbours’, the type of angsty, punky ripple with stabs
of electric piano in the background. (1982 – 2:46)
SCARLET, 1975 –
So we remember the debacle of this piece on the GHS reissue – None of
the Stones or Jimmy Page (apparently) remember sneaking in to the studio
in the prime of their careers and putting this to tape – Over two
nights, granted, but maybe that’s how you measure time when you’re a
rock star. The suns up or it’s not. Some of the overdubs present on the
CV seem to be missing here from half way, so this may be one of the
tracks that was laid down the first night, maybe? It’s far too good to
be forgotten, far too good to be erased. Maybe if it had lingered for
much longer the full session tape might have made it out .. It’d be nice
to think. (1974 – 3:35)
WALK WITH ME WENDY, 1974 – Another ‘Dog
Shit’ style track but replacing the horns with electric piano. Jagger
bellows over the head of it all. (1970 – 4:02)
NEVER MAKE YOU CRY,
1977 – Another of those late, rain soaked Saturday ballads, spiked with
a Little Rock . Blissfully dreamy, warm and regretful, it’s perfect.
It’s also cleaner sounding that previously booted versions (1977 – 4:27)
PART
OF THE NIGHT, 1976 – Also known as ‘Golden Caddy’ from the Pathé
Marconi sessions (As heard on ‘Foxes In The Boxes’), this track might as
well be ‘Never Make You Cry’ part two but one where the piano takes the
place of the guitar instead. (1982 – 5:37)
LOW DOWN, 1997 – A
Keith vocal for a change, one that was given up to Mick for the final
BtB album – Keith’s voice here being buried under the instrumental
(Though it’s a tight race between such a densely layered production), it
was the right decision to give the job over. This take also features
additional studio chatter after the take. (1997 – 5:02)
CD 2, VOLUME 2
IT’S A
LIE, 1978 – Another left over from the Paris Match sessions and also
recently released on the ‘Foxes In The Boxes’ collection. Part Stones
template, slide guitar and muted piano line. (1979 – 4:19)
I
CAN’T SEE NO ONE ELSE, 1985 – A perfectly packaged double-entendre of a
song. Mainly piano led but featuring a stinging Shadows styled guitar
with a chugging rubbery bass-line and fabulous call and response
harmonies. (1985 – 5:05)
NOT THE WAY TO GO, 1977 – A punky,
ramshackle, 50’s surf romp with a lean line in lyrics (Jagger seems to
give up part way through and riffs on the title instead). This version
fades out quicker than previous versions in ‘The Harder They Come’ (Idol
Mind) of Yellow Cat’s ‘From Paris To LA’ (1978 – 3:39)
GIVING IT
UP, 1989 – Taken from sessions for the ‘Steel Wheels’ album, this
version features an extra piano line that was absent from boots like
‘Training Wheels (Rattlesnake) (1989 – 4:14)
HANDS OFF, 1986 – A tough, thundering rocker with a quick, choppy tempo. Really very Stones-of-the-time. (1993 – 3:34)
BUILT
THAT WAY, 1984 – Something rather different here – A ‘Heatwave’ style
swing with a Queenish guitar line occasionally popping up through the
background. I wouldn’t have been at all surprised if this was a Style
Council cover in all honesty. It’s really very different but cruisingly
good. (1975 – 4:40)
KEEP IT COOL, 1982 – A clean little number,
light piano lines with barely there guitars which drifts at an almost
glacial pace. Jagger whispers his vocals at a volume that just barely
breaks over the backing. Originally released on Foxes In The Boxes, this
is the shortest version at just over 5 minutes. (1982 – 5:24)
CAN’T
FIND LOVE, 1983 – I think this sounds like George Harrison’s / Bob
Dylan’s ‘If Not For You’ in the smallest way. At nearly 7 minutes, it’s
one of the longest tracks on this collection. The mixture also features a
Buddy Hollyesq chiming guitar line over a strolling beat. (1982 – 7:22)
YOU WIN AGAIN, 1977 – A Hank Williams cover that was originally released on “Paris Results” and “From Paris To LA”. (1978 – 3:25)
BLOOD
RED WINE, 1968 – The sister track to ‘Winter’, most regularly mentioned
in tandem with it’s inclusion on the ‘Trident Tapes’ or any over-view
of the “Beggars ..” sessions. I dare suggest it was too weak for album
inclusion and ‘Winter’ was a more obvious choice for release on “GSH”.
(1968 – 5:14).
FAST TALKING, SLOW WALKING, 1972 – Another of the
more often bootlegged tracks from sessions in Jamaica. A woozy,
swooning barroom lament with a joyous piano undercurrent underneath the
spacey guitar lines and pattering, jazzy drum beats. An exceptional
piece of work. There’s also a snatch of studio chatter at the end. (1974
– 5:49)
COOKING UP, 1982 – One of the speedier efforts to this
set, short speedy guitar riffs as Ronnie and Keith dance around each
other and Nicky Hopkins peddles away along side. A curious title to the
track, however, it’s almost impossible to make out what Mick is singing
about. (1982 – 4:11).
EVERY TIME I BREAK HER HEART, 1977 – A
space-effect country lilt, the kind that the Stones seem to have
perfected through the years remains unreleased and hasn’t appeared on
any other bootleg before. (1977 – 7:05)
DREAM ABOUT, 1992 – This
might the stray mutt of the collection. A shonky set of lyrics with a
very rote drum backing and less than inspiring musical prowess.
Thankfully, it’s buried in the middle of the set making it easier to
forget. (1997 – 5:03)
FLIP THE SWITCH, 1998 – From the BtB
sessions again, Flip is a solid Keith vehicle. A wildly different
production with a disjointed feel – Not that that’s damning it with
faint praise – it’s a brave move for someone who professes a more blues
oriented style generally. (1997 – 4:33)
CD 3, VOLUME 3
SANCTUARY, 1994 – An odd
little breathy whisp of a ballad abound a curious organ bedding and
bongos. As with the next track, it draws deeply on Minneapolis’s most
famous son, unlike the following, it never seems to go anywhere and
opposed to being sexy, sounds a little creepy. There’s a lot to be said
for experimentation, though and this track is wildly different to what
you might expect. (1997 – 4:54)
DESPERATE MAN, 1973 – a
proto-Prince production of spidery silk slide guitar lines and
falsettos. It edges in, stealing from styles as it shifts around too,
showing just how versatile the band can be all in the space of a few
minutes. (1997 – 6:11)
PRAIRIE LOVE, ca 1993 – Prowling funk work
out with a breathy vocal line and slinky clockwork bass line. A B-side
at best (And considering the glut of danceable remixes that littered CD
singles at the time, that’s no bad thing). (1997 – 5:20)
LIVING
THE HEART OF LOVE, 1974 – Very easily a mid-70’s production, it’s a
close brother to ‘Silver Train’ and ‘Brown Sugar’, a repeated refrain
starts the track before blossoming in to a broader chorus. (1974 – 3:27)
STILL
IN LOVE WITH YOU, 1982 – While we discuss tracks that share DNA with a
certain era, this track fits straight in to it’s date line. Ponderous,
warm, reflective piano and sleepy pedal-steel are enveloped in this
delicately produced ballad. (1982 – 4:25)
I TRIED TO TALK HER
INTO IT, 1982 – A sweet country influenced piece with a great slice of
steel guitar. It skips along merrily and wouldn’t sound out of place of
any nu-country album released this side of the year 2000. This is longer
than the ‘Dirty Work’ version too. (1982 – 4:44)
MIGHT
AS WELL GET JUICED, 1998 – Borne of static and a moody, looping riff,
an electronic throb permeates through this BtB track. This one is around
a minute and a half longer than the CV. (1997 – 7:16)
TOO
MANY COOKS, 1973 – An anomaly as this is obviously the John Lennon
produced solo track that was oft’ traded until it’s eventual release on
the solo best of, ‘The Very Best Of Mick Jagger’. It is a full minute
longer here however (1973 – 4:57)
Curtis
Meets Smokey, 1966 – Does exactly what it says it does – This soft
shuffle Motown homage perfectly pastiches it’s grounding in Detroit
soul. Apparently recorded in 1969, it wouldn’t have any of the bitter
resentment of battalion fury of anything on Let It Bleed – We can only
wonder what they were thinking at this point, it’s easy to hear why it
never went anywhere but it is beautiful. (1969 – 4:17)
COVERED
IN BRUISES, 1981 – A split combination of force between the Glimmer
Twins recorded at the Pathé Marconi sessions – Barrel big and chunky
with a fat bass line that drives. It’s an odd amalgam of a track but it
really, really works. (1977 – 4:49)
IVY LEAGUE, 1994 – A more
complete version of the track, slightly less complete than the version
on Voodoo Stew (Vigotone) (1993 – 4:54)
TOO TIGHT, 1998 – A Keith lead track from BtB that was handed back to Mick for the CV. (1997 – 4:30)
CRISS
CROSS, 1972 – Another from the deluxe catalogue after being a bootleg
staple for so many years, most specifically on Idle Minds / Midnight
Beat’s ‘Acetates’, it finally appeared with a striking video on the GHS
reissue in 2020. (1973 – 3:40)
STRICTLY MEMPHIS, 1995 – This track
appears almost fully formed, a soul funk stomp that cuts in on a take
that’s already in full flow. This version adds a little extra brass.
Take your pick of ‘Dirty Work’ outtake compilations previous – It’s
probably already featured on there already. (1985 – 3:30)
IT’S
ONLY ROCK’N’ROLL, 1973 – Saving the best to very nearly last, we’ve got a
classic without it’s shoes on. A very early studio demo of IORR, the
concept of which was apparently Mick and Ronnie in Ronnie’s home studio,
prior to Ronnie’s invitation to join the stones, gamely joined by David
Bowie. Long a treasured holy grail, here it is. Jagger and an over
excited Ronnie seem to be all over this recording, Bowie, if he is
there, has a more muted part to play in all this. I would expect that
the second guitar part is Bowie and his harmonies could almost be
imagined if you suspect that you hear something. Over all, the track
sounds splendid, certainly not fully fleshed out, and you can hear that
Jagger has found his next hit as he chuckles with glee. (1973 – 4:42)
STUDIO
JAM SESSION (Extreme Western Grip), 2002 / STUDIO JAM SESSION (Well
Well), 2002 – Already released on bootleg and possibly the only two
tacked on for filling the time, these two instrumentals, from one of the
last big leaks of material. 2002 – 3:04 / 3:01)
Please do NOT sell or profit from this recording!
"Special Limited Edition for The Rolling Stones Fan Club"
Black Frisco Records/Made in Japan
Lineage:
Silvers >> foobar2000 >> flac (level 4)
CD 1/VOLUME 1 (TIME 79:20)
1. Nobody Perfect, 1975
2. Trouble’s A Coming, 1972
3. Dreams To Remember, 1983
4. Don’t Lie To Me, 1972
5. Fiji Jim, 1978
6. Eliza Upchink, 1983
7. Deep Love, 1985
8. She’s Doing Her Thing, 1967
9. Putty In Your Hands, 1962
10. Dog Shit, 1983
11. 20 Nil Ca 1991
12. Tell Her How It Is, 1971
13. You Better Stop That, 1983
14. Scarlet, 1975
15. Walk With Me Wendy, 1974
16. Never Make You Cry, 1977
17. Part Of The Night, 1976
18. Low Down, 1997
CD 2/VOLUME 2 (TIME 74:32)
1. It’s A Lie, 1978
2. I Can’t See No One Else, 1985
3. Not The Way To Go, 1977
4. Giving It Up, 1989
5. Hands Off, 1986
6. Built That Way, 1984
7. Keep It Cool, 1982
8. Can’t Find Love, 1983
9. You Win Again, 1977
10. Blood Red Wine, 1968
11. Fast Talking Slow Walking, 1972
12. Cooking Up, 1982
13. Every Time I Break Her Heart, 1977
14. Dream About, 1992
15. Flip The Switch, 1998
CD 3/VOLUME 3 (TIME 78:17)
1. Sanctuary, 1994
2. Desperate Man, 1973
3. Prairie Love, Ca 1993
4. Living The Heart Of Love, 1974
5. Still In Love With You, 1982
6. I Tried To Talk Her Into It, 1982
7. Might As Well Get Juiced, 1998
8. Too Many Cooks, 1973
9. Curtis Meets Monkey, 1966
10. Covered In Bruises, 1981
11. Ivy League, 1994
12. Too Tight, 1998
13. Criss Cross, 1972
14. Strictly Memphis, 1995
15. It’s Only Rock’n’roll, 1973
16. Studio Jam Session (Extreme Western Grip), 2002
17. Studio Jam Session (Well Well), 2002
