Monday, May 20, 2019

The Disciplines- Live In Sweden 2009

Ken Stringfellow has been a member of so many bands and projects it's hard to keep track of all his musical contributions be it as a singer, songwriter, musician, arranger and producer. According to Wikipedia, Stringfellow's discography includes more than 200 albums, as he continues to stay busy with the Posies and the various side-projects he's been a part of. His original claim to "fame" would be as co-founder of the Posies with Jon Auer. He and Auer were also members of the re-formed Big Star in the 90's and 2000's with Alex Chilton and drummer, Jody Stephens, until Chilton's death in 2010. Stringfellow probably played in front of his largest audiences as a touring/recording member of R.E.M. in the late 90's to the mid-2000's. I'm guessing his association with R.E.M. began when he was member of the Minus 5 with Peter Buck and Scott McCaughey (who was joined R.E.M.). I've previously posted a great album by the Orange Humble Band, Assorted Creams which featured Stringfellow as their lead singer. I think it's still downloadable, so if you haven't heard it, I highly recommend a listen, it's a power-pop classic.

In 2007, Stringfellow formed the Disciplines with members of the Norwegian band, Briskeby and he was the lead singer. Their music is a raw, melodic, powerful garage rock that sounds fantastic live. I fluked into purchasing their first album, Smoking Kills while record shopping in Philadelphia in 2009 and I was instantly blown away. They released a second album, Virgins of Menace (which I have not seen or heard) as they were active from 2007-2011 with the two albums and tours of Europe and North America.

I hadn't thought of the Disciplines for while until I read this message recently on the Posies website:

“Hello from Ken!
Recently my band THE DiSCiPLiNES has found themselves in a trademark dispute with another artist… we need to register our name as a trademark (read: hire a team of lawyer$) to resolve this situation and we have launched a GoFundMe to help raise $$ for our legal fund. Could really use your help — this is not only about The D’s music, which could virtually disappear if we don’t successfully navigate the dispute, but also my own ability to make music as an independent musician is highly impacted by these legal costs–right at a time when I’m devoting my energies to working exclusively on the Posies new album for 2020. Any and all help appreciated!

Thank you,


As of this writing, the campaign is over halfway to it's goal of $5,000. So if you want to contribute to help support the Disciplines legal fund, head over to GoFundMe and pledge what you can. Even if you haven't heard the Disciplines music before or aren't yet a fan, please support Ken for all the great music he has shared as a solo performer, with his bands and other music projects he's been a part of. To help entice you, I'm posting an incredible sounding live show from the Disciplines from their mini tour of Sweden in 2009. A small venue with Stringfellow rocking out hard, you can almost feel the sweat flying...yeah, it was probably amazing!

Please do NOT sell!
Please share!
Do not convert to lossy, except for personal use.

Raw Bar, 

Eskilstuna, Sweden
11 September 2009

Taped & edited by raya
Lineage: SP-CMC-2 > SP-SPSB-6 > Edirol R09 (WAV 24 bit / 44.1 KHz) > wav > Audacity (fades, track splits, edits) > TLH (fix SBEs, Flac level 5)

01 Yours for the taking
02 Falling knives
03 Complicated times
04 Best mistake
05 Wrong lane
06 Get it right
07 Some kind of sickness
08 Gonna get worse
09 For you I walked over the line
10 [pointless shit]
11 I got tired
12 One *)
13 Fate's a strong bitch
14 There's a law
15 Hurricane
16 Cause or FX

Bonus track:
17 Virgins of menace
Lilla Hotellbaren @ Scandic Malmen, Stockholm, Sweden, 12 September 2009

*) Ken playing guitar

The Disciplines are:
Ken Stringfellow, vocals
Bjørn Bergene, guitar
Bård Helgeland, bass
Ralla Vilnes, drums

DISCIPLINES- 2009-09-11 Eskilstuna FLAC. rar

Sunday, May 19, 2019

Yo La Tengo- Request-A-Thon 2019

Once again, Yo La Tengo performed on WFMU-FM (out of Jersey City in the good ol' USA) for an afternoon of accepting fundraising pledges in exchange for a song. This annual, Request-a-Thon has had the honour of having Yo La Tengo live-on-air taking your requests for something like 24 straight years, if that's true it's simply amazing! As a music fan outside of the listening zone of New Jersey (though, I'm sure online is a possibility) I await for someone to post the show so I can hear YLT always interesting covers and I'm more than eager to share it here. I've posted the last three years broadcasts along with a couple others from the early 2000's and to make it easier to access the previous posts, I've started to add tag labels (at the bottom of the post). For example, at the bottom of this post, if you click Yo La Tengo or WFMU, the search will bring up the other posts with the same label, easy eh?

In case you're not completely familiar with the format of the all request live-on-air show, here's an excerpt from Yo La Tengo's page:
  Anybody who pledges at least $100 gets to make a song request, and we will do our best to play it.  And if you’ve heard this show before you are well aware that all too frequently our best, to quote Eric Burdon, just ain’t good enough.  This is the 24th year in a row that we’ve done this, and you’d think we’d have it down by now.  

A word or two about these requests.  We will not be consulting computers, phones or anything else to help us play these songs, relying strictly on our “wits” and a lifetime of listening to records.  We do not pretend to know every song ever written, and by the end of the afternoon, you’ll be wondering if we in fact know even one.  If you are of a mind to give us a couple of choices, or “any song by _____,” you’ve got a better chance of hearing us try to take your request.  Whether that’s a good thing or not remains to be seen.            

As the show goes by, the requests tend to pile up faster than we can keep track of them, so pledging in advance will increase the odds that we play your song. We swear on a stack of Hit Paraders that the four of us will know nothing of the requests until after the show begins.

Special thanks to Yo La Tengo and WFMU-FM for making this recording available. WFMU-FM is a listener supported, independent community radio station. It is the longest-running freeform radio station in the U.S.

Donations to the station can be made here:

Please do NOT sell!
Please do not trade this in lossy format.
Convert to lossy for personal use only.

Yo La Tengo
Live on Todd-o-phonic Todd's
Request-a-Thon with Gaylord Fields and Evan Funk Davies
WFMU-FM's Monty Hall
Jersey City, NJ USA
7 sets from 3-6pm

Broadcast live over 91.1 WFMU-FM, Jersey City, NJ USA.

WFMU-FM > Sony XDR-F1HD > Edirol R-09HR (44.1/16) >
Sony Soundforge 10 > FLAC level 6 aligned on SB

Set 1:
01 - Rumble (Originally by Link Wray) (2:03)
02 - For Pete's Sake (Originally by The Monkees) (2:03)
03 - Daydream Believer (Originally by The Monkees) (2:47)
04 - Puff The Magic Dragon (Originally by Peter, Paul and Mary) (2:00)
05 - Be My Baby (Originally by The Ronettes) (2:53)

Set 2:
06 - Rock n Roll High School (Originally by Ramones) (1:45)
07 - I'm A Man (Originally by Spencer Davis Group) (2:28)
08 - Mother-In-Law (Originally by Ernie K Doe) (1:54)
09 - Autumn Sweater (Originally by Yo La Tengo) (4:54)
10 - Agitated (Originally by the electric eels) (1:48)

Set 3:
11 - Girls Just Want To Have Fun (Originally by Cyndi Lauper) (2:01)
12 - Panic In Detroit (Originally by David Bowie) (2:06)
13 - Ya Ya (Originally by Lee Dorsey) (2:35)
14 - He's Frank (Originally by the Monochrome Set) (3:21)
15 - Betty Lou's Got A New Tattoo (Originally by the Creep) (1:59)

Set 4:
16 -  TV Party (Originally by Black Flag) (2:05)
17 -  Cast A Shadow (Originally by Beat Happening) (2:16)
18 -  Lay Lady Lay (Originally by Bob Dylan) (2:33)
19 -  Synthetic World (Originally by Swamp Dogg) (2:47)
20 -  Rock And Roll (Originally by the Velvet Underground) (3:16)

Set 5:
21 - Get Dancin' (Originally by Disco-Tex and Sex-o-lettes) (1:38)
22 - Cowgirl In The Sand (Originally by Neil Young) (2:40)
23 - Ever Fallen In Love (Originally by Buzzcocks) (2:20)
24 - Can You Get To That? (Originally by Funkadelic) (1:46)
25 - You Really Got Me (Originally by The Kinks) (2:21)

Set 6:
26 - Theme from M*A*S*H (OST) (1:19)
27 - Chewy Chewy (Originally by Ohio Express) (2:40)
28 - Unsatisfied (Originally by the Replacements) (2:38)
29 - She's Not There (Originally by the Zombies) (2:16)
30 - Babysitter (Originally by Ramones) (3:15)

Set 7:
31 - Ain't Got No Home (Originally by Clarence "Frogman" Henry) (2:16)
32 - Mickey (Originally by Toni Basil) (2:36)
33 - Anything Could Happen (Originally by The Clean) (2:15)
34 - Poison Ivy (Originally by the Coasters) (2:03)
35 - She Cracked (Originally by the Modern Lovers) (3:09)
36 - Re-Make/Re-Model (Originally by Roxy Music) > Medley of Requests (5:56)

With references to:
Auntie Grizelda - Monkees
The Beautifule Ones - Prince
Bumpy Ride - Mohombi
I Am A Scientist - Guided By Voices
Kids - MGMT
The Beautiful Ones - Prince
What Do I Get - Buzzcocks
Follow Me Around - Radiohead
Always Everytime
Do You Love Me - Kiss
See The Sky About To Rain - The Byrds
New Girl In School - Freedy Johnston
Sweet Child O' Mine - Guns N' Roses
Insane Clown Posse/X-Ray Burns

Total Running Time: 1hr 30min 59sec

Georgia Hubley - drums, vocals
Ira Kaplan - guitar, vocals
James McNew - bass
Bruce Bennett - guitar, vocals

YO LA TENGO- 2019-03-09 WFMU-FM Jersey City, NJ FLAC .rar

Wednesday, March 27, 2019

The Guess Who- Playhouse Theatre, Winnipeg, MB, April 1975

 I thought this post would be appropriate because of two things in the news recently. The old Playhouse Theatre (aka: Pantages Playhouse Theatre) where this show was recorded was recently sold to new owners that will continue to operate the theatre. The theatre was up for sale last year and closed it's doors at the end of 2018 with the hope someone might be interested in keeping it running. The new owners paid just over half a million dollars (CDN) for the heritage property. The other bit of interesting news involves former Guess Who frontman, Burton Cummings coming across a little wacky in his new hometown of Moose Jaw, Saskatchewan. Apparently, Cummings wasn't too impressed with his neighbors, a dance fitness studio, that was playing it's music too loud. Cummings and other residents have complained and it has led to the studio facing 6 noise bylaw charges against the owner of the business. Cummings' complaint led to city council to re-evaluate business licenses for areas with homes and businesses. This seems fair and I have no doubt that residences should have protection from noise and loud music, I would hate to live close to a bar or outdoor music venue, but the owner has tried to reach out to Burt to discuss a solution, but so far he has declined. Remember it is just an indoor dance studio (that opens it's windows...maybe a suggestion is to close them?) and Burt, well he has a concert theatre venue in downtown Winnipeg named after him because he was a famous rock star in his former life, so you'd think he might be more tolerant or... not.

This live recording is a radio broadcast of the Guess Who live at the Playhouse Theatre in 1975. This was about 6 months before the band split up in October with frontman, Burton Cummings in the band. The band would later form in different incarnations without Cummings, with original  bass player, Jim Kale registering and taking control of the band name and to this day, the Guess Who continues to tour and record albums with drummer, Garry Peterson the lone original member. The 1975 band personnel and sound was a far cry from the hit-making "classic" lineup from the late 60's. Peterson and Cummings were in the band, but Randy Bachman (who had left in 1970) was long gone with a succession of guitar players replacing him and in 1974, Domenic Troiano joined the band.

I grabbed this recording from Dime, thanks to Krw co for posting and sharing. I have seen this live recording CD for sale at McNally Robinson (semi-officially released?) and for sale at my local record store as an unofficial bootleg (probably downloaded from the same source), so get it here while you can. The sound quality is excellent and the performance is fine. If you're even a moderate fan of mid-period Guess Who this is a must hear and for fans that want to hear that Bachman/Cummings sound of the 60's, this still holds it's ground, though there is a lot of filler. Regardless, this is an important document from one of the greatest bands from Winnipeg at one of finest concert venues still being used today.

Please do NOT sell or convert to lossy formats
Please share!

Winnipeg Playhouse Theater
Winnipeg Manitoba Canada
April 15TH 1975

Soundboard/FM Broadcast From
The Joe Maloney Collection
Presented By Krw_co

Lineage Unknown Generation Soundboard/FM Broadcast
to CDR Clone to EAC Secure Mode to TLH FLAC Level 8

   Disc 1
1 Down and Out Woman
2 Dirty
3 Hand Me Down World
4 Albert Flasher
5 Diggin` Yourself
6 Star Baby
7 Those Show Biz Shoes
8 Straighten Out
9 Seems Like I Can't Live With You
10 Clap For The Wolfman

   Disc 2
1 Medley (The Way We Were/Laughing/These Eyes/Undun/Hang On To Your Life/American Woman)
2 Roseanne
3 When the Band was Singing
4 Long Gone
5 No Time
6 Dancing Fool
7 Instrumental Interlude
8 Orly / DJ Talking

Burton Cummings  vocals keyboards
Garry Peterson   Drum backing vocals
Domenic Troiano  Guitars backing vocals
Bill Wallace     Bass backing vocals

GUESS WHO- 1975-04-15 Disc 1 FLAC. rar 
GUESS WHO- 1975-04-15 Disc 2 FLAC. rar 

Saturday, February 23, 2019

Neil Young & Crazy Horse- Centennial Concert Hall, Winnipeg Feb. 4, 2019

Since there was a policy of no photography during the show, this is the best I have.
Back in December, when pre-sale tickets for a pair of Neil Young & Crazy Horse shows in early February went on sale I had no idea he was even coming to town. My brother asked if I was a member of the Neil Young Archives because being a member meant first dibs for tickets. I wasn't, so he joined and snagged tickets in the sixth row for the first show on February 3rd at the Burton Cummings Theatre. I used his password for the second show at the Centennial Concert Hall the following night. Before I bought the tickets I agonized whether I should "invest", I hadn't seen Young live before and he was on my imaginary list of bands I should see before I (or they) die, but tickets weren't cheap and the cheapskate that I am hasn't paid that much for concert tickets ever. What pushed my decision towards going was the fact his band Crazy Horse would be performing as well as Neil solo and I figured this might be one of the last opportunities to see the electric Neil. My theory is he can play the solo musician-thing for longer than the full-on band. I opted for the third most expensive price level which meant I was back to row 22 on the floor, but dead centre. This could be good!

I must admit I'm not a big fan of opening acts. I get the reason why they have them, it extends the actual performance time for your evening so you're not there for only an hour and a half to see the actual reason why you're there as opposed to two and a half hours with the opening act and the intermission before the headliner. No offensive to the opener (William Prince was fine), but I'm paying the big bucks to see Neil Young. In this case, a quick run to the bathroom during intermission turned into an overly long lineup and without warning (that I know of), the concert resumed as I was walking down the row to my seat. Without announcement, the lights go out, pitch black dark as Neil wanders onto the stage and launches into the first song. I scramble for my recording equipment, setup and hit record, trying the best I can to set the volume levels. Because it's so dark I use my small flashlight to see which shines "like headlights" according to the people beside me as I struggle to level on the fly. The woman beside me tells me, "could you please stop that" and I don't look at the levels again, this isn't a good thing!

Neil played seven songs for his solo mini set, meandering between guitar, piano and banjo which was mellow and cool, not overwhelmingly exciting, but probably satisfied the older folk festival going fans the most. Things got cooking more once Crazy Horse joined Young for the electric band set. Rockin' In The Free World was the perfect set opener, I think Neil is at his best when he plays with Crazy Horse. Songs like, The Losing End, Roll Another Number and Winterlong are great underrated songs from his extensive catalog and Cortez The Killer is truly a Neil Young & Crazy Horse classic! For me, the guitar interplay on that song was worth the price of admission and seeing Neil shred with the great Nils Lofgren was a thrill. The main set closed with Fuckin' Up, which of course led to a two song encore with another classic, Like A Hurricane and ended the evening with Hey Hey, My My (Into The Black), which also closed the show the prior evening. Overall, a solid show, but wish there was a longer set from Neil with Crazy Horse, but I'm glad I was there.

The sound on the live recording is really good, not much nearby crowd noise or talking, so the sound is clear thanks also to the supreme acoustics of the concert hall, which is made specifically for concerts. There are though some imperfections on this recording I should mention before you listen:
  • The recording joins the first song (Out On The Weekend) a verse or so into the song. I missed the start before I got to my seat. There was no introduction before the song so you don't miss much. 
  • After the first song when I was adjusting the sound levels, the sound is stabilized and the rest of the solo set is fine. Thanks again to the lady beside me for talking in my ear, I didn't take any photos because I was worried she would freak out with the light from my phone if I dared.
  • During the beginning of Rockin' In The Free World the volume shoots up (Warning, you might want to turn it down a bit) for a moment, as I blindly turn the levels down almost too low for the rest of the song. By Danger Bird, the sound levels are up more evenly and stays that way to the end.
I originally was going to post this show to Dime (you have to be a member), but since I took my sweet time preparing the files and writing this, someone beat me to it. There is another recording from this show posted, I haven't listened to it, but it probably didn't have the issues I mentioned above. Also, on Dime there is a recording of the first night at the Burt. If you are not a member and you are interested, I might re-post the show here with the permission of the taper (please let me know). Since I don't want to post another version on Dime, this recording is exclusive to TDIT and is available for all to enjoy.

Please do NOT sell or convert to lossy format
Please share!

Centennial Concert Hall
Winnipeg, MB, Canada
February 4, 2019
AUD Master

Sony ECM-DS70P mic> Tascam DR-07> SD card > 16 bit Wav>
Direct Wave MP3 splitter> FLAC> rar file

Neil Solo
01. Out On The Weekend (in progress)
02. Distant Camera
03. War Of Man
04. Old King
05. Green Is Blue
06. Don't Let It Bring You Down
07. Journey Through The Past

with Crazy Horse
08. Rockin' In The Free World
09. Danger Bird
10. Wonderin'
11. The Losing End
12. Roll Another Number (For The Road)
13. Winterlong
14. Cortez The Killer
15. Fuckin' Up

16. Like A Hurricane
17. Hey Hey, My My (Into The Black)

Crazy Horse
Neil Young- vocals, guitar
Nils Lofgren- guitar
Billy Talbot- bass
Ralph Molina- drums

NEIL YOUNG & CRAZY HORSE- 2019-02-04 Winnipeg, MB FLAC Master. rar

Tuesday, February 12, 2019

Buzzcocks- Live At The Palladium, NYC 1979

Happy New Year, or should I say belated since it's already a month and a half into 2019. Busy times, so sorry for the loss of a month, it's been f#*king freezing here for the past month, but my only excuse is I'm lazy and I've been watching too much hockey! I have much to post so stay tuned.

One news item I haven't addressed from last year was the untimely death of Pete Shelley, lead singer of the Buzzcocks, back in December 6th. Though the Buzzcocks only released three full length albums during their original heyday in the late 70's, their impact and influence is undeniable. Their punk energy and instantly catchy punk power pop songs were infectious and fun and a good place to start (for the unconverted) is their brilliant collection of "singles" on the Singles Going Steady compilation album. This was my first introduction to the Buzzcocks and I wore out a dubbed cassette copy of the album (that I still play today) because it's that good! Buy it, download it, stream it, whatever you got and listen to!!

On Dime, after Shelley's death, there was a flood of live concert recordings from the Buzzcocks. I managed to download a few and one of the better shows, performance, setlist and sound quality-wise was a show at the Palladium in New York City from 1979. This was at the height of their powers and it's an excellent showcase to a North American audience. This is a good set and it sounds really great, high recommended!
R.I.P Pete Shelley (1955-2018).

Please do NOT sell or transfer to lossy formats (except for personal use)
Please share!

The Palladium
New York City, NY
December 1, 1979
FM Broadcast

01    I Don't Mind   
02    Autonomy   
03    Ever Fallen In Love (With Someone You Shouldn't')   
04    Mad, Mad Judy   
05    Sixteen    
06    Moving Away From Pulsebeat   
07    Noise Annoys   
08    Love You More
09    What Do I Get ? / Harmony In My Head   
10    Everybody's Happy Nowadays   
11    You Say You Don't Love Me   
12    I Don't Know What To Do With My Life   
13    I Believe   
14    Fast Cars   
15    Breakdown   
16    Boredom   

BUZZCOCKS- 1979-12-01 The Palladium, NYC, NY FLAC. rar

Monday, December 31, 2018

Johnny Thunders & The Heartbreakers- Live At The Village Gate 1977

As Johnny Thunders and the Heartbreakers, the band only released one studio album. That album, L.A.M.F. was originally released in 1977 and remains today as a true punk rock classic. I have the original vinyl LP I bought at a record store in Vancouver in the mid-80's and I was disappointed with the sound quality and mix of the record as it sounded dull and lifeless. Apparently, I wasn't alone with this option as the record has been re-released several times to improve the sound through re-mixes,  lost mixes and alternative versions from the original album. L.A.M.F. Revisited, L.A.M.F.: The Lost '77 Mixes (released 1994) and L.A.M.F. Definitive Edition (2012) which featured the original album, the lost mixes, demos and alternative tracks. Thunders went on to record a handful of solo studio albums, but the legacy and true appeal of the Heartbreakers was in their live performances. For a band with only one official studio album, they released several live albums capturing the Heartbreakers, especially in the late 70's at their peak. Johnny Thunders shows in the 80's were at best uneven and sometimes unpredictable. With the right mix of intoxication and preferably shows with Waldo (Walter Lure) on guitar, his live shows could also be brilliant with some classic Thunders stage banter and loose, but inspired playing. (Unfortunately, when I finally saw Thunders live it was towards the end of his life/career and the concert was a mess, he was strung out and the musicians around him weren't very good, including a pickup drummer from the crowd, sad) Anyways, many very good sounding live recordings from the Heartbreakers prime era in the mid-late 70's have been available on LP, cassette and CD in both bootleg and semi-official releases and whenever something new (unreleased) gets unearthed from someones collection it's always worth a listen.

I was in Minneapolis last June scouting out record stores and stumbled upon, Live At The Village Gate 1977 on CD. It was brand new in a slick package with a beautiful b & w gatefold CD cover, that I hadn't seen before. (I heard that the vinyl version is hot pink!) And because I'm always looking for unreleased Heartbreakers shows I bought it. The sound quality is only okay, it's a step up from a audience live recording, but it has a bit of an digital sounding enhancement to it. Once you get past that, the show itself is very good, with a solid performance and great songs. I would suggest seeking out Live at Max's, D.T.K. (Live at the Speakeasy) or even Live at the Lyceum Ballroom first before buying Live at the Village Gate. It's a nice addition to the Heartbreakers live album collection and I shouldn't complain because anything unreleased (or unheard) that is new to me, is always a welcome listen at any time.
Happy New Year!!

Please do NOT sell or transfer to lossy formats (except for personal use)
Please share!

Live At The Village Gate
August 18 & 20, 1977
(released in 2015)

01. Chinese Rocks
02. Pirate Love
03. Get Off The Phone
04. All By Myself
05. Let Go
06. Can't Keep My Eyes On You
07. Chatterbox
08. One Track Mind
09. Take A Chance On Me
10. Born Too Loose
11. Boppin The Blues
12. Do You Love Me
13. I Wanna Be Loved


Friday, December 28, 2018

Rivers Cuomo- The Troubadour, May 30, 2018

It's been a pretty good last couple of weeks for Rivers Cuomo and Weezer. A skit from Saturday Night Live on December 15th that was dedicated to his band, Weezer went crazy viral with a pair of fans/neighbors at a dinner party having an intense debate about the band. If you are a Weezer fan or any music fan for that matter you can easily relate. Who hasn't had arguments or debates with friends or co-workers about bands and questioned whether their music is still relevant with today's music. We often question if a band's recent work doesn't hold up against earlier albums (or music they are best known for) and we often moan and groan when a band plays new songs at a show ("we want to hear the early stuff"). An interesting debate indeed. Anyways, this little skit on SNL put Weezer momentarily back in the spotlight with even Rivers commenting on Twitter.

The other news about Weezer in case you haven't heard (or aren't a hockey fan), is that Weezer will headline the entertainment at the NHL Winter Classic game featuring the Chicago Blackhawks and Boston Bruins. The game is set to be played outdoors at Notre Dame Stadium at the University of Notre Dame on New Year's Day (January 1, 2019). The band will perform during the intermission between the first and second periods. Hopefully more than a song or two will be aired live on TV, if not maybe a more complete 10-15 minute clip will surface on YouTube.

I was thinking of end of year concert lists and I really didn't see enough shows to make any real list, but I listened to a number of really great concerts during 2018. One of my favourites was from May that was recorded by JB and posted by Waxdoll on Dimeadozen of a solo acoustic show from Weezer's, Rivers Cuomo. The recording sounds excellent with the crowd singing along for most of the show and they do a great job, you know you've made it when your fans know your lyrics so thoroughly. Obviously, he plays lots of Weezer songs with some interesting covers to round out the show. I love this show, I've listened to this more than any other concert this year. This is a intimate performance with just Cuomo's voice (and the crowd's) and guitar, so there's nothing better than listening to this with headphones eyes closed late at night! Highly recommended, even if you're not a Weezer super-fan.

Since this was posted elsewhere, please respect the original poster's instructions!

Taped and mastered by JB.
Please don't sell or convert to lossy format. 
Don't upload to any site that has anything to do with lossy material.

Rivers Cuomo
The Troubadour
West Hollywood, CA
May 30, 2018

Sonics>Battery Box>Edirol R-09HR>ProTools (for level adjustment, compression, eq, noise reduction and song separation)>flac.

Disc 1 (54:00)

01. I Took a Pill in Ibiza (Mike Posner cover)
02. El Scorcho
03. Buddy Holly
04. Wonderwall (Oasis cover)
05. Island in the Sun
06. Pink Triangle
07. Basket Case (Green Day cover)
08. The Good Life
09. Tired of Sex
10. 1979 (The Smashing Pumpkins cover)
11. Say It Ain't So
12. Across the Sea
13. Why Bother?
14. No Other One

Disc 2 (51:56)

01. Champagne Supernova (Oasis cover)
02. Can't Stop Partying
03. I Don't Want to Let You Go (Live debut)
04. Medicine for Melancholy
05. I Think We're Alone Now (Tommy James & the Shondells cover)
06. This is Such a Pity
07. Undone - The Sweater Song
08. Happy Together/Longview/Happy Together (The Turtles/Green Day covers)
09. Cardigan Disaster
10. Falling for You
11. Today (The Smashing Pumpkins cover)
12. Pig
13. Susanne

14. Endless Bummer (with Brian Bell) (Live debut)
15. You Gave Your Love to Me Softly (with Brian Bell)

RIVERS CUOMO- Los Angeles, CA May 30, 2018 FLAC. rar

Wednesday, November 07, 2018

Chixdiggit- Live In Winnipeg August 26, 1996

Photo by Peter Ellenby
There are some concerts when you reflect back and think, "I'm glad I actually went to see this band". This was the case over 22 years ago when I saw the band, Chixdiggit who were touring in support of their debut album, Chixdiggit. I bought their CD on a whim, I think after I heard their song, (I Feel Like) Gerry Cheevers on late night CBC radio and instantly became a fan. At the time I was listening to a lot of like-minded pop-punk bands from Lookout Records and Mint, so their short, sweet melodic songs with their immature adolescent sense of humour was really appealing. And hey, when you write a song about Bruins goalie, Gerry Cheevers that combines my two favourite things, hockey and rock music, they must be worth checking out. And they definitely were! They are just regular guys, not long hard rocker wannabees or punks with attitude, but down to earth guys you'd have no problem sharing a beer with. Their live show is driven by front man, KJ Jansen with his Tony Esposito split-crouch stance (with the microphone really low) is the smart-ass of the band and his banter keeps the flow going as most of their songs are really short (their CD is only 27 minutes long). A fun band to see live and I liked them so much I saw them two more times in the 90's, but haven't seen them since. They celebrated their 25th year with a tour a couple years ago that came to town, but I wasn't able to attend. They are joining the Smugglers for their 30th anniversary show later this month, November 24th at Amigos in Saskatoon, Saskatchewan. If you make the drive, hopefully not through a blizzard, it will be a worthwhile roadtrip to see two great Canadian bands.

I was lucky enough to make a live recording of the Chixdiggit show on my Walkman recorder. I've had the master cassette on my shelf for years and I thought it was about time to transfer it to my hard drive before the tape deteriorates too much. I have to admit it is one of my favourite early shows I recorded and despite the not perfect sound quality, the show is a very enjoyable listen. It's a good capture from the middle of the floor at the Pyramid with the usual crowd noise, but it really has that "been there" quality I love. As I write this I'm listening to the other live Chixdiggit tapes from 1998 and 1999, (I can't remember the last time I had a listen) and the sound quality is much better. If there's a request to hear them I'll transfer the tapes and upload them.

Please do NOT sell or transfer to lossy format (except for personal use)
Please share!

Visit us at Facebook@teenagedogsintrouble
Follow on Twitter@teenagedogs

Pyramid Cabaret
Winnipeg, MB
August 26, 1996
AUD Master

Sony mic> Sony WM-GX35 Recording Walkman> Maxell XLII 90 Cassette> Aiwa tape deck> ADS Instant music> usb> Nero SoundTrax> WAV> Direct WAV splitter> FLAC> rar

01. Toilet's Seat Coming Down
02. 323
03. Where's Your Mom?
04. Hemp Hemp Hooray
05. Henry Rollins Is No Fun
06. (I Feel Like) Gerry Cheevers
07. Van Horne
08. I Drove The Coquihalla
09. Great Legs
10. Haven't Got Time For
11. You May Be Right
12. Nobody (w/Levi Stubbs' Tears teaser)
13. I Should Have Played Football In High School
14. Stacked Like That
15. Song For "R"
16. I Wanna Hump You

17. Chupacabras
18. Pathetic
19. Lonely Nights (w/ Live Forever teaser)
20. Mila, Caroline And Me

CHIXDIGGIT- 1996-08-26 Pyramid Cabaret, Winnipeg, MB FLAC Master. rar

Monday, November 05, 2018

Charlie Chesterman- Demos

Today marks the 5th anniversary of the passing of Scruffy the Cat frontman, Charlie Chesterman. His music lives on with recent releases of the Scruffy the Cat compilation, Time Never Forgets and the rarities, unreleased tracks album, The Good Goodbye. Worth checking out are the many albums Charlie recorded after Scruffy, several solo albums as well as records with Chaz and the Motorbikes. His solo recording output far exceeds the Scruffy the Cat releases, so there is much good music to discover. Just before his passing, the compilation, Solid Gold Electric Chestnut Dispenser (a collection of hard to find rarities) was available for download in October of 2013 with proceeds going directly to the Friends of Charlie Chesterman fund. The year before, Chorus Vs. Solos: A Tribute to Charlie Chesterman was sold to help him and his family while he was battling cancer. Needless to say, this man was well loved by his fans, friends and family. Check out the charliechesterman bandcamp page for all his post Scruffy releases to purchase or listen.

What I have is music by Charlie Chesterman not available on any of the compilations or was ever released (as far as I know). It's a disc of demos that I received many years ago from a friend that knew Charlie. (Hint: His band's debut album was produced by Charlie Chesterman!) The songs are demos recorded in a studio, mainly just Charlie and his guitar (with some harmonica), raw demo versions of some songs that appeared later and some I don't think were ever recorded. Off the top of my head, there's early versions of Where'd You Go (from Dynamite Music Machine), If I Had A Heart (from Studabakersfield), Last Summer Night (from Skunk On The Loose). I don't have much information, nor do I have a date when these were recorded, but I suspect it would have been sometime between the end of Scruffy the Cat and his first solo record, so probably early 1990's. If anyone has information about the recording dates and the tracks, please let us know. I'm sure these recordings will be of much interest for Chesterman/STC fans and I hope that sharing these demos is cool. I thought now was an appropriate time to finally share these rare demos.

Please do NOT sell or convert to lossy
Please share!

Demos (90's?)

01. Pretty Baby Please Don't Go
02. Cry Cry Cry
03. Tell Me What You Think About Love
04. If I Had A Heart
05. You So And So
06. True Love
07. Where'd You Go?
08. ?
09. Lost Summer Night
10. Tornado
11. Folk Tales


Monday, October 29, 2018

Lemonheads- Tramps, NYC, October 28, 1996

For a live recording from over (almost exactly, one day late) 22 years ago, this one holds up quite well. First, the recording is outstanding mainly because it's a professionally mixed board recording that according to the notes may have been intended for a future  live release in some form. Secondly, the performance by Evan Dando and band is solid despite the fact Evan was known to be inconsistent around this period, he put together a really tight band that included John Strohm of the Blake Babies and Murph from Dinosaur Jr. The playing is energetic and overall it's a fun, kinda cool set that even covers Dinosaur Jr's, Freak Scene. Though, many critics and fans weren't big fans of Car Button Cloth, this album has grown on me through the years. The trio of Lemonheads albums from the 90's (It's a Shame About Ray, Come On Feel The Lemonheads, Car Button Cloth) are actually great records, that have stood the test of time. Sure, there was some filler, but Dando knew how to write a good, catchy pop-rock song.

This is the first of a several "outtakes" from the #12daysoftrouble series in August that I had originally intended to post. I had so many ideas of shows I wanted to post, but due to time restrictions and continuity reasons I held back some posts. I hope to get back on track with regular postings, as my work life is back to my boring, "regular" job. I'm feeling physically and mentally stronger (movie set dressing is definitely hard work!) which is a good thing, but I might revisit the film biz in the new year. Anyways, more to come soon and listen to this Lemonheads show because it's a very fine fine recording.

 Please do NOT sell or convert to lossy (except for personal use)
Please share!

Follow on Twitter@teenagedogs
Keep in touch on Facebook @teenagedogsintrouble

New York, NY
October 28, 1996

Mixed Soundboard
JEMS Archive

JEMS 2017 Transfer: in-house reference cassette > Nakamichi CR-7A azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 2.0 16/44.1 capture to .wav > iZotope RX6 > TLH > FLAC

1. It’s All True
2. If I Could Talk I’d Tell You
3. It’s A Shame About Ray
4. Tenderfoot (Smudge)
5. Hospital
6. My Drug Buddy
7. Break Me
8. The Outdoor Type (Smudge)
9. Losing Your Mind
10. Something’s Missing
11. Confetti > Supernaut (Black Sabbath) snippet
12. Secular Rockulidge
13. Rudderless
14. Hannah & Gabi
15. Outdoor Miner (Wire)
16. Being Around
17. Style
18. -band intros-
19. Freak Scene (Dinosaur Jr.)
20. It’s About Time
21. Into Your Arms (Love Positions)
22. -Evan announces upcoming shows-

notes: tracks 14-16 are Evan solo
band: Evan Dando/John Strohm/Bill Gibson/Patrick "Murph" Murphy

Notes from original poster: It would appear this sprightly Lemonheads performance was professionally recorded for potential use as a source of live tracks or a mini live album to be sent out to radio and aired later as a live Lemonheads broadcast. This recording of the full set was transferred from an in-house reference cassette likely used to approve the mix/sound quality and to select which tracks to use later.

LEMONHEADS- 1996-10-28 Tramps FLAC. rar

Wednesday, October 24, 2018

They Might Be Giants- Live In Winnipeg October 21, 2018

Despite the fact, They Might Be Giants (TMBG) have been releasing albums since 1986 and have been playing live shows earlier than that, they have never played in Winnipeg, Canada. I had the opportunity to see TMBG in September of 1992 in Vancouver and looking back I'm amazed that was over 26 years ago! A lot has changed since that time, the band has released 16 albums, a bunch of compilations and a ton of music for young and older alike. A lot of anticipation and expectations led up to this present show, as I rank that TMBG Vancouver show (Young Fresh Fellows opened) in my top 10, maybe even top 5 concert experiences (really wish I taped the show!). At the time they were touring their Apollo 18 record, which remains one of my favourite TMBG's albums alongside Lincoln, and I was in awe of the energy and showmanship they displayed throughout the show. It didn't hurt that the concert was held at the legendary Commodore Ballroom, with the springy wooden floor, I was literally bouncing up and down with a very enthusiastic Vancouver crowd. It was also notable it is one of the few concerts I've attended (besides Folk Fests) with my brother and sister because we were in town for a family wedding. The Young Fresh Fellows were also amazing and I even had a chance to talk to the Fellows after their set, so this truly was a very memorable evening.

For the current tour through Canada and the United States, the show was billed as, "An Evening With They Might Be Giants", that featured no opening band (or as John Flansburgh put it, "we're opening for ourselves") with two full sets with an intermission. With so many songs to choose from, their setlist reached out to all parts of the career including songs from their most recent album, I Like Fun. They played many of their "hits", Birdhouse In Your Soul, Racist Friend, The Guitar, Istanbul, Dr. Worm, and Twisting that features the great line, "She doesn't have to have her Young Fresh Fellows tape back now". Highlights for me include a pair of songs from their debut album, Number Three and Don't Let's Start, the great Cub cover, New York City and the set closer, End Of The Tour. They opened up the second set with a four song acoustic set, Quiet Storm. This stripped down trio (then later quartet) of the John Flansburgh on acoustic guitar, John Linnell on contra alto clarinet, Marty Beller on snare and Curt Ramm on trumpet, featured new arrangements of songs. The full band returned for the rest of the set and double encore. One thing that is obvious is the superb musicianship of all the members of the band. They had plenty of opportunity to highlight their talents through featured solo spots and expanded solos during the band introductions beginning the first encore. Yes, I really do love bass and drum solos! Overall, a very enjoyable show, with no disappointments (maybe more songs from Apollo 18?) and hope it doesn't take this long for a return visit.

Attending the concert almost didn't happen for me. I missed out  when the the tickets originally went on sale and put it off long enough to have the concert sell out.  The original venue was the West End Cultural Centre which I thought was a bit small for TMBG so I was resigned to price watch on Stubhub and check Kijiji daily for tickets. By chance, the venue was changed to the larger capacity Garrick and more tickets became available. Then, I've been working on a movie set for a film being shot in town for the past month. The reason for the lack of updates on the blog is because I've been working 12+ hour days, 5-6 days a week and I've been too physically (and mentally) exhausted to write. Anyways, I thought I might miss the show, because filming was scheduled until Sunday, but I was able to finish my work a day early. Phew!

I recorded the show on the floor about halfway back (directly behind is theatre seating). The Garrick is kind of cool because it was originally a movie theatre so the floor still has an angle to it so sight lines are good for height deprived people. The sound turned out good with little chatter and the sound balance and mix was fine. I noticed at the show John F's vocals were a little low in the mix, so the recording reflects that. The venue doesn't have the best acoustics, but the sound is even better in the live recording. Definitely a must-hear for any TMBG fans and a rare treat as we don't get a lot of high quality bands coming to town enough (apologies Mellencamp and McCartney fans).

Please do NOT sell or convert to lossy formats (except for personal use)
Please share!

The Garrick
Winnipeg, MB
October 21, 2018
AUD Master

"An Evening With They Might Be Giants"

Set 1
01. Damn Good Times
02. I Left My Body
03. Racist Friend
04. Particle Man
05. The Famous Polka
06. Dr. Worm
07. Let's Get This Over With
08. Music Jail
09. Birdhouse In Your Soul
10. The Guitar (The Lion Sleeps Tonight)
11. Mrs. Bluebeard
12. All Time What
13. When Will You Die?
14. Spy

Set 2
"Quiet Storm" acoustic set
15. Older
16. I Like Fun
17. Applause Applause Applause
18. How Can I Sing Like A Girl?

Full band
19. Istanbul (Not Constantinople)
20. The Mesopotamians
21. Twisting
22. Number Three
23. Don't Let's Start
24. Why Does The Sun Shine?
25. Whistling In The Dark
26. Let Me Tell You About My Operation
27. The Communists Have The Music

28. "Band introductions"
29. Hey Mr. DJ, I Thought You Said We Had A Deal

Encore 2
30. New York City
31. The End Of The Tour

TMBG- 2018-10-21 The Garrick, Winnipeg, MB FLAC Master. rar

Saturday, September 08, 2018

Young Fresh Fellows- El Sol, Madrid, Spain 2009

Here is the final live recording from the trio of shows (that I'm posting) from the Young Fresh Fellows during their tour of Spain in the fall of 2009. Much like the past two posts, this show cooks and sizzles with tasty rock 'n' roll Fellows-style. The live audio recording is crystal clear and thanks to Matthijs for recording and posting this amazing soundboard quality show. Sometimes it's hard to hear the excitement and energy of a live concert through just the sound recording, so I posting the complete video from the show (I found on YouTube) to witness a Young Fresh Fellows concert from a view on the side of the stage (here's another video from the same show, different camera angle for one song The video isn't perfect, it's a little shaky and blurry at times, but it's upfront and the sound is decent. I suggest you try to sync the audio live recording with the video, dim the lights, get some friends to stand around you to yell and scream, open a cold beer and crank up the volume! Just like being there, right?...not, I really need to see the Young Fresh Fellows live again!

As a added bonus, the taper included in the download file the opening set from the Hall Monitors from Washington, DC. They have this great 60's garage rock sound that is high energy and fun that is a perfect compliment to the Fellows pop-rock-garage sound. This is well worth the listen and at this point of their career (2009) they were unsigned. They have since released a very fine record, Up To No Good in 2017 that includes some songs from the set at El Sol in 2009. Good stuff!

Please do NOT sell or convert to lossy format (except for personal use)
Please share!

Follow on Twitter @teenagedogs
Keep in touch at Facebook @teenagedogsintrouble

Young Fresh Fellows
El Sol, Madrid - Spain
October 24th 2009

Recorded by Matthijs
Audio Source Information:

* Soundboard Recording
- Edirol R09 (WAV 24 bit / 44.1 KHz mode)
- Adobe Audition 3.0
- CD Wave

01 - Get Outta My Cave
02 - Young Fresh Fellows Theme
03 - Sometimes Good Guys Don't Wear White
04 - Shake Your Magazines
05 - Go Blue Angels
06 - Hang Out Right
07 - Suck Machine Crater
08 - Sitting On A Pitchfork
09 - How Much About Last Night Do You Remember?
10 - If You Believe In Cleveland
11 - Route 66
12 - New Day I Hate
13 - 99 Girls
14 - Taco Wagon
15 - Picture Book
16 - Someone To Care About
17 - The Guilty Ones
18 - Rock'n'Roll Pest Control
19 - I Don't Let The Little Things Get Me Down
20 - My Friend Ringo
21 - Celebration
22 - I Got My Mojo Working (And I Thought You'd Like To Know)
23 - Backroom Of The Bar
24 - Gotta Get Away
25 - When The Girls Get Here
26 - Topsy Turvy Theme
27 - Zip-a-Dee-Doo-Dah (feat Kathleen Wilson)
28 - Strychnine

Hall Monitors opening set

29 - Be Your Man
30 - Peggy Sue
31 - Can We Span Some Time
32 - Give It up
33 - A Fool In Love (feat Scott McCaughey)
34 - Rosalina
35 - Mercy Me
36 - Opportunity
37 - Crystal Ball
38 - Girls
39 - What The Dogs See
40 - Gloria
41 - Give You All My Love

YOUNG FRESH FELLOWS- 2009-10-24 Madrid, Spain FLAC.rar

Thursday, September 06, 2018

Young Fresh Fellows- Live in Vitoria, Spain 2009

I'm back after a short vacation and ready to get back into more music posts. Thanks to everyone that read, commented and downloaded the live recordings during the 12 Days of Trouble challenge series during the month of August. It was very encouraging to see that people are actually following this blog and thanks for spreading the word and sharing the links to this blog. I had a number of requests to post more shows from the Young Fresh Fellows tour of Spain in 2009, I appreciate your comments and sharing your concert experiences seeing YFF (and Scruffy the Cat) shows in your area.

So for an encore for day #12 of the12 Days series, I have a couple more Fellows shows to share. First up is a show at Helldorado in Vitoria, Spain with another professionally sounding board recording that features half the setlist different than the night before. The Fellows again are in top form with their usual endearing witty banter that makes their live shows so entertaining. There's not much else to say, but it's a no-brainer if your a Fellows fan to get this live recording and play it loud and share it with your friends, they'll thank you!

As usual, please do NOT sell or convert to lossy format (except for personal use)
Please share!

...and Follow us on Twitter @TeenageDogs
and Facebook @Teenagedogsintrouble

Young Fresh Fellows

Vitoria, Spain
October 17th 2009

Recorded and mastered by Matthijs

Audio Source Information:
* Soundboard Recording
- Edirol R09 (WAV 24 bit / 44.1 KHz mode)
- Adobe Audition 3.0
- CD Wave

01 - Get Outta My Cave
02 - Young Fresh Fellows Theme
03 - Sometimes Good Guys Don't Wear White
04 - How Much About Last Night Do You Remember
05 - She Sees Color
06 - Mr Salamander's Review
07 - Suck Machine Crater
08 - 99 Girls
09 - Roller Coaster By The Sea
10 - Good Times Rock 'n' Roll
11 - Why I Oughta
12 - Barky's Spiritual Store
13 - Guilty Ones
14 - Power Mowers Theme
15 - I Got My Mojo Working (And I Thought You'd Like To Know)
16 - I Don't Let The Little Things Get Me Down
17 - Taco Wagon
18 - Picture Book
19 - My Friend Ringo
20 - You've Got Your Head On Backwards
21 - Rock 'n' Roll Pest Control
22 - Topsy Turvy Theme
23 - Go Blue Angels Go
24 - Backroom Of The Bar
25 - Rock And Roll Guitars
26 - Go Gorilla
27 - Jam
28 - Ain't It Alright
29 - Strychnine

Scott McCaughey - lead vocals, guitar
Kurt Bloch - vocals, guitar
Jim Sangster - vocals, bass
Tad Hutchinson - vocals, drums

Except for 26 with Scott on Drums, Tad on Bass, Jim and Kurt on vocals and guitar

YOUNG FRESH FELLOWS- 2009-10-17 Vitoria, Spain FLAC.rar

Thursday, August 30, 2018

Day 12: Young Fresh Fellows- Live In Bilbao, Spain 2009

 Well, we finally made it! Day 12 (in 17 days) of the 12 Days of Trouble challenge that I self-inflicted on myself to write and post more music on this blog, is complete. I honestly have posted more this month than I probably have the last couple years and I learned a couple things the past few weeks. First, I have a lot of music I want to share, but half my problem is I can't decide what to post and agonize about what I should write about. I found making a long list and then a short list of music I enjoy made it easier and I tried not to think too hard about what to write. The hardest part is the starting so I've tried to just start blabbing about whatever's in my head and then edit back what made the most sense, if that makes any sense. Secondly, I remember why I started writing this blog, it's because I like talking about music and through the years have only connected with a handful of like-minded music blogs that I enjoyed reading and unfortunately many of those have dissolved, disappeared or have been taken down. I started writing about something I would like to read.Thirdly and most importantly, I would do this full time if I can figure out a way to make a living (get paid) doing this. I don't want to advertise nor do I want to pander to readers for views (like on Instagram or YouTube), but I would gladly quit my regular job to do something I love, for the same minimum pay. Until then, I've decided I will write at least two posts a week, to stay consistent and fresh, it will be hard with hockey season starting up again next month, but I will make it a priority!

My attempt to take a photo of a photo in The Strangest Tribe book. Photo credit to Marty Perez.
For the past couple of weeks there was a loose theme through some of the posts based on a couple of books I read last month. A common connection with both the Smugglers book and the Seattle grunge book is the Young Fresh Fellows. They were a band that took the Smugglers under their wing in the early days, taking them on tour, helping make connections state-side in Seattle, releasing a LP and CD on Popllama Records and Fellows/Fastbacks guitarist Kurt Bloch produced a couple of their albums. In the The Strangest Tribe book, the Fellows figured significantly, in the pre-grunge years they laid the groundwork for Seattle bands to tour beyond the statelines to draw more attention to the emerging scene in Seattle. The impression I get about the Young Fresh Fellows is they were ambitious, mischievous, mentors, very talented musicians and songwriters, fun loving and really really good people. The fact they have made only one lineup change since they're first club performance at the Rainbow Tavern in 1983 tells you something. They don't perform as much as they used to and with other commitments they're touring days are limited, but they do play a handful of shows almost every year. There's reason the Fellows opened and closed the 12 days series, my all time favourite band!

I made a mention in the last Smugglers post about west coast bands touring and recording live albums in Spain. The Young Fresh Fellows recorded and released, Take It Like A Matador (live in Spain) in 1993 and in the past ten years or so, the Fellows have toured Spain (2009, 2010, 2016) several times in multiple cities and have maybe played more gigs there than anywhere else besides Seattle or Portland. They are very popular in Spain and some of their albums have been released also Munster Records (label in Spain) including a different version of 2009's, I Think This Is, released in Spain as, I Don't Think This Is, that featured a different cover, 4 different tracks and a vinyl version.

In 2009, the Fellows did a six city tour of Spain and fortunately somebody (Matthijs) recorded and posted at least four of the shows on Dime which I downloaded at the time. I haven't seen any of those posted or traded since then so I thought it would be an ideal time to share some of those shows. For the finale of the 12 Days of Trouble, I'm posting the first night of that tour at Kafe Antzokia in Bilbao, it's a near perfect soundboard recording and we are very lucky to get the Fellows in top form. The performance is excellent and the setlist is a sampling from all their albums. They play select songs from their latest album at the time, their first in 8 years and as I said it sounds fabulous. Originally, I was going to post three consecutive Fellows shows from Spain in 2009, but instead I wanted to include a couple different posts. So, if there's a demand and you want to hear two more shows from the tour in Spain (soundboard quality, different setlists!!), I can post them next week after Labor Day when I'm back from the long weekend. Please leave a comment below or on FB or Twit. Thanks to everyone for reading and listening and I will promise to keep posting!!

Please do NOT sell or convert to lossy (except for personal use)
Please share!

Young Fresh Fellows
Kafe Antzokia,
Bilbao, Spain
October 16th 2009

* Soundboard Recording
- Edirol R09 (WAV 24 bit / 44.1 KHz mode)
- Adobe Audition 3.0
- CD Wave
Recorded by Matthijs

01. Down By The Pharmacy
02. Suck Machine Crater
03. How Much About Last Night Do You Remember
04. Carrothead
05. Gotta Get Away
06. Why I Oughta
07. Backroom Of The Bar
08. Shake Your Magazines
09. Hillbilly Drummer Girl
10. Celebration
11. Have Love Will Travel
12. After Suicide
13. Tobacco Road
14. Sometimes I Wantcha For Your Money
15. If You Believe In Cleveland
16. When The Girls Get Here
17. My Friend Ringo
18. 99 Girls
19. Go Blue Angels Go
20. Taco Wagon
21. Picture Book
22. She's A Book
23. Your Truth Our Lies
24. I Don't Let The Little Things Get Me Down
25. Topsy Turvy Theme
26. Young Fresh Fellows Theme
27. Pretty Thing
28. Amy Grant
29. Sometimes Good Guys Don't Wear White
30. Strychnine

YOUNG FRESH FELLOWS- 2009-10-16 Bilbao, Spain FLAC. rar

Wednesday, August 29, 2018

Day 11: Scruffy The Cat- Live In Philadelphia 1987

As we head towards the home stretch of the 12 Days of Trouble challenge, I thought I would squeeze in another impromptu post that I hadn't originally planned for. I couldn't complete this series without including my favourite band from the Boston area (there are a lot of great bands from Boston I like a lot!), Scruffy The Cat. It's been almost five years ago since frontman, Charlie Chesterman passed away and his memory and the amazing music he and his band shared will never be forgotten. Scruffy the Cat produced a modest amount of officially recorded music, but browsing through the band's gigography reveals how much they toured and played live shows. They solidly toured non-stop from 1984-1990 without much breaks for recording, they released two EP's and two full length albums during that period. According to the tour schedule, I saw Scruffy the Cat on June 5, 1988 at the Rendezvous opening for Vancouver's, 54-40. I went to the show specifically to see Scruffy (I left shortly after 54-40 began) and they made such an impression on me I regret not seeing them earlier, apparently they played Winnipeg twice before in 1987, shit!

Trust me, Scruffy the Cat were the opening band. They were worth the $12 alone!

I was flipping through the Scruffy The Cat live recordings that I haven't posted yet and came across this show from 1987 that was only labelled with the venue and date. I got this off Dime a number of years ago and I honestly don't remember taking the time to listen, but I tracked down the file on an older hard-drive for the setlist and flac files. I played it last weekend and it's a good sounding soundboard recording that's super clear and the performance is energetic. This night they were opening for Alex Chilton and it's a bit unusual for the opening band to play encores and play for over 70 minutes...good for us! Interesting setlist with songs from the then forthcoming EP, Boom Boom Boom Bingo and some early versions of songs from Moons of Jupiter that would be released later in 1988. A very enjoyable set that put a smile on my face and I'm sure I can dig up more Scruffy shows in the future if there's a demand to hear more.

Please do NOT sell or convert to lossy formats (except for personal use)
Please share!

A couple other Scruffy the Cats live recordings previously posted:
1987-08-08 (late show)TT The Bear's Place, Boston, MA (direct link)
1984-05-20 WERS studio, Emerson College, Boston, MA (direct link)

Scruffy The Cat
Chestnut Cabaret,
Philadelphia, PA
December 15, 1987

Source\Lineage: SBD>Sony D5(m)>Onkyo TA-RW344 w\ azimuth correction>Cooledit Pro 2.0>.wav>CD Wave>flac (level 8)

***billydee masters, series 2, vol 31***

1) >intro<
2) Tiger Tiger
3) C’mon Everybody
4) >chat<
5) Thomas Doubter
6) Shadow Boy
7) Time Never Forgets
8) 2day 2morrow 4ever
9) Blue Russian
10) You Dirty Rat
11) Everything
12) Capital Moonlight
13) Bus Named Desire
14) Buy A Car
15) Moons of Jupiter
16) Runaway
17) Never Never
18) My Baby’s Alright
19) Nova SS 1968
20) Upside Down
21) Happiness To Go
22) >chat<
23) Little Bit o’ Soul
24) ?
25) -------
26) Sealed with a Kiss
27) outtro

p.s. I didn't write the notes in the text file with the setlist included in the rar file. Clearly he wasn't a true Scruffy The Cat fan. My apologies.

SCRUFFY THE CAT- 1987-12-15 Chestnut Cabaret, Philadelphia, PA FLAC. rar

Tuesday, August 28, 2018

Day 10: Fastbacks- Live In Seattle 1999 "Believe Me Never, Hate Me Forever"

On my summer vacation, my summer reading consisted more than the Smugglers book, re-reading High Fidelity and reading issues of Record Collector magazine. I dug up a book I received a couple of Christmases ago that I never got around to. The Strangest Tribe: How A Group Of Seattle Bands Invented Grunge by Stephen Tow, analyses the story behind the phenomenon of the "Seattle sound" that was more than the breakthrough of Nirvana and alternative music becoming mainstream and the word "grunge". When I originally put this book on my Christmas list (yes I know, my in-laws insisted we have lists) it was because I hoped it wasn't another book about Grunge, Nirvana, Soundgarden or Pearl Jam. I listened to and enjoyed several Seattle-based (and area) bands for years before Nevermind came out and I felt there was nothing really written about the alternative music scene in Seattle as I love bands like the Fastbacks, the Squirrels, the Posies, Jimmy Silva, Mudhoney and of course, the Young Fresh Fellows. Lo and behold, this book gives a background history of the Seattle music scene from the 80's until the mid-90's and there is much mention of the Young Fresh Fellows (one of the first Seattle bands in the 80's to tour nationally), the Squirrels, Fastbacks, Mudhoney, as well as lesser known early bands, the U-Men, the Heats, the Blackouts and Green River.

In those pre-internet days when you wanted music that wasn't available at your local chain record store it took more effort to search out new and interesting music. You could place a special order with the store, sight and unseen and take a chance or you could shop directly from the record label (or band) via mail order. I chose that option, basically you sent a letter to the label (getting the address from another record/CD/tape from that label) requesting a catalog or newsletter (usually printed on newsprint), they mail it to you, make your choices, get a money order from the post office or bank and mail it back and hopefully the record (s) arrive in a couple of weeks to a month. I actually found this method a lot of fun and I'll tell you there's almost no better feeling than receiving a packet in the mail with music in it. I've ordered almost all the products from the PopLlama Records catalog and I've received a couple orders directly from Estrus and Empty Records. Most of my Young Fresh Fellows items are directly from the band or from PopLlama including albums, 7"s, tapes, t-shirts and the Hits From The Break-Up album box set. Small labels are the best because you actually get real personal service, a good example was Bogus Records in Pittsburgh to track down some Frampton Brothers albums. Letter correspondence and phone calls directly from the label and Sean and Ed from the band were helpful and appreciated. I bet Madonna couldn't provide that kind of customer service.

The first LP I bought of the Fastbacks was Very, Very Powerful Motor that I ordered from PopLlama. At the time I didn't even realize Kurt Bloch was in the Fastbacks and the Young Fresh Fellows and when I did, this gave me another band to add to my favourites. Needless to say I was blown away and placed another order with PopLlama to buy the And His Orchestra CD and the live cassette, Bike-Toy-Clock-Gift. This lead to a string of excellent records on SubPop and they seemed to be gaining more exposure touring with Pearl Jam and you'd think they would have made it big commercially, but never quite hit any mainstream success. Which might be a good thing, they were together (on and off) for over 20 years and their career spanned several eras of the Seattle scene from the early 80's when nobody outside of Seattle cared, through Grunge and the 90's when Seattle was the "scene". They are one of the most underrated bands and least pretentious. In The Strangest Tribe, Stephen Tow dedicated ten pages to the legendary Fastbacks, "Twenty three years. that's how long Seattle's Fastbacks remained a growing concern---remarkable for a band of any ilk, but especially so for an underground punk act. From 1979 through 2002, the Fastbacks created amazing art. The band made music that lacked pretension, writing songs that became classics. In short, the Fastbacks were Seattle's Ramones." (Stephen Tow)

I'm posting a very nice soundboard quality Fastbacks show from 1999, the same year they released their last studio album. A solid show opening for the Posies, so it's short and sweet. I've previously posted some other Fastbacks shows and it might be a good time to explore those as well. On March 2, 2002, they played their last show (not counting the reunion shows) at the Bottom of The Hill in San Francisco. (Fastbacks- Last show) It's pre-FM sourced which means the sound quality is excellent. Nine years later in the same place and same city, the Fastbacks were back on stage for a much anticipated reunion show. (San Francisco 2011) Since then, the Fastbacks have released some compilation albums of unreleased, rare and early tracks. The latest, If You Want To Slow Down, Step On The Gas was just released in July. A good time to be a Fastbacks fan, keep the music coming!!

Please do NOT sell or convert to lossy format (except for personal use)
Please share!

Seattle, WA
October 22, 1999

01. Only At Night
02. As Everything
03. Fortune's Misery
04. Believe Me Never
05. Like Today
06. Went For A Swim
07. What's The Use
08. Goodbye, Bird
09. New Book Of Old
10. Gone To The Moon
11. Don't Cry For Me
12. Set Me Free

FASTBACKS- 1999-10-22 Arospace, Seattle, WA FLAC. rar
Locations of visitors to this page