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Today is International Women's Day (March 8), a day celebrating the social, economic, cultural and political achievements of women. On this blog we'll include the huge impact and contributions of really good music! I just realized as I write this that the last couple of posts have highlighted some female artists and I will continue to feature more women artists moving forward.
In the early days of the blog, there was a semi-regular feature called Something New Mondays. It was a weekly roundup (posted on Mondays, duh!) of new or upcoming releases that may have been overlooked and music that I recommended to give a listen. An album that would have been perfect to feature was Wet Leg's, self-titled album released in April 2022. I heard the hype about the band (before hearing the album) and there was something about their music that stuck with me. The band gained momentum throughout the year (critically and followers/fans) and they hit the height of mainstream popularity as they were nominated for best new artist at the Grammy's and won Best Alternative Music Album and Best Alternative Music Performance for the song, Chaise Longue. Accolades all around internationally for the band hailing from Isle of Wight in the UK! As you've probably guessed, I despise the Grammy's and do not consider it a measuring stick of what I consider is listenable, but I like Wet Leg. We'll see if they sink into the yucky commercially driven mainstream music "scene" or if they can maintain any kind of alternative edge cred.
Fortunately, someone recorded the Wet Leg show in Vancouver at the legendary venue, Commodore Ballroom last summer. As you can see on the poster for the concert, the date was originally for a later date on August 25th at the Rickshaw Theatre and my guess is that due to the rising popularity of the band, the show was moved to a larger venue because of the demand for tickets. There are some fabulous photos taken at the show and you can see more at Scene in the Dark and Unclear mag. The sound quality of the live recording is quite good, as it's a matrix of an audience recording and an IEM feed (in-ear wireless monitors) at the venue, The first two and a half songs in, it's audience only, but once the IEM signal kicks in the sound improves. A solid recording of an emerging band with a very enthusiastic and probably young (female) audience. Happy Women's day!
Enjoy!
Please do NOT sell or profit from this recording!
Do NOT convert to lossy formats, except for personal use.
Please share!
Wet Leg
Thursday August 4th, 2022
Commodore Ballroom
868 Granville St.
Vancouver, British Columbia, Canada
IEM + AUD Stereo Mix
Source 1: Sony ECM > Sony Minidisc MZ-NF810 > Analog Cable > PC Soundcard > Audacity
Recorded by: crowflies
Source 2: IEM Feed > H6
Recorded by: LeifH [2022#72]
Transfer: .WAV > RX9 > Wavepad > flac (8) via TLH
Setlist:
01 Being in Love
02 Wet Dream
03 Convincing
04 Supermarket
05 Obvious
06 Oh No
07 Piece of Shit
08 Ur Mum
09 UFO
10 Too Late Now
11 Angelica
12 Chaise
Thursday August 4th, 2022
Commodore Ballroom
868 Granville St.
Vancouver, British Columbia, Canada
IEM + AUD Stereo Mix
Source 1: Sony ECM > Sony Minidisc MZ-NF810 > Analog Cable > PC Soundcard > Audacity
Recorded by: crowflies
Source 2: IEM Feed > H6
Recorded by: LeifH [2022#72]
Transfer: .WAV > RX9 > Wavepad > flac (8) via TLH
Setlist:
01 Being in Love
02 Wet Dream
03 Convincing
04 Supermarket
05 Obvious
06 Oh No
07 Piece of Shit
08 Ur Mum
09 UFO
10 Too Late Now
11 Angelica
12 Chaise
51:21
The first 2.5 songs are audience only. Some drops outs occurred during "Supermarket" on the IEM source.
Rhian Teasdale – lead vocals, rhythm guitar
Hester Chambers – lead guitar, backing vocals
Henry Holmes – drums, percussion
Ellis Durand – bass, backing vocals
The first 2.5 songs are audience only. Some drops outs occurred during "Supermarket" on the IEM source.
Rhian Teasdale – lead vocals, rhythm guitar
Hester Chambers – lead guitar, backing vocals
Henry Holmes – drums, percussion
Ellis Durand – bass, backing vocals
Great band, thank you.
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