Neil Young Tribute- Live In Winnipeg 1995

With most everyone practicing social distancing, it is an opportunity to sort your record collection and an opportunity to listen to music you have been meaning to listen to. These days, streaming is the popular form for listening and discovering music and there are endless possibilities for making playlists. Presently, a cliche playlist would be about isolation and loneliness (maybe even depression) as it has become the norm for people around the world to avoid any social gatherings or the possibility of being within a meter of an another human being. When I think of artists and songs that meet that criteria, I often turn to the "loner" himself, Neil Young. Neil isn't always anti-social and though I'm thinking he prefers to perform solo, he does have Crazy Horse as his backing band and he has played in other groups such as Crosby, Stills and Nash, Buffalo Springfield, The Squires and even made a record and toured with Pearl Jam! Though his songs have taken on an increasingly critical opinion of politics, the environment and war he has still maintained a certain reputation as a solemn loner. A perfect thing to be during these times.

Instead of a playlist, how about a tribute to Neil Young in the form of a concert. There have been many albums and concerts that have paid tribute to Neil Young (despite being very alive!) so there are many to choose from with many popular artists participating. Today's post is unique to me because this was recorded in my hometown (and Neil's) with local bands all performing the music of Neil Young. This concert was to celebrate Neil Young's 50th birthday on the eve of his birthday, and yes, they sing Happy birthday at the beginning. The strange thing is the radio announcer says the date of the concert is September 27th, but Neil's real birthday is November 12th...??

• The recording: Recorded in 1995 and was aired nationally on CBC-FM "Real Time" broadcast. Thanks to Stevemtl who recorded it off the radio and posted the show to Dime. Each band performs a short set of Young covers each, but I'm assuming there were other songs that weren't aired on the broadcast.
• The bands: All Winnipeg bands, mainly indie and I'm slightly familiar with most of these bands though I have to admit haven't seen any of them live. The Blue Meanies, who became the New Meanies shortly after due to another band with the same name, gained modest success and even had airplay. Buick Six, I remember because Mike Koop also played in the band, The Bonaduces and they had a violin player, Julie Penner that was really good that went on to perform and record with many well known Canadian musicians. Zen Bungalow had Rod Slaughter in the band who went on to form Duotang and plays in Novillero. Grand Theft Canoe had a cool psychedelic sound I like a lot and all I know about Not Going To Vegas is that Phil Deschambault in the band co-formed the duo, Ash Koley with Ash Koley.
• The sound: The sound quality is excellent, FM broadcasts always sound great. All the bands do a commendable job in their own way and style. Very enjoyable!

Though this concert and the bands may only have only regional interest, Neil Young's music is celebrated and appreciated world-wide and the fact he spent many of his formative years in Winnipeg is something to be proud of. The concert is from almost 25 years ago and at the time I believe Young was touring with Pearl Jam. Most of the bands that performed on this night are no longer together (New Meanies still perform occasionally), but Young continues to record new music and tour. If your wondering what Young is doing to keep busy during these grim times, Young has shared his Fireside Session show on his archives site. He has filmed (with the help of his wife, Daryl Hannah) two sessions consisting of some deep tracks and some classic tunes. “Because we are all at home and not venturing out, we will try to do a stream from my fireplace with my lovely wife filming. It will be a down-home production, a few songs, a little time together,”says Young. The sessions have been filmed from Young and Hannah’s home in snowy Telluride, Colorado. Indeed!
Enjoy!!

Please do NOT sell or profit from this recording!
Do NOT convert to lossy formats (except for personal use)
Please share!

NEIL YOUNG TRIBUTE
West End Cultural Centre
Winnipeg, MB 
September 27, 1995

Recorded by stevemtl: at a later date - CBC 'Real Time' broadcast > analogue cable FM > Yamaha RX586 > Fostex D5 or Sony R500 (DAT @ 16/48)
Transferred by stevemtl: DAT > Sony R500 > Roland R44 (16/48 wav) > SD chip > HD
Mastered by stevemtl: wav > Soundforge (L2 dither > 24/48: L2 level adjust, trim, edit) > r8brain (vhq downsample > 24/44.1) > Soundforge (L2 dither > 16/44.1) > CDwave (track cut) > TLH (flac level 8, ffp, md5) > TLH (torrent marker)
Posted to DIME by stevemtl on 2019-12-15.

01.  -radio host intro-
02.  -Happy Birthday, talk-
03.  Southern Man
04.  -talk-
05.  No More   >>>
06.  Cortez the Killer
07.  -radio host talk-
08.  Albuquerque
09.  -talk-
10.  Walk On
11.  -radio host talk, talk-
12.  The Sultan
13.  -talk-
14.  Burned
15.  -talk-
16.  Expecting to Fly
17.  -talk-
18.  Harvest
19.  -radio host talk-
20.  Mr. Soul
21.  -talk-
22.  The Loner  >>>
23.  Tonight's the Night
24.  -radio host talk-
25.  Look Out for My Love
26.  -talk-
27.  Cinnamon Girl
28.  -radio host outro-

[57:10 m.]
note:
Leora Kornfeld - radio host
t03>06: Blue Meanies (now called New Meanies)
t08>10: Buick Six
t12>18: Grand Theft Canoe
t20>23: Zen Bungalow
T25>27: Not Going to Vegas

NEIL YOUNG TRIBUTE- 1995-09-27 WECC, Winnipeg, MB FLAC. rar

The Weakerthans- WECC, Winnipeg, MB Dec. 3, 1998

A couple weeks ago, the West End Cultural Centre (WECC) celebrated 30 years as a music venue in Winnipeg. The renovated church has since become an institution for music fans of all genres and musical styles. The WECC has endured many trials and tribulations dealing with financial difficulties as well as upgrades for much needed renovations about eight years ago that helped refresh this vital venue. An excellent well written article appeared in the Winnipeg Free Press: And The Bands Played On, detailing the history of the WECC and I was amazed about how many people were responsible for keeping this venue operating for so long. An interesting and informative read!

Personally, I have attended many many concerts, readings, plays and fundraisers there since the doors first opened. I honestly can not remember the first show I attended at the West End, but there were several talent /hootenanny nights I was at in the late 80's for sure. The earliest ticket stub I can find is from Moxy Fruvous in 1992, but there are numerous too many to count (or remember) shows from the late 80's, 90's, 2000's and right up to present that I was at. I have seen some great concerts there and it has become my preferred venue to record at as the much improved sound system is clear and crisp and depending on the size of the crowd and the setup of the room, you can usually get pretty good sight-lines to the stage. With the renovations came a upper mezzanine that allows a view over top of the crowd on the floor and a more chatter-free sound area. If they expect a smaller "intimate" size crowd, the seating is arranged with tables and chairs. With a medium size crowd, the chairs are in rows (no tables) and for a sold out (or expected larger crowd) show, it's a general admission free for all standing. As far as I remember all the shows I've been to at the WECC are general admission, no reserved seats. The atmosphere at the WECC is much more relaxed than bar shows with a less drunken vibe and more people-friendlier staff (mostly volunteers). They host many all-ages shows and I've seen everything from punk to jazz, folk, blues, rock and everything in between.

The first time I saw the Weakerthans live was at the WECC as an opener in 1998. It was the Bonaduces album release for their brilliant record, Democracy Of Sleep and the Weakerthans and B'ehl opened the show. The band was performing many "new" songs at the time, that would appear a couple years later on Left and Leaving as well as songs from the debut, Fallow. I recorded both the Weakerthans and Bonaduces sets and have hoarded these recordings for almost 20 years. I thought it was about time I shared the Weakerthans set as I finally transferred the cassette to CDR and I've listened to this recording a lot in the past few weeks. It sounds fantastic, the sound is clear without too much distractions and it's a rare early performance from a band that personifies the spirit, energy and sense of community and social conscience of Winnipeg. Very similar to the mandate and purpose of the West End Cultural Centre. We are lucky to have a lovely venue like the West End and proud that the Weakerthans are from my hometown.
Enjoy!

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THE WEAKERTHANS
West End Cultural Centre
Winnipeg, MB
December 3, 1998
AUD Master

Sony mic> Sony WM-GX35 Recording Walkman> Maxell XLII 90 Cassette> Fisher Cassette Deck> Teac CD recorder> CDR> FreeRip> WAV> Direct WAV splitter> FLAC> rar

01. The Last Last One
02. Diagnosis
03. Aside
04. Letter Of Resignation
05. None Of The Above
06. This Is A Fire Door Never Leave Open
07. Watermark
08. Left And Leaving
09. Confessions Of A Futon Revolutionist
10. Wellington's Wednesdays
11. Everything Must Go!

THE WEAKERTHANS- 1998-12-03 WECC, Winnipeg, MB FLAC. rar 

Sorry folks, the file is no longer publicly available for download. For some unknown reason, I had a takedown down notice for copyright infringement. I've shared the Weakerthans many times in the past so I don't think the band has a problem sharing live shows, but perhaps their publishing company, record label or overzealous lawyers have an issue. Please PM me first if there are any objections sharing live shows on this blog.

On that note, please PM me if you are interested in the show. I will try to hook you up!
Thanks!
Binky

Grant Hart- WECC, Winnipeg, MB May 17, 2005

It's been a while since I posted last, my pre-vacation post was for a show I attended over 10 years ago. A lot has happened since then and I just haven't had the time to write, but I have been actively transferring some old cassette tape masters from some shows I attended in the 90's. I promise I will share them very soon. FYI, I'm writing my first post with my new laptop computer. Wow, these new machines are fast and downloading/uploading speed is unbelievably quick.

For me a story that stood out in the news in the past week was the passing of Grant Hart, the drummer from Husker Du. He later formed his band, Nova Mob in 1989, he sang and played guitar, they released a bunch of records and he also performed and recorded as a solo artist. For me, in the mid-eighties I listened to a lot of college rock, punk and so-called alternative rock (now called indie) and I was especially drawn to the bands from Minneapolis, the closest major U.S. city from my modest sized metropolis up here in Canada. I was heavily into the Replacements, Soul Asylum and Husker Du. This is the music I identified with most at the time, fast, raw, guitar, bass and drums rock 'n' roll. Though all three of these bands started out as punk bands, Husker Du was the most hardcore on their earliest albums. The furious speed and intensity of early Du was what drew me in, but it was the intelligence and maturity of the lyrics and music that kept me a fan. Bands that feature two singer-songwriters often divide the fans into two camps, especially if they breakup, with songs they prefer from one artist over the other. I must admit I enjoyed Grant Hart's songs slightly more than Bob Mould's. It's hard to explain, maybe it's his voice, maybe it's the lyrics, not that I didn't enjoy Bob's songs, his voice and guitar are a large part of the Husker Du sound, it's just that, I felt the songs had a more poppy euphonious quality that I enjoyed. Grant was an underrated songwriter and continued to be creative right up to his last album, The Argument, which is a masterpiece. If you're not familiar with the music of Grant Hart, I recommend starting with Husker Du's, New Day Rising, followed by Flip Your Wig and Candy Apple Grey. Nova Mob's, Last Days Of Pompeii is a great album and though his solo albums are spotty, my favourite continues to be his first, Intolerance.

I have seen Grant Hart twice live. The first time when he was in Nova Mob in the early 90's at the Albert and solo in 2005 at the West End Cultural Centre. Clearly, Hart was the less commercially successful of the Huskers as Mould continues to draw large crowds for his shows. For both Grant Hart shows there were a handful of people in attendance. The solo show at the West End, which has a capacity of 300-400 had maybe 30-40 people tops. It was a very intimate show complete with flubs and equipment trouble as Grant's guitar cut in and out and the sound levels of my recording are up and down (warning if you listen). The setlist draws from throughout his career up to that point and the sound quality is pretty good since there isn't much "crowd" chatter. Grant is passionate about his music even with the small crowd and I was very glad I attended and recorded the concert.
R.I.P.
Enjoy!!

Previously posted on TDIT: Grant Hart- live at Valentines from 2001
 A cool article from Rolling Stone about Grant Hart/Husker Du by Rob Sheffield (a fav music writer of mine)

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GRANT HART
West End Cultural Centre
Winnipeg, MB, Canada
May 17, 2005
Solo electric
Audience Master

mini Sony stereo mic> Sharp MD> stand alone Teac CDR Recorder>
audio CDR> FreeRip> FLAC> rar

01. 2541
02. Green Eyes
03. Girl Who Lives On Heaven Hill
04. Remains To Be Seen
05. Never Talking To You Again
06. You Don't Have To Tell Me
07. You're The Reflection Of The Moon On The Water
08. Admiral Of The Sea
09. Wernher Von Braun
10. Flexible Flyer
11. Pink Turns To Blue
12. She Floated Away
13. The Main
14. Sorry Somehow
15. Terms Of Psychic Warfare
16. Little Misinformation
17. Over My Head
18. Fanfare In D Major (Come, Come)
19. Don't Want To Know If You're Lonely
20. Puzzles
21. Evergreen Memorial Drive
22. It's Not Funny Anymore
23. The Last Days Of Pompeii

Encore
24. Diane
25. Letter From Ann Marie

GRANT HART- 2005-05-17 WECC Winnipeg, MB FLAC Master. rar

The Fuse- PTSD Fundraising Concert, Winnipeg, MB November 19, 2016

 Merry Christmas or should I say happy post Boxing Day week! It's been busy times in December leading up to the end of the year with the chaos of the holiday season upon us. Where I live, we had a monster snow storm on Christmas day and I spent several hours on Boxing day shoveling so my neighbors don't think I'm inconsiderate or lazy. Other than that, my past few days have been spent eating turkey leftovers, sitting on the computer and watching crap TV. I'm taking the rest of the week off work, so I'll continue to waste my time eating more leftovers, sitting on the computer and watching lots of hockey. I have been feeling somewhat guilty with all this time on my hands, so it's about time I caught up on posts for this blog.

In my last post, I may or may not said (It's been a while since I read it), November was the first time in over a year since I had been to a real concert. Which means I haven't recorded much or posted any shows I didn't go to. The drought was over in November 2016 with three shows that I attended and recorded. The first was the John Samson concert (see last post) and the second was The Fuse, a local band I pretty much grew up watching as the members were most active in the 80's and 90's in various incarnations. The Hatcher Brothers (Jeff, Don, Paul) and David Briggs began as The Fuse in the late 70's, then became the Six and then, Jeffrey Hatcher And The Big Beat, where they gained much critical acclaim and modest commercial success with their album, Cross Our Hearts in 1987. Between 1993-1996, Jeff co-fronted The Blue Shadows with Billy Cowsill and released two excellent albums. After a long hiatus, the Hatchers and Briggs reformed and released a new album, Getting There From Here in 2010 under the name, Hatcher-Briggs. For their most recent album, Brilliant Sun, the band reverted back to their original name, The Fuse and have performed under that name since.

The Fuse concert on November 19th was the third annual PTSD fundraising concert in memory of Ken Barker. In 2014, Barker lost his battle with Post Traumatic Stress Disorder as the concert honours his memory with a live concert involving family, friends and colleagues and the public as Ken was a lover of music and concerts. The first two fundraisers raised $30,000 for Heroes Are Humans (The Temar Conter Memorial Trust). The Trust provides training to first responders in occupations of high incidence of post-traumatic stress disorder (fire fighters, police, corrections, ambulance etc.). This year some of the proceeds will also be donated to Cvet's Pets, a 100% volunteer run, not for profit organization that helps local Winnipeg animal shelters. The Cvet's Pets Helping Vets Program connects highly trained medical-service dogs with military veterans and first responders diagnosed with PTSD.

Since The Fuse seem to limit their live shows to annual events, this show was a must see. I positioned a spot in the upper mezzanine in the same spot as the Samson show. It provided a nice view above the crowd on the floor, where there was much dancing and socializing, so I was happy I was up because the sound quality was great where I was. The band was tight, the spirit was fun loving and it had the atmosphere of a good old Winnipeg social. A highlight for me was when my friend Hugh (in the white shirt), who organized and put on this concert, got up on stage to introduce the band and "lead" them through The Six classic, Coming To Collect. Amazing job Hugh, your singing and for making this concert happen! The concert is a great listen, the band plays songs from all their eras and the sound is sweet. I'm listening to the live recording as I'm writing this and it brings back nice memories from the show. Please check out the fundraiser websites for more info about PTSD and how you can help.
Enjoy!

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Do NOT convert to mp3, except for personal use.
Thanks!

THE FUSE
West End Cultural Centre
Winnipeg, MB
November 19, 2016
AUD MASTER

Sony ECM-DS70P mic> Tascam DR-07> USB> 16 bit Wav>
Direct Wave MP3 splitter> FLAC> rar file

01. It Rests With Me
02. Out Of Time
03. Satin Sheets
04. If Ever I Should Fall
05. Nowhere At All
06. Cry Wolf
07. She Read My Palm
08. Days Gone By
09. Deliver Me
10. Band Introductions/Coming To Collect
11. Getting There From Here
12. Down To The Earth
13. Never Heard Of Midnight
14. St. Enoch's Road
15. I Believe
16. The Last Ones
17. Man Who Would Be King

Encore 1
18. In My Hour Of Darkness
19. My Elizabeth

Encore 2
20. Promised Land
21. Western Wind

THE FUSE- 2016-11-19 WECC, Winnipeg, MB FLAC Master. rar

John K. Samson- Winter Wheat Album Release Show, Nov. 4, 2016

Album release shows, some people love them, while some don't. It comes down to what level of fan you are of the performer or band. If you're a die hard fan that is familiar with all their music and attends concerts most times the band is in town, you should be dying to hear the latest songs from the just released album. You might not have even heard any of the new songs yet and this may be your first listen to the new record, but you are excited about being one of the first to hear it live. To be honest, there will be some songs, the deeper cuts, that might not be played often after the initial new release shows, so that in itself is kind of special.

There are also the fans that aren't excited by the prospect of hearing a large percentage of the show dedicated to the new stuff. These fans love the band, but they want to hear something they are already familiar with, no surprises. In John K. Samson's case, they still want to hear all the Weakerthan's "hits" and will tolerate his solo material because they have no choice. This might sound narrow-minded, but there are a lot of fans that fall in that category. The new songs to them is the time to update their friends beside them or on their phone about what's new and not so new about their self-centred lives. Chatter usually increases and I jokingly refer to this time as the bathroom break or refresh your drink time. All kidding aside, I love album releases. I feel this privilege of hearing something no one else has heard yet live. Since John's hometown is Winnipeg, we are very lucky to have this privilege.

Full disclosure, I downloaded the album right when it was released and had a chance to listen to the album before the concert on November 4th. My first impression was that the album is mellower than my liking, but after repeated listening and seeing eight of these songs performed live, it really has grown on me. The set John K and his band, The Winter Wheat gave us was split almost evenly between Weakerthans and post-Weakerthans solo material. The new stuff works well live especially songs like, Postdoc Blues and the Neil Young/Crazy Horse inspired, Vampire Alberta Blues. Considering there were 3 of 4 members of the Weakerthans on stage, the Weakerthans songs sounded refreshed and bright and with the addition of John's wife, Christine Fellows (who opened the show) on keyboard and backing vocals and Ashley Au on double and electric bass and guitar, the sound was full and satisfying. The Neil Young vibe was still in the air during the first encore when the band performed a cover of Neil Young's, Don't Be Denied. The reference to Winnipeg in the song are unavoidable and I always felt a secret Winnipeg joy whenever I heard the song. I remember when the Constantines played that song as their encore when they opened for the Weakerthans at the now deceased, Rendez-Vous back in the mid 2000's. They wrote the lyrics on a pizza box and propped it against the monitor in front of them. A classic Winnipeg moment!

If you've been to the West End Cultural Centre recently, you know they have a upper mezzanine balcony type seating area. I decided I wasn't looking forward to several hours of standing surrounded by young folks all taller than I am. The upper seating area is only 2 rows deep and offers an unimpeded view of the full stage and band. No more trying to peak around some swaying drunken talking idiot (that Winnipeg is full of!). The sound was incredible and it was as comfortable as hell. I taped my microphone to the rail and sat almost centre directly above the soundboard. The live recording is amazing, being up above the crowd, the sound is crisp and balanced and you can actually hear all the lyrics and instruments clearly. There was almost no crowd chatter and this may possibly be the best sounding live recording I have ever recorded! A must hear for anyone that's a fan of John K. Samson, the Weakerthans and Winnipeg.
Enjoy!!

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 JOHN K. SAMSON & The Winter Wheat
West End Cultural Centre
Winnipeg, MB
November 4, 2016
AUD Master

01. Select All Delete
02. Sun In An Empty Room
03. Postdoc Blues
04. Reconstruction Site
05. Plea From A Cat Named Virtute
06. Cruise Night
07. When I Write My Master's Thesis
08. Vampire Alberta Blues
09. One Great City!
10. (Hospital Vespers)
11. 17th Street Treatment Centre
12. Bigfoot!
13. Aside
14. Alpha Adept
15. Requests
16. Winter Wheat

Encore
17. Confessions Of Futon-Revolutionist
18. Left And Leaving
19. Don't Be Denied
20. Virtute At Rest

Encore 2
21. My Favourite Chords

JOHN K. SAMSON- 2016-11-04 WECC, Winnipeg, MB FLAC. rar

Evan Dando- West End Cultural Centre 2014

It's seems crazy this is the first concert I've been to in about a year and a half (Kathleen Edwards- September 29, 2012), which means in 2013 I didn't see any live music. No music festivals, no free stages downtown, no bar shows, no theatre/arena concerts, nothing! 2014 so far, looks like a promising year with upcoming shows by Jonathan Richman, Heart (seriously!), The Replacements and last week's concert, Evan Dando of the Lemonheads.

The Evan Dando show at the West End Cultural Centre was a nice low-key, casual acoustic show with a smallish intimate crowd who's "enthusiasm" seemed to match the energy of the performers. This is NOT a review of the concert, but here's small random thoughts about the show.

• Opening the show was Sara Johnston from the band, Bran Van 3000. I must admit I'm not familiar with her music, but I do remember Bran Van 3000 received a fair bit of attention in the 90's, but I never actually listened to them because I'm not a fan of electronica and dance-type music. Johnston's solo set was short and sweet. She obviously is very talented as her voice is the centrepiece of her songs, but it wasn't enough to have me run to the lobby to buy her CD. To be fair I'll explore her studio records at a later time to get a better idea of her sound, but her solo performance was a nice sampling of her abilities.
• When Evan Dando entered the stage with his guitar (strapped on) carrying a music stand, I suspected Dando wouldn't be engaging the audience with witty and spirited banter. From the start to the end of the last encore, he was all business. Plowing through song after song rarely acknowledging the audience paying more attention to the sheets on his music stand. He is a man of few words and I knew that coming in, so I wasn't surprised about his lack of stage presence. To be fair, Dando had the sniffles later in the set and wiped his nose on his sleeve several times. He could have been suffering a minor cold, and if so, kudos for carrying on with the show.
• I was predicting Dando would wear a outdoor jacket or hoodie and sure enough it was a hoodie. That's one thing I do admire about Dando, despite the press he received about his good looks in the 90's, he downplays it by often looking scruffy and unpreoccupied about his appearance. Casual and comfortable, I always say!
• Despite his stage presence, Dando still has the voice and his songs are so good! It's a pleasure to hear them played live in any format, acoustic or electric with the Lemonheads. His setlist altered between his best known Lemonheads and solo material with plenty of covers by Hank, John, Gram, Victoria, Emmylou, Lucinda and the Misfits. With the re-release of the earlier Lemonheads records and the It's A Shame About Ray tour last year, it's great to see there's an increased  interest in his music and I'm happy Dando continues to tour constantly.
• More photos from the show are posted on the TDIT Facebook page.
• In typical Winnipeg hospitality, the West End Cultural Centre posted an alert that Dando's tour van was broken into while in Winnipeg and an acoustic guitar and cello was stolen. Not cool!

Update (as of May 28): Good news! Apparently Winnipeg does have some considerate people. A good Samaritan bought Dando's guitar from Kijii, saw posts online about the thief and returned the guitar. Local music store, Long & McQuade covered the shipping to have his guitar returned to him safely. Unfortunately the cello is still at large.

Enjoy!

EVAN DANDO
West End Cultural Centre
Winnipeg, MB
May 18, 2014
AUD Master

Sony ECM-DS70P> Tascam DR-07> USB> 16 bit Wav>
Direct Wave MP3 splitter> FLAC> rar file

01. My Idea
02. Tenderfoot
03. Being Around
04. All My Life
05. Hard Drive
06. Won't You Sometimes Think Of Me
07. Outdoor Type
08. Speed Of The Sound Of Loneliness
09. Confetti
10. Ride With Me
11. Why Do You Do This To Yourself?
12. My Drug Buddy
13. How Much I Lied
14. The Turnpike Down
15. Bit Part
16. Rudderless
17. Hannah And Gabi
18. It's A Shame About Ray
19. Frying Pan
20. Down About It
21. Long Black Limousine
22. Into Your Arms
encore
23. Big Gay Heart
24. Frank Mills/ crowd
encore 2
25. We'll Sweep Out The Ashes (aborted)/ Abandoned
26. Skulls

EVAN DANDO- 2014-05-18 West End Cultural Centre, Winnipeg, MB FLAC Master. rar