Wednesday, January 20, 2010

Sara & Tegan -Live On CBC Radio 1998


Back in 1998 at the age of 17, the Quin twins (identical) entered a Garage Warz Battle Of the Bands competition in their hometown of Calgary, beknownst to them this would be the start of a very successful career in music. Since winning the contest, they have toured extensively and have just released their sixth album, Sainthood to much critical acclaim. They played a pair of sold-out shows in Winnipeg last week on a cross country tour where they will play pretty much every major city in the US and Canada...ha! who needs American Idol when Garage Warz can open so many doors.

I must admit I'm not really a huge Tegan and Sara fan, but I can appreciate their dedication and hard work and keeping true to their own vision. I have their first couple albums, but honestly I can't remember the last time I gave them a spin. I've heard a few cuts from the new album and it's not bad, I'll have to give it a complete listen.

I'm in the process of converting some of my live concert tapes to CD (or digital files) and I thought this T & S recording might be of interest. It's a radio broadcast of CBC's Radiosonic, a program that aired Saturday night on the FM dial. Each week they featured a live concert and sometimes a live in-studio performance in their Vancouver studio. I had a habit of recording any band that sounded interesting or that I was familiar with already. This night, Sara and Tegan (this is not a typo, this was before they were officially known as Tegan And Sara) who were virtually unknown at the time, were interviewed and performed live in-studio. This is a rare early live recording and it's a good raw performance...that sounds great!
I also posted the uncompressed FLAC version on Dimeadozen.org (you need to be a member)

SARA & TEGAN
CBC Studio 2
Vancouver, BC

May 30, 1998

(FM Master)
1. Intro
2. Interview
3. Here I Am
4. Interview
5. I'm Falling Asleep
6. Interview
7. Days And Days
8. Outro


SARA & TEGAN- 5-30-98. rar

Sunday, January 17, 2010

Absolutely Nothing!

I can find absolutely nothing in the way of pictures of the band, this is as good as it gets.

If you're a hardcore Plumtree fan you may be already familiar with Carla and Lynette's early side-project, Absolutely Nothing. They formed in 1994 with members, Carla Gillis, Lynette Gillis and Lisa Verge (later replaced by Derrick Hiltz) and they released a couple of cassettes and played mainly around Halifax. Absolutely Nothing would never be mistaken for Plumtree, their sound was more aggressive, their songs are short and fast and they definitely had a punk edge to them. Carla still sang, but instead of playing guitar she switches to bass. As their MySpace page says, they are a "lean and teen Halifax punk band". They disbanded by 1997, which enabled Carla and Lynette to tour freely and concentrate on their main project, Plumtree.

A number of years ago (at least 10 years ago!), I received a Absolutely Nothing cassette tape and a VHS tape full of Absolutely Nothing and Plumtree live performances from someone on the East Coast, I can't remember who it was, but thanks! Unfortunately the video tape was probably a few generations old, so the quality is a little rough and is not by any means high def, but it's a great documentation of both bands. The tape made me even more of a fan and created a need to see them perform live. I'm hoping there will be a renewed interest in the band, cause I figure the new Plumtree.ca site is a way for Carla and co. to maybe gain some attention because of this Scott Pilgrim movie and to give their fans (new and old) a glimpse into what they were missing. The t-shirts are just a tiny way they can cash in. Plumtree was a band that broke-up at the height of their popularity and called it quits much too prematurely. Check out their discography page and buy their studio albums! Show your support for the band and who knows...!

Carla and Lynette have continued to form bands together and record great music. While living in Vancouver they formed, Bontempi (They mailed me their CD) and Bells Clanging. Currently in Toronto, Carla and Lynette's latest project is, Sisters.

Getting back to Absolutely Nothing, I'm posting this rare cassette demo I have. The sound is fairly lo-fi and raw and there's some tape hiss and the sound volume fluctuates a bit (again a few generations old). I just transferred the tape to digital files and honestly I hadn't played the tape in years. Maybe one day if the members of the band re-release it on CD and clean-up the sound, with a better mix and less distortion, this could sound really good. On their MySpace, the song samples sound much bassier and cleaner.
Enjoy!

ABSOLUTELY NOTHING
Demo cassette (1994?)
1. Fako
2. AWOL
3. Ol' Blue Eyes
4. Girls Just Wanna Have Fun
5. Lawyers Suck
6. Pointed
7. I'm A Boy
8. Milli
9. Loser
10. Armidillo
11. PDS / 4 Track
12. Ich Habe Angst
13. I Don't Know
14. Top Of The Morning
15. Liberated Woman

ABSOLUTELY NOTHING- demos. rar

Wednesday, January 13, 2010

Plumtree - Scott Pilgrim

With the release of the upcoming film starring Michael Cera, Scott Pilgrim vs The World, it should be noted the film is based on the graphic novel by Bryan Lee O'Malley. More importantly before the books, the name of "Scott Pilgrim" originates from the song by Plumtree.

In the film, Michael Cera's character (Scott Pilgrim) will be seen wearing a Plumtree t-shirt. The band is selling those very same shirts on their newly launched website at http://www.plumtree.ca/. It should be also noted, I just bought one! (buy here!) Photos later when it arrives!

More Plumtree videos can be found on YouTube or on Plumtree's site.

Thursday, January 07, 2010

Plumtree Live!


I know there are at least a few readers to this blog that have heard of the late great all-girl Halifax band, Plumtree. If you are not familiar with the band, have a look from their Wiki-bio.

Plumtree was formed in 1993, when the original line-up of the band were teenagers. Carla Gillis (aged 17) on vocals and guitar, sister Lynette (14) on drums, Amanda Braden (15) guitar and vocals and Nina Martin (16) on bass. In their 7 years of existance, they produced 3 full-length CD's, one EP and five 7" singles. In 1996, they were awarded a YTV achievement award for the best Canadian band under twenty and appeared on the nationally broadcasted show. Their popularity was helped by the fact around this time, a boom of great young bands sprung up in the Maritimes region (Sloan, Jale, Eric's Trip), that gained national and American attention (think, Sub Pop!). Plumtree earned a solid fan base with their down to earth, fresh approach to indie-rock that took them on tour throughout Canada and the US. They toured with bands such as, Superfriendz, Thrush Hermit, Inbreds, Weakerthans and the Local Rabbits.

I had the pleasure of seeing the band 4 times during their last tour in 2000 and I wished I had discovered them sooner. About a year ago, in one of my past blog postings I talked about meeting the band after a show and about how I recorded their shows I attended (Also you can still download the Flutterboard cassette ep). If there is interest, I could transfer some of my tapes to CD (or mp3's) and post some more live Plumtree.

Today, I have a recording that was broadcast on the CBC during a East Coast Music Awards showcase concert. Plumtree played a short set (I'm not sure if this was edited down) at the Halifax Convention Centre on January 31, 1998. The sound quality is excellent, as it's a radio broadcast, but there is a glitch between Effin' and You Just Don't Exist, I must have knocked the tuner dial or something as I lost reception for a few seconds, other than that, it's good.
Enjoy!

PLUMTREE
Halifax Convention Centre
Halifax, NS
January 31, 1998
FM Broadcast

1. Hang Up Baby
2. Fatherhood
3. The Game's Over
4. Sodium Chloride
5. Effin'
6. You Just Don't Exist
7. Racing Gloves
8. Go! / outtro.

PLUMTREE- 1-31-98. rar

Monday, January 04, 2010

The Minus 5- Hello EP


Since the last post featured Scott McCaughey's first band, The Young Fresh Fellows, I thought it would be appropriate to follow-up with Scott's "other" bands' first release. In 1993, Scott formed the Minus 5, a loose pop collaborative that was designed not to have a consistent line-up album to album. During the early Minus 5 records, the only constants were McCaughey and Peter Buck, who had recently moved to Seattle from Athens, GA, home to his "other" band, R.E.M.

The Hello EP was the Minus 5's first release and it was put out by the They Might Be Giant's mail order record club, Hello CD Of the Month Club.

MINUS 5
Hello- EP (1993)
  1. Loser So Supreme
  2. Only One Thing
  3. Brotherhood of Pain
  4. Drunkard's Lullabye
MINUS 5- Hello EP. rar

Saturday, January 02, 2010

The Fabulous Sounds...


...Of The Pacific Northwest!
Since it's a new fresh year, I thought I should start the year by making good on some requests. Back in November, when I wrote a posting celebrating 10,000 views to this blog, I posted 4 versions of the Young Fresh Fellows song, Teenage Dogs In Trouble, the title-track to this blog. The original version of that song appeared on their first album, The Fabulous Sounds Of the Pacific Northwest. I know it's kind of late, but to Kev from the UK, I'm finally posting the original album you requested for download. This album is from over 25 years ago and this classic album launched the career of this great Seattle band that is finally receiving the recognition they deserve. I've stated many times on this blog that the YFF are my favourite band, so please take advantage and have a listen because I have lots of YFF rarities to post in the future.

YOUNG FRESH FELLOWS
The Fabulous Sounds Of The Pacific Northwest (1984)
  1. "Rock 'N' Roll Pest Control"
  2. "All Messed Up"
  3. "Gus Theme"
  4. "Think Better Of Me"
  5. "Power Mowers Theme"
  6. "Empty Set Takes A Vacation"
  7. "View From Above"
  8. "Big House"
  9. "This Little Mystery"
  10. "A Humble Guy"
  11. "Down By The Pharmacy"
  12. "Teenage Dogs In Trouble"
  13. "You Call That Lonely?"
  14. "That Letter"
  15. "Young Fresh Fellows Theme"
YOUNG FRESH FELLOWS- The Fabulous Sounds Of The Pacific Northwest. rar

Friday, January 01, 2010

Welcome to 2010!


Will this be the year we make contact?
Welcome to the new year and new decade! I trust everyone had a great 2009 and have high hopes for the upcoming year. I don't think I'll post a top 10 albums or songs of 2009, mainly because I doubt I listened to enough CD's to make qualified choices for this year. I will say that I purchased some very fine products from folks such as Wilco, Neko Case, Minus 5, Young Fresh Fellows, The Hold Steady, Condo Fucks (Yo La Tengo), The Disciplines (Ken Stringfellow-led Norwegian band), Jeffrey Lewis & the Junkyard, Dinosaur Jr, Metric, Amy Millan and Wendy Bird. As well as some great (long-awaited) compilation sets from the Jayhawks and Big Star. I'm not usually one to keep close tabs to "the scene" or to follow what's "hot" in music, as I've spent a lot of my recent time downloading and buying music from past decades, sort of that re-acquiring of music I had on cassette and LP, that I now want to upload on my iPod.

To celebrate the end of 2009, here's a rockin' New Year's eve party song from Pittsburgh's late great, Frampton Brothers, circa late 90's, not 2009..."Let's make believe, things are really gonna get better, yeah everythings gonna be better, this time..."
Happy New Year!

FRAMPTON BROTHERS- Party Hat mp3

Friday, December 25, 2009

A Shiny Happy R.E.M. Christmas


Merry Christmas to everyone! After two straight nights of turkey, family and presents, I finally have time to post a new entry. To conclude my mini-Christmas tribute, I'm upping another rare recording, the R.E.M. Christmas record. This compilation is similar to the Beatles Christmas record because it compiles fan-club only 7" X-mas singles, these are from 1988-1996. These recording were special exclusive singles (A-side and B-side) that were sent out annually to reward their fan club members and are very limited (and rare) 7"ers with only 3,000-6,000 copies pressed. This compilation features Christmas carols, interesting covers, and originals.

R.E.M.
Christmas Fan Club Singles (1988-1996)

1. Parade Of The Wooden Soldier (88a)
2. See No Evil (88b)
3. Good King Wenceslas (89a)
4. Academy Fight Song (89b)
5. Ghost Reindeer In The Sky (90a)
6. Summertime (90b)
7. Baby, Baby (91a)
8. Christmas Griping (91b)
9. Where’s Captain Kirk (92a)
10. Toyland (92b)
11. Silver Bells (93a)
12. Christmas Time Is Here (93b)
13. Sex Bomb (94a)
14. Christmas In Tunisia (94b)
15. Wicked Game (95a)
16. Java (95b)
17. Only In America (96a)
18. I Will Survive (96b)
19. Ghostriders In The Sky
20. Have You Ever Seen The Rain
21. Ghost Riders
22. Dark Globe
23. Ghost Riders In The Sky (live)
24. Funtime
(tracks 19-24 bonus discs? B-sides or from flexi's)
R.E.M.- Christmas Album. rar

Tuesday, December 22, 2009

'Tis The Season For...Los Straitjackets!!


Christmas album week continues with a fine yule time offering from the greatest Mexican-masked surf guitar instrumental combo, Los Straitjackets! I usually can't stand to listen to pop versions of Christmas classics, so this is a refreshing break from the usual drivel and sap that crams up our airwaves around the Christmas season.

Here's what Amazon.com has to say about this disc:
The world would be a far colder place at Christmas without the electric guitar and Los Straitjackets' Tis the Season for is all the proof you need. Packed with 11 guitar-driven traditional songs and two originals, this memorable disc is a must-have for anyone who loves the sound of unaffected, basic guitar rock reminiscent of the Ventures and your favorite garage rock band. Adventurous, ambitious, and totally satisfying, the band takes on "Jingle Bell Rock" (making its guitars ring like a Byrds-fest) and a host of other chestnuts from "Rudolph The Red Nosed Reindeer" to the "La Bamba"-framed workout of "Feliz Navidad." Even the band's own "Christmas in Las Vegas" has those classic jingle-jangle guitar hooks that make this record a perennial holiday hit. --Martin Keller

This is a excellent album to spin if you need some seasonal background music to trim the tree by, so take off that crappy Boney M album and rock-out Los Straitjackets style.
enjoy!

LOS STRAITJACKETS
'Tis The Season For (2002)
1. Here Comes Santa Claus
2. A Marshmallow World
3. Feliz Navidad
4. Jingle Bell Rock
5. Rudolph The Red Nosed Reindeer
6. God Rest Ye Merry Gentlemen
7. Frosty The Snowman
8. Christmas In Las Vegas
9. Let It Snow
10. Sleigh Ride
11. Christmas Weekend
12. Little Drummer Boy
13. The Christmas Song

LOS STRAITJACKETS- Tis The Season For. rar

Monday, December 21, 2009

A Very Merry Beatles Christmas!


The idea and concept of Christmas albums have been around for decades, the Jackson 5 made one, Elvis made some, same with the Ventures, Arcade Fire, the Chipmunks, Charlie Brown and even the Beatles. Well sort of... each year from 1963 to 1969, the Beatles recorded Christmas records for Beatles' fan club members only, in the UK and U.S. Each recording was released on a 7" flex-disc and they were composed of carols, skits, jokes and thank yous to their fans. These records were often disjointed and bizarre, and as the years went on, more elaborate in concept and comedy bits. Overall it was strange, odd, messy, Monty Python-ish, sometimes boring, but always entertaining, if you can follow what they're talking about half the time. Even Tiny Tim makes an annoying cameo in 1968's episode.

In 1970, the flexi's were compiled and sent out to U.S. fan club members as The Beatle's Christmas Album, which meant better sound quality than the flexi-disc's and reminded the fan's that the Beatles were in fact no more.

I've posted a version of the Beatle's Christmas Collection that includes some bonus outtakes as well as the complete 1963-69 Christmas messages. This is a must for any serious Beatle's fan and though it's not too Christmasy and it's sometimes quite weird, it's not nearly as weird as listening to the Bob Dylan try to sing carols.

THE BEATLES
Complete Christmas Collection 1963-69
01. Christmas Time Is Here Again (1967 outtake)
02. The Beatles Christmas Record (flexi 1963)
03. Another Beatles Christmas Record (flexi 1964)
04. The Beatles Third Christmas Record (flexi 1965)
05. The Beatles Fourth Christmas Record (flexi 1966)
06. Christmas Time Is Here Again (flexi 1967)
07. The Beatles 1968 Christmas Record (flexi 1968)
08. The Beatles Seventh Christmas Record (flexi 1969)
09. Christmas Message (1964 Outtake)


BEATLES- Christmas Collection 1963-1969. rar

Thursday, December 17, 2009

Maybe I Don't Get It...


I should start off by stating, I'm a fairly modest Bob Dylan fan, I've seen him in concert twice, I have about a dozen of his albums and I consider him one of the most influential and important songwriters in the past half century, but I should also mention these albums are all from the sixties and seventies and I last saw him live over ten years ago. He is a multiple Grammy award winner, a member of the Rock 'n' Roll Hall of Fame and he is critically acclaimed and respected the world over, so why, oh why, did he record and release a Christmas album? He couldn't be hard up for cash, nor does he seem like the type that gets giddy and excited like a little kid during Christmas and why would his record label want to highlight the declining state of his voice to the point of exposing his lack of singing range, as he's straining to hit notes and why would they release such bizarre renditions of these classic Christmas songs, has me baffled. Is Christmas In The Heart a joke? It's probably the most hilarious thing I've listened to this year, but for all the wrong reasons. His voice is so inappropriate compared to the slick arrangements, music and background vocals, the gruffness in his voice makes him sound like a creepy drunken uncle that's had just a bit too much rum in his eggnog. The songs are disjointed and inconsistent and more like a parody of an old guy singing bad Christmas karaoke that makes everyone listening, feel a little bit better about themselves.

The concept of a Bob Dylan Christmas cover album could be considered a clever marketing ploy (cashing in on the fact musicians don't record as many Christmas albums as they used to) that showcases the side of Bob we never expected, as we know Dylan (similarly Neil Young) likes to pull a complete 360 in style and concept every once in a while, sometimes with good results, sometimes really bad! Albums such as Self Portrait, Saved and Down In the Groove are perfect examples and it proved that Dylan wasn't a complete genius and he was prone to self-indulgence and unaware he was releasing bad records. I'm sure Bob had good intentions when he recorded Christmas In The Heart (some proceeds go to charity), and perhaps it was all done tongue-in-cheek, but why? Maybe I don't it, am I missing something here, is this really a genius at work giving back to his fans, a joyfully merry Christmas present, or has Dylan lost it...again?
You decide, have a listen and let me know what you think.
Enjoy?
BD Christmas. rar

Wednesday, December 16, 2009

Before She Was Famous- Norah Jones

I noticed Norah Jones has a new album (CD) out called, The Fall. The reviews are somewhat mixed and I heard it is a bit of a departure from her first three albums as she experiments with different sounds and collaborators with a more, "rock-oriented" sound. I haven't heard the new album yet, but I wasn't as crazy for her last album, Not Too Late, than her first two. I probably will buy the CD as a Christmas gift for someone (possibly in my household?), and I'll be sure to buy the deluxe edition that features a bonus disc of 6 songs performed live at the Living Room in New York City. It includes three Jones' originals as well as some juicy covers by Johnny Cash, Wilco and the Kinks. Before Norah Jones released her first album, Come Away With Me, she put out a EP in 2001 called First Sessions. First Sessions was limited to about 5,000-10,000 copies and was actually a demo recording for the first album as 5 of the 6 songs were re-recorded and sometimes re-arranged for Come Away. For a more detailed analysis about this hard-to-find recording, I've posted a submitted review from a Amazon.com listener: Although it was extremely hectic to come across for a non-staggering price during Jones' initial burst of hype and is still locatable solely on the expensive side, the "First Sessions" EP is a true treasure; a mirror of sorts that reflects what was to become "Come Away With Me," which went on to become the #7-selling female recording of the Soundscan (1991-present) Era at 9.2 million copies in the US alone. The arrangements of the songs here that went on to make "Come Away With Me"'s final cut, while not as sharp as what they would splendidly evolve to be, are certainly worthy of any ears who've come to appreciate Jones' music to a higher degree than the majority of her CD buyers. The only such track that does not follow that is "Turn Me On," which is near-indistinguishable from the "Come Away With Me" version. Like "Turn Me On," Jones' vocals on "Don't Know Why" are the same as they are on the version included on the mega-hit debut album, with an obviously differed arrangement. The bass and piano are distinctively less poignant and on-the-money than they would eventually become, but still shine brightly. "Come Away With Me" and "Lonestar," meanwhile, could very well have been included as 'Softer Version' alternative takes on CD singles or side projects. Indeed, these predecessors sound much more languid and laid-back than their 2002 counterparts would end up being, much to the chagrin of detractors of Jones' mellow sound. For listeners with the keen sense to sit back and savor the subtle beauty of the sound of Jones and her band, however, these two particular recordings are essentials. "Something Is Calling You," a splendid Jesse Harris-penned track that, while obviously out of place with the overall landscape of "Come Away With Me," matches the album's material in overall quality. The instrumentation, which begins with a consistent guitar solo that absolutely grabs hold of the heart with its profound beauty, along with cacophonous drum brushes, marries with Harris' stream-of-conscious lyrics and Jones' dreamy interpretation to produce an underrated gem in her catalog: "What difference/Do you think that it makes/If you give/Or if its you who takes?/I know it/I feel it/You do too/Just listen/You'll hear it calling you." The best kept secret, all things considered, of her catalog, however, is her cover of jazz legend Horace Silver's "Peace." Recorded solely with Jones introspective interpretation of Silver's lyrics, accompanied only by her passionate, flawless piano-playing, this is for certain the best track the legend-in-the-making has recorded thus far in her young career: "When you find peace of mind/Leave your worries behind/Don't say that it can't be done/With a new point of view/Life's true meaning comes to you/And the freedom you seek is won/Peace is for everyone." Overall, "First Sessions," while only existent among a limited pressing of 5,000 copies, is positively worth attaining if you are a bonafide appreciator of Jones and her music. One listen to this will make such fans wonder why the hype that surrounded her didn't come all the more soon than it did. By Rudy Palma "The Writing Fiend" (NJ) - See all my reviews NORAH JONES First Sessions (2001)
  1. "Don't Know Why" (Harris) – 3:11
  2. "Come Away with Me" (Jones) – 3:06
  3. "Something Is Calling You" (Harris) – 3:25
  4. "Turn Me On" (Loudermilk) – 2:37
  5. "Lonestar" (Alexander) – 3:07
  6. "Peace" (Silver) – 3:51
Edit note: Sorry, I had to remove the offending download links.

Thursday, December 10, 2009

Sloan- Peppermint


Right now as I write this, Sloan is performing in our town at the Pyramid Cabaret. Maybe it's laziness or just because it's so freakin' freezing outside, I'm not there, but sitting inside my warm home. I've never actually seen Sloan live despite the fact I'm a pretty big fan. I have their albums from the 90's and a couple from the last ten years, but recently I've been re-spinning those discs and plugging them onto my iPod. I tend to play bands in heavy rotation when I anticipate attending their shows, but instead I'm listening to two recent Sloan recorded in New York and New Jersey.

At nyctaper.com these two shows are available for download both in FLAC and mp3 formats. The NYCtaper always posts quality recordings with much better equipment than I have and he's more than willing to share these shows. Congratulations to NYCtaper for being named one of PC Magazine's top 50 blogs of 2009.

SLOAN- 2009-12-04 Bell House, Brooklyn, NY
SLOAN-2009-11-30 Maxwell's, Hoboken, NJ

As a Sloan tribute, I am posting their first release, an EP from 1992 called, Peppermint which features 6 songs including three that appeared again on their debut full-length, Smeared.

SLOAN
Peppermint (1992)
  1. "Marcus Said" – 4:34
  2. "Underwhelmed" – 5:25
  3. "Pretty Voice" – 3:08
  4. "Lucky for Me" – 3:11
  5. "Sugartune" – 3:37
  6. "Torn" – 2:55
Download: SLOAN- Peppermint EP. rar

Monday, December 07, 2009

Lisa Hannigan- Daytrotter Session


If you are interested in listening to new unique music and sampling artist's you may not have heard of previously, then you should check out daytrotter.com. Daytrotter gives you exclusive, re-worked, alternative versions of old songs and unreleased tracks recorded in a rustic setting at the Horseshack in downtown Rock Island, ILL. Musicians are invited to drop by the studio and record their songs and then the sessions are posted for free on the daytrotter.com site for your listening enjoyment. This almost sounds too good to be true, there are many well-known, as well as smaller indie-type bands posted here and it's an excellent opportunity to discover and have a (no money obligation) have a listen to any of these musicians. As of today, there are 775 sessions posted in their archives and there are shows added every week. Earlier this year I posted the session Juliana Hatfield recorded at Daytrotter and I've unearthed some great music.

A few weeks ago, my friend Sumi turned me on to an amazing talent, Lisa Hannigan. I must admit I hadn't heard any of her music, so I downloaded her debut solo album, Sea Sew and was pleasantly surprised by what I heard. She has a beautiful soothing voice (with a slight Irish accent) and the quiet whimsy and she describes her style as, "plinky plonk rock". She's previously best known for her collaborations with Damien Rice, but her solo work has garnished much praise and exposure to mainstream audiences through appearances on Leno, the Colbert Report and the BBC's Later...With Jools Holland.

The Daytrotter session with Lisa Hannigan was recorded on March 27, 2009, with Lisa and her band performing four songs from her album, Sea Sew. I've posted a rar file to download if you want the complete session for your iPod or other listening device, but if you want to sample the songs separately, scoot over to Lisa Hannigan's Daytrotter page and click the play buttons on the right hand side of the page. If you have Sea Sew already, this is a fine companion piece, a mini-concert performed in an intimate surrounding, if you haven't heard Sea Sew, this is a great place to start, then buy the album.

Download: Lisa Hannigan-Daytrotter Session 2009-03-27. rar

Sunday, December 06, 2009

40 Years Ago Today- Altamont!


When asked the question, what was the definitive music event of the sixties? Most people will answer, Woodstock. Woodstock symbolized the peace, love and understanding era (or at least 1969) and it became iconic of the end of the sixties. While Woodstock defined what was right about the sixties, Altamont demonstrated what was wrong and it led to the death of the Woodstock nation. The Altamont free concert was held on December 6th, 1969 at Altamont Speedway and was headlined by the Rolling Stones. This infamous concert was best remembered for the considerable violence including one homicide and three accidental deaths. An excellent document of the event is available in the film, Gimme Shelter, a documentary that followed the Rolling Stones on their 1969 American tour and the lead-up to the free Altamont concert. Approximately 300,000 people attended the event that ended in mayhem and much controversy.

Much of the problems with this concert, as compared to Woodstock, was the choice of security hired to add muscle and order. The Hells Angel's were allegedly hired by the Rolling Stones on the recommendation of the Grateful Dead, for $500 worth of beer. Here's a brief description (courtesy of wikipedia) of the result of this bad judgement:

Although peaceful at first, over the course of the day, the mood of both the crowd and the Angels became progressively agitated, intoxicated and violent. The Angels had been drinking their free beer all day in front of the stage, and most were highly drunk. Fueled by LSD and amphetamines, the crowd had also become antagonistic and unpredictable, attacking each other, the Angels, and the performers. By the time the Rolling Stones took stage in the early evening, the mood had taken a decidedly ugly turn as numerous fights had erupted between Angels and crowd members and within the crowd itself. Denise Jewkes of local San Francisco rock band the Ace of Cups, six months pregnant, was hit in the head by an empty beer bottle thrown from the crowd and suffered a skull fracture. The Angels proceeded to arm themselves with sawed-off weighted pool cues and motorcycle chains to drive the crowd further back from the stage.

After the crowd (perhaps accidentally) toppled one of the Angels' motorcycles, the Angels became even more aggressive, including toward the performers. Marty Balin of Jefferson Airplane was punched in the head and knocked unconscious by an Angel during the band's set, as seen in the documentary film Gimme Shelter. The Grateful Dead had been scheduled to play between Crosby, Stills & Nash and The Rolling Stones, but after hearing about the Balin incident from Santana drummer Michael Shrieve, they refused to play and left the venue, citing the quickly degenerating security situation.

The definitive moment of the film, was the stabbing of Meredith Hunter. Hunter is seen in the film attempting to get on stage with others, but was grabbed and punched in the head by an Angel. Hunter is shown in the documentary drawing a gun from his jacket and pointing it at the stage, at that moment he is tackled, stabbed and stomped on by the Hells Angels. Alan Passaro the man that stabbed and killed Hunter was arrested and tried for murder, but was acquitted after the jury watched the footage from the film and declared he acted in self-defence.

The footage that was filmed at Altamont for Gimme Shelter was what really made this documentary so significant. Personally, I consider Gimme Shelter one of the best music documentaries ever. It has the drama and build-up of a real event that was unpredictable and intriguing and you don't have to be a Rolling Stones fan to enjoy the film, as it is an important document of a decade, oh so long ago...

I've looked hard to find a decent recording of the Rolling Stones's set at Altamont and I actually found a complete recording of the show. During the film, they show the Stones' performing only a few numbers so this is a real treat, a historical document, if you will. It's not the best sounding recording, (it's definitely an audience recording complete with chatter and screaming), but it captures some of the chaos and craziness of the crowd, as well as the Stones' amazing set. Check out the first ever performance of Brown Sugar! Are they the greatest rock 'n' roll band? You decide!

Download: The Rolling Stones- Altamont, December 6, 1969. rar (Part 1) (Part 2)

Wednesday, December 02, 2009

B.T.W.F.- Billy Bragg (Riff Raff)

In my ongoing series, Before They Was Famous, this week we take at look at the early career of Billy Bragg. Billy was in town on the weekend shopping for hockey bits, getting honoured by the Winnipeg Folk Festival and performing a concert at the Burton Cummings Theatre on November 28th. If you've never been to a Billy Bragg show be prepared for almost as much talk as music. During one of Billy's long drawn-out stories about one of his Woody Guthrie co-written songs, Ingrid Bergmann, a fan shouted out, "play the song" which of course prompted Bragg to continue to talk even longer. A Billy Bragg show is music, as well as an outlet for Billy's outspoken political views and his fight for people that have suffered a mis-justice. His solo career has spanned from the early 80's right through until the present, as strong a voice as ever. I was at the concert on Saturday, sitting third row centre (thanks Vicki!!) with a perfect view to go along with a good sound mix (it's not too hard with just voice and guitar). I recorded the show and I'll post a few highlights of the concert later in the week. Long before Bragg's long and illustrious solo career, he formed a punk/pub rock band called, Riff Raff. They released a series of singles that got no attention whatsoever which prompted Bragg to take a hiatus from music and join the army. This only lasted a few months and Billy returned to music by busking around London, just him and his electric guitar. Read more about Billy Bragg's career here. RIFF RAFF The Singles 1977-1980 1. I Wanna Be a Cosmonaut 2. Romford Girls 3. What's The Latest 4. Sweet As Pie 5. Barking Park Lake 6. Richard 7. Fantocide 8. Every Girl 9. You Shaped House 10. She Don't Matter 11. New Home Town 12. Little Girls Know 13. Kitten Download: Riff Raff- The Singles 1977-1980. rar

Tuesday, November 24, 2009

New York Dolls- A Hard Night's Day


Since we're on the subject of Johnny Thunders (from the previous post), you can't fully discuss Johnny until you mention his previous band, the New York Dolls. The Dolls only released two official albums with their original line-up, New York Dolls and Too Much, Too Soon, and like Thunder's career they were best represented by their live performances. The debut Dolls album suffered from Todd Rundgren's stifling muddy production and the recording sounded flat and too tight. When I purchased their first album (in the early 80's?), I heard about their reputation and legendary status and their influence on many of the punk bands in the late 70's, but I must admit I was slightly disappointed and didn't think they lived up to the hype, though this album is considered an all-time classic from the seventies.

A Hard Night's Day is a recording that better captures the sound of the New York Dolls as they record direct to tape, live on the floor, one-take versions of their repertoire (including covers), as a demo for their first album. This one night of instant demo-ing is what is represented on this recording and it was made to present to Mercury Records and to their eventual producer Rundgren so they could select what songs to put on that first record. The result is a great sounding document that was loose, sloppy and clear, a major improvement, in my opinion. Unfortunately, it was a little too sloppy for official release, but it has the added interest of listening to the between song chatter amongst the band members (mainly Johansen). I really like this disc because the Dolls don't sound slicked-up yet for mainstream commercial audiences and I don't have an image in my mind of a group of guys dressed up in drag or glamming it up with high-heel boots with too much make-up. Just sweaty, raw rock'n'roll, like it should be!

NEW YORK DOLLS
A Hard Night's Day (2000)

Seven Day Weekend
Frankenstein

Who Are The Mystery Girls?
(There's Gonna Be A) Showdown

Back In The USA

Looking For A Kiss

Jet Boy

It's Too Late

Bad Detective

Lonely Planet Boy

Subway Train

Private World

Trash

Human Being

Don't Start Me Talking

Give Her A Great Big Kiss

Vietnamese Baby

Babylon

Bad Girl

Pills

Personality Crisis


Download: New York Dolls- A Hard Day's Night. rar

Monday, November 23, 2009

Johnny Thunders & the Heartbreakers- S.O.B.


A band that heavily influenced (both musically and spirit) Replacements front-man Paul Westerberg, was Johnny Thunders and the Heartbreakers. The Replacements paid tribute to the Thunders with their songs, Johnny's Gonna Die and Dose Of Thunder. Their early setlists included at least one or two Heartbreaker's covers and in 1987, they invited Johnny to join them on stage.

The Heartbreakers were formed in 1975, when guitarist Johnny Thunders and drummer Jerry Nolan split from the New York Dolls and teamed up with Richard Hell on bass. Walter Lure joined shortly after to play guitar/vocals and by mid-1976 Hell left to form his own band, Voidoids. Hell was replaced by Billy Rath.
I own most of the official releases of both the Heartbreakers and Johnny Thunder's solo records and since the Heartbreaker's only really released one official studio album, most of my collection are live albums. The Heartbreaker's were at the peak during the mid-seventies successfully touring the UK and stateside, in and around New York City. Their live shows were unpredictable, but high energy and they developed a dedicated following during the 70's punk era. The band kind of broke-up in 1979, but did many "reunion" shows afterwards, Jerry and Walter continued to play with Johnny's bands throughout the 80's, but those line-ups never had the urgency or intensity of the early days. I also have a large quantity of Heartbreakers and Johnny Thunder's live recording and bootlegs, but I hadn't seen S.O.B until I saw it on another blog. S.O.B (Lost Live Tapes 1976-1977) is an ultra rare limited (250) Japanese release that features sets from 4 different shows (2 in UK, 2 in US) and is an excellent document of the Heartbreakers at their best, live...loud, sloppy, and rockin'!!

(If you think the songs are quite similar gig to gig, you're right. Remember, they only recorded one album.)

JOHNNY THUNDERS & THE HEARTBREAKERS
S.O.B (Lost Live Tapes 1976-1977)


DISC 1
Max's Kansas City New York City July 23, 1976 (Billy Rath's first show?)

1. Do You Love Me
2. Take A Chance With Me
3. I Love You
4. Flight
5. It's Not Enough
6. So Alone
7. Chinese Rocks
8. Pirate Love
9. Born To Lose
10. Get Off The Phone
11. I Wanna Be Loved

Rebecca's Nightclub Birmingham, UK May 12, 1977

12. Chinese Rocks
13. Pirate Love
14. Get Off The Phone
15. All By Myself
16. Let Go
17. Take A Chance With Me
18. Goin' Steady
19. Can't Keep My Eyes On You
20. I Love You
21. Born To Lose
22. One Track Mind
23. I Wanna Be loved
24. Do You Love Me

DISC 2
Portsmouth Polytechnic, UK June 23, 1977
1. Introduction
2. Chinese Rocks
3. Pirate Love
4. Get Off The Phone
5. All By Myself
6. Let Go
7. Take A Chance With Me
8. Born To Lose
9. I Love You
10. One Track Mind
11. I Wanna Be Loved

The Village Gate New York, NY, USA
12. Introduction
13. Chinese Rocks
14. Pirate Love
15. Get Off The Phone
16. All By Myself
17. Let Go
18. Can't Keep My Eyes On You
19. I Love You
20. Born To Lose
21. One Track Mind

Download: Johnny Thunders & the Heartbreakers - S.O.B. (disc 1). rar
S.O.B. (disc 2). rar

Thursday, November 19, 2009

The Shit Hits The Fans...The Replacements!


The origins of when I started my hobby of recording concerts can be dated back to a newsletter/magazine subscription that I received in the early 90's to a publication called Tapers Quarterly. I searched some boxes and piles of crap in my room to see if I could find an issue to photograph, but I can't find them, though I saw them a few years ago and I set them aside when we were cleaning our basement. Tapers Quarterly was a magazine that featured articles and discussion about concert taping and the the community of tape trading. Of particular interest was a three-part series that focused on collecting recordings by the Minneapolis band, the Replacements. The author Charles Ford discussed their live audio recordings, live video and rarities/outtakes and the uniqueness of a Replacements concert that I had only heard about. The Replacements were the ultimate live experience, especially in the early days, totally unpredictable, loose set lists, lots of covers and a drunken good time. Not every show was crazy, they could also play it straight and tight, but no two Replacement's shows were alike. I was fascinated and started to buy and trade tapes from tapers from across North America (before the Internet, there was good old fashioned snail mail), trying to collect as many Replacements shows as possible. I received a goldmine of shows from a guy in Minneapolis (thanks Dan!), that really soothed my craving and even today if I see I show i don't have, I gotta get it. This obsession with collecting the Replacements has branched off to other bands and I can't tell you how many tapes and CD's I have of concert recordings, but the Replacements have a special place in my collecting heart.

The legend of The Shit Hits The Fans recording can be read about here. Basically it was a tape that was "confiscated" from a fan's cassette recorder by the Replacements sound man at a show in Oklahoma city in 1984. It was a very limited cassette-only release (10,000?) by the Mats' label at the time, Twin Tone. The show is classic Mats where they attempt to play many covers (a few of their own songs as well) with not too much success, usually giving up after a verse or two. There are better sounding and more amusing bootlegs out there, but something about this recording really captures the fearless, "we don't give a crap" attitude that I love about the Replacements. The sound quality is decent, but this is one of those "love it or hate it" things where I would recommend this for (hard-core) fan's of the band. Newbies should start at their studio albums first, Let It Be and Tim and then have a listen to TSHTF. You'll be shaking your head wondering why they're butchering a bunch of crappy covers by Tom Petty, Bad Company and Led Zeppelin, when instead they could be playing their own amazing material.
Love it!

THE REPLACEMENTS
The Bowery
Oklahoma City, Oklahoma
November 11, 1984
The Shit Hits The Fans (released 1985)
  1. "Lawdy Miss Clawdy" (LLoyd Price)
  2. "Ye Sleeping Knights of Jesus" (Robyn Hitchcock)
  3. "Lovelines" (Westerberg/Stinson/Stinson/Mars)
  4. "I'll Be There" (Berry Gordy, Jr./Bob West/Hal Davis/Willie Hutch)
  5. "Sixteen Blue" (Westerberg)
  6. "Can't Hardly Wait" (Westerberg)
  7. "I Will Dare" (Westerberg)
  8. "Hear You Been to College" (Westerberg/Stinson/Stinson/Mars)
  9. "Saturday Night Special" (Ed King/Ronnie Van Zant)
  10. "Iron Man" (Butler/Iommi/Osbourne/Ward)
  11. "Misty Mountain Hop" (Page/Plant/Jones)
  12. "Heartbreaker" (Bonham/Jones/Page/Plant)
  13. "Can't Get Enough" (Mick Ralphs)
  14. "Jailbreak" (Phil Lynott)
  15. "Breakdown" (Tom Petty)
  16. "No More the Moon Shines on Lorena" (Alvin Pleasant Carter)
  17. "Merry Go Round" (Nikki Sixx)
  18. "Left in the Dark" (Ken Draznik)
  19. "Takin' Care of Business" (Randy Bachman)
  20. "I Will Follow" (Hewson/Evans/Clayton/Mullen)
  21. "Jumpin' Jack Flash" (Jagger/Richards)
  22. "Radio Free Europe" (Berry/Buck/Mills/Stipe)
  23. "The New World" (Cervenka/Nommensen Duchac)
  24. "Let It Be" (Lennon/McCartney).
Download: REPLACEMENTS- Shit Hits The Fans. rar
the link should now be working again (Aug/11). I've reupped the file. Let me know if there are still problems.

Wednesday, November 18, 2009

Over 10,000 Visits!!

This is what you get when you Google-image search...sorry, no money here!

I've been posting to this blog for over three years now, August 11, 2006 to be exact and it gives me great pleasure to announce I have reached a (minor) milestone for this blog. Teenage Dogs In Trouble has been viewed over 10,000 times since it's inception, which means in reality there could be only a dozen or so people that have clicked on this site multiple times or it's getting more popular? If you scroll down to the bottom of the page, you will see a ClustrMap with the heading, "visitor locations". If you click on the map, you can see the locations where the viewers are from (the red dots), the larger the dots, the more people from that location that have viewed. It keeps statistics of how many people in the last 24 hours have been to the site and it keeps a running tally from August and an overall number since 2006. Pretty neat, eh?

The Future?
My hope is that the blog has grown and spread it's voice beyond just Winnipeg and Canada throughout the years and that it will continue to snag new readers and get some repeat visitors. I know 10,000 hits really isn't a big deal in the blog universe, because there are thousands, maybe millions of blogs that have that many viewers in a day, but for a small little blog and a local music fan like myself that has a limited amount of "real world" friend's, I'm pretty satisfied. I figure the next 10,000 should come faster if I can post something new every few days or so, as my pet peeve is when website's don't update, I'll try my best to keep this blog fresh and interesting. I know, I go days, even weeks without a posting and I apologize (in advance as well...!), sometimes I get slack and don't feel like writing, so I understand when no one looks at the site at all. If anyone has any suggestions or requests, please let me know. I'm trying to stay away from official major label releases since most of my hassles have been from the copyright police, so out-of-print, hard-to-find rarities are preferred or if I have a particular obsession that week, things will get quite random.

What's that? Not enough action you say? Listen!
To celebrate 10,000, I'm posting 4 versions of this blog's title-track/theme song. The name Teenage Dogs In Trouble, is actually the name of a song by my favourite all-time band, the Young Fresh Fellows, from their first album. What's your favourite version? Enjoy!

YOUNG FRESH FELLOWS
Teenage Dogs In Trouble- (1984) From the album, "The Fabulous Sounds Of The Pacific Northwest"
Teenage Dogs In Trouble-
(1984) From fan-club cassette, "Merry Croutons Mr. Gulp Gulp"- part electric/part acoustic
Teenage Dogs In Trouble- (1993) From the CD, "Live In Spain"- live!
Teenage Dogs In Trouble- (2004) From tribute CD, "This One's For The Fellows"- Mono Men w/Scott McCaughey

Friday, November 13, 2009

Slips, Tangles And Little Pictures


When John K. Samson was still a member of Propagandhi (and years away from when he formed the Weakerthans), he released a 15 track solo cassette entitled, Slips and Tangles. Basically it's just John and his acoustic guitar, but it's interesting to see the beginnings of his song writing style. It was a prelude of things to come, considering his then present band was mainly hardcore. This rare hard-to-find demo tape was released in 1993 and the title track was later re-recorded by the Weakerthans on their Left and Leaving CD in 2000.

Six of the tracks were also re-recorded and released in 1995 as Little Pictures, a split album with Painted Thin's, Small Acts Of Love and Rebellion. Following the success of Samson's Weakerthan's, in 2006, both recordings were re-released separately by G7 in mp3 format.

JOHN K. SAMSON
Slips and Tangles (1993)
  1. Slips and Tangles
  2. Greenest Eyes
  3. Airport Lounge
  4. Unearthly Refrain
  5. Happy Song
  6. Sunday Afternoon
  7. Summer Rain
  8. Farewell Faded Memory
  9. Velveteen
  10. Maryland Bridge
  11. Sympathetic Smile
  12. Saint Cecilia
  13. Little Pictures
  14. A Story You Have Heard Before
  15. Agonistes
Download: John K. Samson- Slips And Tangles. rar


Little Pictures (1995)
  1. Maryland Bridge
  2. Sunday Afternoon
  3. Sympathetic Smile
  4. Farewell Faded Memory
  5. Saint Cecilia
  6. Little Pictures
Download: John K. Samson- Little Pictures. rar

Wednesday, November 11, 2009

"Live" At A Beach Boys' Party!


As a followup to yesterday's entry, I present, The Beach Boys' Party!, the album format that inspired Sloan to release Live At A Sloan Party, the bonus disc to the American release of One Chord To Another. Though I'm not normally much of a Beach Boys fan, this LP is unique for it's approach and selection of material. Marketed for the Christmas season, Beach Boys' Party was recorded by the band and friends and was meant as a fun loose album instead of a Christmas album, per say, but captured the spirit and spontaneity of a live recording. Although it was presented as a live recording, the songs were carefully recorded in a studio and laughter and chatter was mixed in post-production. The album featured covers by the Beatles, Everly Brothers and Bob Dylan as well as a medley of their own hits, I Get Around/Little Deuce Coupe along with it's surprise hit single from the record, Barbara Ann.

A fun short set of music that is surprisingly entertaining and not to be taken too seriously.
Enjoy!

THE BEACH BOYS
(Recorded "Live" At A) Beach Boys' Party!
  1. "Hully Gully" (Fred Smith/Cliff Goldsmith) – 2:22
    • Lead Vocal - Mike Love
  2. "I Should Have Known Better" (John Lennon/Paul McCartney) – 1:40
    • Lead Vocal - Carl Wilson and Al Jardine
  3. "Tell Me Why" (John Lennon/Paul McCartney) – 1:46
    • Lead Vocal - Carl Wilson and Al Jardine
  4. "Papa-Oom-Mow-Mow" (Carl White/Al Frazier/Sonny Harris/Turner Wilson Jr.) – 2:18
    • Lead Vocal - Brian Wilson, with Mike Love (bass)
  5. "Mountain of Love" (Harold Dorman) – 2:51
    • Lead Vocal - Mike Love
  6. "You've Got to Hide Your Love Away" (John Lennon/Paul McCartney) – 2:56
    • Lead Vocal - Dennis Wilson
  1. "Devoted To You" (Boudleaux Bryant) – 2:13
    • Lead Vocal - Mike Love and Brian Wilson
  2. "Alley Oop" (Dallas Frazier) – 2:56
    • Lead Vocal - Mike Love
  3. "There's No Other (Like My Baby)" (Phil Spector/Leroy Bates) – 3:05
    • Lead Vocal - Brian Wilson
  4. "Medley: I Get Around/Little Deuce Coupe" (Brian Wilson/Mike Love/Roger Christian) – 3:12
    • Lead vocals by Dennis, Mike, Brian, Al, Carl
  5. "The Times They Are a-Changin'" (Bob Dylan) – 2:23
    • Lead Vocal - Al Jardine
  6. "Barbara Ann" (Fred Fassert) – 3:23
Download: Beach Boys- Beach Boys' Party! . rar
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