Tuesday, December 31, 2019

The Zombies- Live On The BBC 1965-1967: Day 10

Not only are we nearing the end of the year, but we are also closing in on the end of the decade. This got me thinking of bands that have been around for over 50 years that are still active either through touring or recording new music. Fifty years is that magic age when you realize you are truly getting old and start to reflect back on the past. This past year saw the 50th anniversary of some classic albums released in 1969. Deluxe anniversary editions of records such as Abbey Road (Beatles), Let It Bleed (Stones), Arthur (Kinks), Tommy (The Who), just to name a few, remind us this was a great era of music. Celebrating it's 51st anniversary is an under the radar classic (at least at the time), the Zombies epic, Odessey and Oracle which has gained more critical acclaim as the years have gone by. Along with the previously mentioned bands, the Zombies have been around for well over 50 years, in fact they were formed in 1962, so they are approaching 6o years. There are few bands from that era who may have a member or two to carry the name, but at least the Zombies can boast they have their key principle members of Colin Blunstone and Rod Argent still a part of the most recent version of the band. The Zombies haven't shown signs of slowing down either as they continue to tour and perform since reforming in the 2000's. They have visited Winnipeg a few years back and are due in town at the local casino event centre on April 15, 2020.

Believe it or not, the Zombies only released two albums during their heyday in the 60's. They were more of a singles band than album oriented. They have actually put out more new material in the 2000's after reforming, though R.I.P. (aka: The Lost Album) from 2000 was a studio album of tracks Argent and Chris White planned to release in 1969, as well as demos and outtakes from previous sessions. A cool documentation of the Zombies in concert, Live on the BBC 1965-1967 was released in 1985 on Rhino Records. is an excellent solid mix of R & B covers and original songs. I bought this LP for a co-worker, who is a huge Zombies fan, and before giving it away I digitized the album for personal use. This is what is posted below, ripped directly from the original vinyl transferred to FLAC format. It's a very enjoyable recording, even includes interview segments that can't help but make you love this band even more. Have a listen and go see them live because I'm sure they'll be playing at a casino near you...very soon!

Please do NOT sell!
Do not trade this in lossy format.
Convert to lossy for personal use.

The Zombies
Live on the BBC 1965-1967
Released 1985

01. Intro
02. Tell Her No
03. Just Out Of Reach
04. Whenever You're Ready
05. Can't Nobody Love You
06. What More Can I Do
07. This Old Heart Of Mine
08. For You My Love
09. It's Alright
10. Gotta Get A Hold Of Myself
11. Goin' Out Of My Head
12. When The Lovelight Starts Shining Through Her Eyes
13. You Must Believe Me
14. Soulville
15. I'm Goin' Home

The Zombies:
Rod Argent
Chris White
Colin Blunstone
Paul Atkinson
Hugh Grundy

THE ZOMBIES- Live On The BBC 1965-1967 FLAC. rar

Monday, December 30, 2019

Tegan And Sara- CBC Radio 1998 & First Demo- Day 9

As we close in towards the end of 2019, a lot of reviews and best of lists for the past 12 months is upon us. I was listening to the national CBC radio program Q this morning and they are apparently replaying some their highlighted interviews for the year. One of the guests was Tegan and Sara (aka: Tegan Quin and Sara Quin) when they were on air to discuss their latest album, Hey, I'm Just Like You and their memoir book, High School both released this past September. I believe they toured with their band across the country while simultaneously tagging on a book tour (in the same cities) where they discussed the book and performed an acoustic set. Full disclosure, I should state I'm not huge fan of Tegan & Sara, but I have casually followed their career and I don't mind their earlier music. What I do like about them is they are proud to be Canadian and are proud of who they are as people and they are genuinely aware about the world around them (yes, environmental and political) and I think that means something. When the Tegan & Sara tour was suppose to hit Winnipeg in October, the show was cancelled (or at least postponed) due to storm conditions in Manitoba, so the tour buses, crew and equipment were stuck in limbo due to highway closures. A small consolation was that Tegan and Sara flew to town for the book event, so not all was lost.

2019 was a truly a year of nostalgia for T & S with their book reminiscing about their high school days and their album contained re-recordings of unreleased demos the duo recorded as teenagers. While they working on the memoir, supposedly their discovered dozens of recording of songs they wrote between the age of 15-17. "This is the record we never could have made as teenagers, full of songs we never could have written as adults."

With all this looking back at their past, I thought this was an appropriate time to re-up a recording I posted back in 2010 (Live on CBC Radio 1998). I recorded this off the radio, it was a live session/interview at the CBC studio after that had won Garage Warz. They won studio time from the contest to record their first professional demo, Yellow Tape under the name Sara and Tegan.  Just Me and Hello from Yellow Tape are rerecorded for Hey. There's always something satisfying to listen to low budget and raw recordings from the beginning of the career of prolific and successful artists. The repost of the CBC Session is this time in uncompressed FLAC format, while the Yellow Tape file is in mp3 (which I downloaded from the great, Calgary Cassette Conservation Society page.). These are the perfect companion pieces to listen to while reading the memoir, High School, then spin, Hey, I'm Just Like you for the full Tegan and Sara experience.

Please do NOT profit or sell from these recordings!

CBC Studio 2
Vancouver, BC

May 30, 1998

(FM Master)
1. Intro
2. Interview
3. Here I Am
4. Interview
5. I'm Falling Asleep
6. Interview
7. Days And Days
8. Outro 

SARA & TEGAN- 1998-05-30 FLAC. rar

Yellow Demo (1998)

1. Here I Am
2. Falling Asleep
3. Hello
4. Just Me
5. Star Money

TEGAN & SARA- Yellow Demo mp3.rar

Sunday, December 15, 2019

Ho Ho, Wilco Is Coming Back To Town! Day 8: Live From The Horseshoe 1997

It's been over ten years since I've seen Wilco live and a lot has happened since 2008. They have since released 5 albums as Wilco and Jeff Tweedy has 3 solo records, a memoir book and an album as Tweedy, a side project with his son, Spencer. The band personnel is pretty much the same (which is good!) and they sound as strong as ever especially on their brand new album, Ode To Joy. I somewhat regret not buying tickets to their shows in St. Paul last month, but ode to joy they announced new tour dates for the new year a couple weeks ago. I was lucky enough to purchase tickets within the first few minutes of the first presale for the show in Winnipeg in March. They are prime seats close up (not too close) and dead centre. Looking forward to seeing the band closeup with the excellent sound quality at the Concert Hall.

Another interesting option to see Wilco live starts tonight for a four night run (Dec. 15, 16, 18, 19) at the Chicago Theater in their hometown of Chicago. The setlist of multiple night shows often unearth some deep cut gems and the band has such an expansive song selection it would be worth attending multiple nights.

An even better road trip would be in January when Wilco hosts, Wilco's Sky Blue Sky, a series of shows at the Hard Rock Resort Hotel in Riviera Maya, Mexico. What better way to get away in the middle of winter than to enjoy sand, sun and Wilco! Not to mention all-inclusive which includes accommodation, food, drinks and the concerts with Yo La Tengo, Courtney Barnett, Calexico, Sharon Van Etten, Autumn Defense, Tweedy solo and Wilco three times. As tempting as this sounds, I'll pass as my funds will be running a little dry during this month, but hopefully this might become a semi-annual event? If so, I'll start saving soon!

To get you in the mood, I'm posting a Wilco show from over 22 years ago when they were touring their then new album, Being There. This was the album that broke Wilco to a mainstream, a masterpiece that landed on many critics "Best of" lists. Personally, this is the album that confirmed to me that Jeff Tweedy was the real deal as a gifted songwriter and dependable performer. I previously knew of Tweedy as a member of Golden Smog and of course, Uncle Tupelo, but he proved he could be a frontman with Wilco. This concert from the legendary Horseshoe Tavern in Toronto was broadcast on CBC radio is an excellent of a Wilco show from that era which included Bob Egan on pedal steel that gave the band a country-rock sound. The "Dueling Banjos" segment during Casino Queen is priceless. The show is edited for time, it omits 5 songs from the concert (Why Would You Wanna Live, Kingpin, Outtasite, The Lonely 1, Gun), but the sound is impeccable and the performance is amazing! Seeing Wilco in such a intimate venue would be something to see, they were on the verge of future greatness at the time, so this is a very memorable show! A must-hear!

Please do NOT sell!
Do NOT trade this in lossy format
Convert to lossy for personal use only

Horseshoe Tavern
Toronto, On
February 19, 1997
CBC-FM Broadcast

01. Misunderstood
02. Far, Far Away
03. Forget The Flowers
04. That's Not The Issue
05. Someday Soon
06. New Madrid
07. Pick Up The Change
08. Red-Eyed And Blue
09. I Got You (At the End of the Century)
10. Someone Else's song
11. I Must Be High
12. Passenger Side
13. Hotel Arizona
14. Monday
15. Box Full Of Letters
16. Casino Queen / Dueling Banjos
17. Outtro


WILCO- 1997-02-19 Horseshoe Tavern, Toronto, ON FLAC. rar

Friday, November 29, 2019

Paul Westerberg and The Replacements- A Couple Upgrades and Updates

A couple months back I posted the Replacements, Pleased To Meet Me Sessions. Thanks to reader Will, he recognized the version of Tommy Stinson's, If There's Trouble On The Way (track 17), as the copy he had trouble with in his tape deck that crunched the tape. The flaw appears as a momentary gap that apparently I didn't notice or I felt this is as good as it got. He sent me a non-crunched version to post, so if you downloaded the file, substitute in this track as an upgrade. (see below for download)

Will is also offering up an upgrade for Paul Westerberg's solo track, 33rd of July. A 160 kbps version of the song that has been around since 1999 has a glitch at 1m 40s. I sourced a lot of mp3's around that time via file sharing and downloading and I have a disc of Westerberg non-album tracks on a burned cdr. I checked my version and it sounds fine, but Will was tired of the flaw and actually bought the Japanese version of Suicaine Gratification just to get the 33rd of July track.

He has provided the flawless versions of both tracks in Apple lossless m4a format and also I converted the files to FLAC a format I'm more familiar with, so you have a choice. (I used to use box.net for linking single song files, so let's see if it still works. Let me know if there are any problems downloading or playing.)

REPLACEMENTS- Trouble on the Way (m4a)
REPLACEMENTS- Trouble on the Way (FLAC)

PAUL WESTERBERG- 33rd of July (m4a)

Please do not sell!
Please share!

Today is Black Friday here in North America, is this a thing worldwide as well? Sounds like another excuse for a over-hyped shopping day or as I like to call it Boxing Day part 1. Today is also Record Store Black Friday which includes a special release, the first vinyl release of Paul Westerberg & Grandpaboy, 2002's double CD, Stereo/Mono. I'm not sure if I'll buy the vinyl version because I have the original double CD release, but in tribute I'm listening the discs as I write this. This album has special meaning to me because I traveled to Minneapolis to see Westerberg (for the first time) play one of his solo shows at the Guthrie Theater on June 30th in support for this album. It was a incredibly intimate concert that I was thrilled to attend and even recorded the show to relive the show whenever I want.

p.s. An update about my Replacements- Dead Man's Pop order: It finally arrive on Tuesday, November 26th! The boxset looks amazing with a nice gatefold that holds the CDs and a album-size booklet with photos and information and history about the recordings. It includes one LP record with the remixed version of Don't Tell A Soul. What it didn't include was the limited cassette of the album with two bonus songs not found elsewhere in the set. I don't want to harp of this too much, but this raises a lot of questions. I started writing a timeline about my wait for arrival (a day before it actually arrived)...indulge me if you dare.
  1. July 21, 2019, placed order with Rhino for presale of Dead Man's Pop boxset. The first 500 presale orders would include a limited edition cassette with some tracks not included in the boxset.
  2. I received a message a day before the release date Sept. 26, that the shipping was delayed with issues with their warehouse. As a consolation, they sent a "courtesy" download of the release with the physical boxset to ship the next week.
  3. I emailed Rhino on October 28 and inquired if it was shipped and when I might expect delivery. 
  4. They responded on November 7 with the usual "it has always been and always will be, our mission to provide the best service to fans of our artists. However due to a complex warehouse move we have significant backlog of both customer inquiries and shipments..." They had no idea when the order would be shipped.
  5. Nov. 16, received email saying the order is on the way. In the order summary, the item shipped is  1 QTY- 4 CD/1 LP Deluxe and  0 QTY- Dead Man's Pop cassette. With no indication if the cassette is B/O-ed or if I won't receive one since it is limited. 
  6. Nov. 26, arrived! Nearly 2 months after the album was officially released and for sale in local retailers.
The point is I bought this as a presale, I expected to receive it before or when the stores would sell them. When I returned from my trip on October 12th, I saw the boxset in my local bookstore. In fact it is priced about $25 less than I paid for it, plus exchange. So in reality I paid $138 CDN ($104.13 US), in the store it is $89.00 CDN. (That's almost an extra $50). I've been told by friends I should get a refund, but the main attraction of the presale was the extra cassette and is the reason I didn't get it because it shipped so late or was I not one of the first 500 that ordered? I will follow up with Rhino/Warner Music and see if I can get an answer, I doubt it. I'll keep you updated. 

Monday, November 25, 2019

Art Bergmann- Live on Granville Island: Day 7

Art Bergmann by James O'Mara (1990)
One of the joys of running this music blog is actually knowing someone out there is reading the blog and hopefully share a similar taste in music. Another joy would be money and income, but that was never a goal or reason to start this site. In an offbeat way I compare it to when I volunteered coaching hockey (many, many years ago!), where you weren't paid to do it, in fact it cost more money than I could afford, but it was rewarding because I loved it and I learned even more about the sport and the people involved. This blog is an opportunity to share music you might not otherwise discover while relying on commercial radio and mainstream media. Because I love it so much, I constantly listen to live concert recordings, music new and old and of course, records I buy on impulse at record shops.

I welcome emails with your questions and suggestions, and though sometimes I'm not very helpful, I am encouraged by your input. I recently received an email from a reader (Rick) with a live recording from Vancouver's, Art Bergmann he recorded off the radio and recently converted to mp3 from cassette. I must admit I haven't thought about Art Bergmann for a while, probably in the mid-90's, but I was a big fan of his first three solo albums and his previous bands which include, Young Canadians (previously know as the K-Tels), a great band I posted about previously (No Escape). Art was a key figure in the late 70's Canadian punk scene and his solo material had that "heart on your sleeve" feel to it. Though Art enjoyed modest commercial success in the late 80's/early 90's, he never quite got his due or reached that pinnacle of success he deserved. Art has been active recording albums and playing the odd show. He took a break through most of the 2000's due to health issues, but more recently in 2016 he released an album with new material, The Apostate. Right now, he's working on his latest album due for release on his new label home, Porterhouse Records in 2020. The album, Late Stage Empire Dementia is seeking funds to help cover the recording and mastering process with the goal to provide digital downloads of the album. You can help out by donating to the Gofundme fundraiser for Art Bergmann's new album.

 The Art Bergmann show Rick sent me (he says he was at the show too!) is from 1994 (or 1993?) recorded at the Arts Theatre Backstage Lounge on Granville Island in Vancouver. It is a live radio broadcast for the station's, 101 Unplugged Series, this is not an unplugged concert! Art has a full electric band, but the cover charge for the show was $1.01...get it? The onstage radio host interrupts a few times, but it doesn't take away from the energy and intensity of the band on stage. This is a smoking hot show, the sound quality is excellent and Bergmann is a little snarly, but goes with the flow as they run through several songs from their then-upcoming album, What Fresh Hell Is This?, released at least a year later. After listening to the show I regret not seeing him live back in the 90's (I'm positive he toured through here) and wouldn't turn down an opportunity to see him now. Thanks again to Rick for the show, fine choice.

  • This recording is in mp3 format 
  • Please do NOT sell!
  • Yes, share!

Arts Theatre Backstage Lounge
Granville Island
Vancouver, BC

CFMI-FM Vancouver Broadcast

FM> cassette master> mp3> Direct WAV splitter> rar

01. My Empty House
02. Sexual Roulette
03. Bar Of Pain
04. American Wife
05. Guns And Heroin
06. Ruin My Life
07. Dive
08. Message From Paul
09. Contract
10. Beatles In Hollywood

ART BERGMANN- Arts Theatre Backstage Lounge, Vancouver, BC mp3. rar

Monday, November 04, 2019

More Muffs! The Muffs- Live 2015: Day 6

 After I posted an older Muffs show last week I thought I should follow it up with a more recent concert as a tribute for the untimely death of Kim Shattuck from the Muffs. The night I made my last post, I listened a show from 2015 from Davis, Ca that I downloaded on Dime a few weeks earlier, it brought a smile to my face and I knew this had to be shared further. This concert is a couple years after Kim's short-lived stint with the Pixies in 2013 and only a couple weeks after participating in the Pandoras reunion (July 2, 2015) in Oakland. I chose this particular show mainly because the sound quality is really good (an audience/soundboard matrix mix), but also the performance is fabulous. Kim's trademark wailing screams are incredible and if you have the time, you can witness this for yourself (almost like being there) with a great multi-camera video of the complete show up on YouTube. You'll be glad you did!

Please do NOT sell!
Do NOT trade this in lossy format.
Convert to lossy for personal use only.

The Muffs
Oddfellows Hall
Davis, CA
July 17, 2015

MK4 pair >> Nbob active cables >> Tinybox (w/OT) >> M-10 @ 24/48
-plus-SBD >> memory stick >> MP3 @ 16/44

TLH to convert SBD file to WAV format, then upconverted SBD file to 48khz with R8brain >> Reaper 5.01 >> time align >> SBD/AUD mix >> Ozone 5 VST >> exciter, stereo image, compression >> dither to 16 bit (MBIT+ algorithm) >> WAV >> tracked in CD Wave >> FLAC conversion with TLH

01 (intro and Happy Birthday for Kim)
02 Big Mouth
03 Saying Goodbye
04 Take A Take A Me
05 Ethyl My Love
06 (talk)
07 Weird Boy Next Door
08 My Crazy Afternoon
09 Honeymoon
10 Another Day
11 (talk)
12 Every Single Thing
13 Where Did I Go Wrong?
14 On And On
15 Oh Nina
16 (talk)
17 I Get It
18 Sad Tomorrow
19 Lucky Guy
20 Agony
21 (crowd)

22 Kids In America (Kim Wilde cover)
23 I Need You

THE MUFFS- 2015-07-17 Davis, CA. mtx. FLAC. rar

thanks to dmonkey @ Dimeadozen for posting/taping the concert and the photo from the show.
Support the artists! Buy their records, tickets and merchandise. Share this recording freely and never for profit.

Monday, October 28, 2019

Back From Europe! R.I.P Kim Shattuck: Day 5

It's been a couple of weeks since I returned from my European vacation, we spent a week in Prague in the Czech Republic and almost a week in Barcelona, Spain. The main idea of the trip was originally revolved around the NHL Global series game between the Blackhawks and Flyers in Prague on October 4th. We extended our vacation to Barcelona for another week of sightseeing and more tropical-type weather before I returned to my snow covered city in Canada where the two previous days before our return was declared a state of emergency because of heavy snowfall, fallen trees and citywide power outrages. Needless to say, I wasn't thrilled to return.

Prague was beautiful and quite historically fascinating, while Barcelona was crowded, dirtier, exciting and just as fascinating. We did the usual rounds of tourist attractions, but I was anxious to visit some record stores. It was easy to navigate, as many of the stores fortunately seemed to be clustered in a small area downtown, off the La Rambla branched off onto small backlane-like streets. Before leaving on my trip I read an article at the Vinyl Factory.com, The definitive guide to Barcelona's best record stores, which gave me a preview of some stores I should check out. I managed to visit Daily Records, Wah Wah Records, Discos Revolver and Revolver Records. I should note if you visit stores in Spain to check their hours ahead of time because some stores close during some of the afternoon (e.g. 1:00-4:00 or 1:30-4:30?) and I missed a couple stores because they were closed. At the Discos Revolver store I bought 3 lp's and a 7" er. Ironically, two of the records (Bum- Shake Town! and Stand GT- They're Magically Delicious) are Canadian bands, but Spanish label vinyl releases. This store is so cool, they wrote a nice post about me on their Instagram page.

At Wah Wah records I bought this nifty orange record carrying bag to transport my vinyl on the airplane. I picked up record from the Dishrags, an almost forgotten punk band from Vancouver (formed in Victoria, BC), circa late 70's. It's a loud, fast and smokin' record that was well worth the huge Euro price. I also bought a reissue of France Gall's, Baby Pop a fine ye-ye French pop singer from the 60's.

When I was in Prague during the first week of vacation I was shocked by the news that Kim Shattuck of the Muffs had passed away. She died at her home on October 2, due to complications from ALS. Personally, I've been a fan of the band since their first album, The Muffs released in 1993 and frequently listen to their live recordings and most of their records. One of my fav albums is Hamburger, released in 2000, that compiles demos, outtakes, covers, singles and compilation appearances up until that time. Of interest, is their earliest material recorded on 4-track and their first releases. Two weeks following Shattuck's death, the Muffs released their final album, No Holiday that compiled songs written from 1991 to 2017. I've always felt Shattuck's writing was underrated and that the Muffs deserved more commercial success, but then again I may have not liked them as much if they made it huge. I was always attracted to Shattuck's oversized, sometimes snarky attitude, but sweet personality. I found her funny, hilarious even at times and I always admired and respected the talent she had and she could rock with the best of them.

I have several live Muffs shows I could share, but one of my favourites is still a show I shared in 2011 from a CBC-FM radio broadcast from 1995 in Toronto. This is sort of a re-seed, but back then I posted the lossy mp3 version on the blog, but this time I'm posted the lossless FLAC version in case it matters to anyone. If you haven't heard this concert yet with fresh ears, it's a good one! Excellent sound quality and as usual an amazing Muffs concert. A fitting tribute to Kim Shattuck and the mighty mighty Muffs!

Please do NOT sell!

 Lee's Palace
Toronto, Ont.

Aug. 30, 1995

FM Broadcast

01. intro
02. Agony
03. Lucky Guy
04. Saying Goodbye
05. Ethyl My Love
06. Sad Tomorrow
07. Laying On A Bed Of Roses
08. What You've Done
09. Beat Your Heart Out
10. Red Eyed Troll
11. End It All
12. I Don't Like You
13. Right In The Eye
14. Big Mouth
15. I Need You
16. Oh Nina
17. encore break
18. Just A Game
19. From Your Girl
20. New Love
21. outro

THE MUFFS- Lee's Palace, Toronto, ON Aug. 20, 1995 FLAC. rar

Original post link for lossy mp3 version:
THE MUFFS- Lee's Palace, Toronto, ON Aug. 20, 1995 mp3. rar

Saturday, September 28, 2019

More Trouble Boys! The Replacements- Pleased To Meet Me Sessions: Day 4

Yesterday was the release date for the re-imagined remixed version of the Replacement's sixth album, Don't Tell A Soul, Dead Man's Pop. I re-ordered this deluxe 4 CD/ 1 LP box set back when I first heard this was about to be available and I'm anxiously awaiting it's arrival in my mailbox. Actually, I received an email two days ago from Rhino informing me of a delay in shipping (maybe it's because I'm in Canada?) and as a consolation, they offered a digital download of the complete set so I can at least have a listen before it physically arrives. I'm on a long plane ride this Sunday, so I'll have an opportunity to have a focused listen while flying to Europe. The timing is perfect because I finally got around to reading  Bob Mehr's brilliant bio-book about the Replacements, Trouble Boys this past  summer, so I've had the Replacements on my mind (and on my playlist) for a while. Trouble Boys is the essential book about the Mats with so much detail, not only about their music, but also the story behind the scenes. Sometimes tragic, sometimes disturbing, quite informative, but always interesting. I found the book fascinating and very hard to put down, I highly recommend the book for anyone that has any interest in the band.

Dead Man's Pop includes a LP/disc 1 with a remix of Don't Tell A Soul mixed by the original producer, Matt Wallace (Chris Lord-Alge originally mixed it), disc 2 is of early versions and unreleased tracks from an earlier session and disc 3 & 4 a live album, the Complete Inconcerated Live. I have the 1989 EP, Inconcerated Live, so this is the complete concert from the University of Wisconsin-Milwaukee in June 2, 1989. The real bonus is the live show which is professionally recorded and originally it was considered for official release, but if you read Bob Mehr's book you'll understand why. When Don't Tell A Soul was released I found it somewhat disappointing. Apparently, others including the band felt the same way, it's glossy sounding mix distracted from otherwise decent material though it did provide the label with a couple radio friendly near-hits. I realize labels are always trying to find the hits and air play is what exposes bands to wider audiences, but it can also turnoff longtime fans of the band, especially if you have to compromise their sound. Of what I've heard so far from the "new" versions, this is slightly closer to what I expected at the time and closer to sounding like the Replacements. The story behind the recording of Don't Tell A Soul is much more interesting than the original album mix. (read Trouble Boys for the story!).

Speaking of Trouble Boys, there is also a big section about the Pleased To Meet Me Sessions. This album was recorded after the dismissal of guitarist, Bob Stinson and recorded as a trio. The band sought out the services of legendary producer, Jim Dickinson to produce the record and it went on to become one of the band's strongest albums, at least their last great record (Let It Be, Tim, PTMM). The sessions were heated, but it produced some great moments and an opportunity for Tommy and Chris to record some solo songs. The recordings from the sessions are interesting because you can hear the growth of songs from demo, to rough mixes, so they still sound a bit raw without heavy-handed production yet. The sessions also produced a lot of non-album tracks that have eventually appeared later on All For Nothing/Nothing At All and the CD reissue version of PTMM. The gem of these sessions are the only two still unreleased songs recorded by Tommy Stinson, who plays most of the instruments on, If There's Trouble on the Way and I Tried To Make This Your Home. Quoted from Mehr's book, Though rough and unpolished, Stinson's musicality and sheer exuberance shone through. "Without question the best things we cut...were Tommy's two solo songs and they're the only things that have never come out", said Dickinson. Stinson disagrees, "As I listen back, I can't sing; they're not great songs".

I received the Pleased To Meet Me Sessions in a trade many years ago and there might be versions floating around, but I haven't come across any. The sound is good, which means it ranges from rough demo sounding to closer to release quality, since some tracks on disc 2 are from singles. It is what it is, so if you want the polished perfect sounding versions that's what you'll hear on the official release. I'll be off for a couple of weeks jetting to Europe to enjoy some touristy fun, NHL hockey action (Prague), sightseeing, record store shopping and lazying on the beach (Barcelona). Go Hawks go!!

Please do NOT sell!
Do NOT trade this in a lossy format.
Convert to lossy for personal use only.

Pleased To Meet Me Sessions

August 1986
01. Valentine
02. Birthday Gal
03. Bundle Up
04. Red Red Wine
05. Put An Ad In The Paper
06. Time Is Killing Us

Fall 1986
07. Never Mind
08. Birthday Gal
09. Alex Chilton
10. Red Red Wine
11. Election Day
12. Kick It In
13. Valentine
14. Run For The Country
15. Beer For Breakfast/
    Til We're Nude
16. Going Out Of My Head/
    Learn How To Fail
17. If There's Trouble On The Way
18. I Tried To Make This Your Home

Album Rough Mix
01. The Ledge
02. IOU
03. Nightclub Jitters
04. Can't Hardly Wait
05. Learn How To Fail
06. Valentine
07. Skyway
08. I Don't Know
09. Jungle Rock
10. Red Red Wine
11. Shooting Dirty Pool
12. Cool Water/Misc. Guitar Fill 1
13. Misc. Guitar Fills 2
14. Misc. Guitar Fills 3
15. Misc. Guitar Fills 4

"The Ledge" German B-Side Single
16. Route 66
17. Election Day
18. Tossin' And Turnin'
19. Jungle Rock

"Can't Hardly Wait" Promo Single
20. Can't Hardly Wait (remix)
21. Cool Water

Misc. Demos
22. All He Wants To Do Is Fish
23. I Don't Know

THE REPLACEMENTS- Pleased To Meet Me sessions Disc 1 FLAC. rar
THE REPLACEMENTS- Pleased To Meet Me sessions Disc 2 FLAC. rar

Monday, September 23, 2019

R.I.P. Ric Ocasek- Day 3: The Cars Live In 1978

I'm sure you've heard or read about this already, but Ric Ocasek, frontman for the band, The Cars passed away on September 15th of "natural causes" while recuperating from surgery. The official cause of his death was hypertensive and atherosclerotic cardiovascular disease, in other words heart disease caused by high blood pressure. Days before Ocasek death we had already lost classic rocker, Eddie Money and indie-eccentric, Daniel Johnston so it was a tough week for music fans. Money's music is still played often on the classic rock stations I listen to at work and I even saw him live during an outdoor concert at Assiniboia Downs 40 years ago (with Max Webster and Burton Cummings). I've only listened to a limited amount of Johnston's work, but the Cars have always been on my radar for reliable go-to music, especially on road trips. I remember buying the first Cars album after listening to a friend's copy. It was instantly catchy and infectious and being the unsophisticated music fan at the time, it was unlike anything I had heard before. I grew up listening to a lot of AM radio in the mid-seventies, along with Elton John, the Beatles, Stones and later FM radio crap like Boston, Foreigner, Cheap Trick, VH etc. So to hear cool keyboards and that "new wave" sound it opened my ears to the sounds of Joe Jackson, Elvis Costello, Squeeze and Nick Lowe-related bands. When I think of albums that changed my life (both musically and socially), that first Cars album was an important record that widened my musical tastes and tolerances.

As a tribute to Ric Ocasek and the Cars, I'm presenting a FM broadcast of a Cars show from 1978, featuring their debut album. According to the notes about the show, this is probably one of the more widely circulated live recordings of the Cars, but this version is sourced from the master tape so the sound is much improved, in fact the sound is flawless. Also according to the notes, this is a rare show where they perform a cover and Elliot Easton sings lead. The Cars released some great albums (and some not-so great), but if you're like me and want to hear the complete first album and more live, this is not to be missed.

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Do NOT trade this in lossy format.
Convert to lossy for personal use only.

The Agora
Cleveland, OH
July 18, 1978
FM Broadcast

01. Good Times Roll
02. Bye Bye Love
03. Nightspots
04. I'm In Touch With Your World
05. My Best Friend's Girl
06. Moving In Stereo
07. All Mixed Up
08. Take What You Want
09. Don't Cha Stop
10. You're All I've Got Tonight
11. Just What I Needed
12. Hotel Queenie
13. Something Else (Looky Here)

THE CARS- 1978-07-18 The Agora, Cleveland, OH FLAC. rar

Monday, September 16, 2019

Remember The Albert? Day 2: Husker Du Live In Winnipeg 1984

Yes, you must remember the Albert? The iconic scuzzy punk rock club on Albert Street inside the Royal Albert Arms Hotel in the historic Exchange area of downtown Winnipeg is back! This club played host to many a crazy show throughout the 80's to well into the 2000's, but with much uncertainty about ownership and many unsuccessful attempts to re-open it finally relaunched as a music venue this past June.

I've written before about some the great bands I've seen pass through the Albert. I've recorded and posted a few, but I also saw bands such as Green Day before my taping days and if I was more in the loop at the time I could have seen Twin Cities bands, Soul Asylum and Husker Du in the mid 80's. The closest I came to seeing the Du at the Albert was Grant Hart's post Husker Du band, Nova Mob who played to a handful of dedicated fans there. My most vivid memory of the show is before the band started playing Hart was peering on the TV screens at the bar watching a music video of Bob Mould's band, Sugar and probably mumbled something sarcastic. Which was a perfect analogy of the two opposite directions each man's career went after the break up of Husker Du. Hart playing small venues in front of dozens of people versus Mould with videos on MTV touring theatre's and concert halls with Sugar or solo around the world.

I came upon this gem on Dime a while back, a live audience recording of Husker Du from early 1984 before the band broke it big (by alt-punk standards of the time) before the release of their classic double album, Zen Arcade. This album was the game changer for the band, though it was not commercially successful, it was the record that took Husker Du from hardcore punk to a more wide range melodic alt-rock punk sound. That album along with the following two records, New Day Rising and Flip Your Wig, I consider the perfect hat trick of LP's. This show previews many songs from Zen as well as songs from their previous discs Metal Circus and Everything Falls Apart. Highlights include some non-album songs, Eight Miles High, Drug Party, Statues and In a Free Land. I didn't record the show, but whoever did, did a decent job despite probably being tossed around by flying bodies in the jam packed Albert. A recording definitely worth a listen at least for historical purposes. This was a soon to be legendary band getting it's feet wet in Winnipeg, Canada in the middle of winter in 1984...doesn't get much better than that!

Wow! an actual review in the newspaper. Thanks you Winnipeg Free Press!

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Do NOT trade this in lossy format.
Convert to lossy for personal use only.

Royal Albert Arms
Winnipeg, MB
January 21, 1984

01. Something I Learned Today
02. It's Not Funny Any More
03. From The Gut
04. Wheels
05. Everything Falls Apart
06. Sunshine Superman
07. What's Going On?
08. Diane
09. Masochism World
10. Bricklayer
11. Tired Of Doing Things
12. Data Control
13. Recurring Dreams
14. Chartered Trips
15. Broken Home, Broken Heart
16. Eight Miles High
17. Drug Party
18. In A Free Land
19. Target
20. Helter Skelter
 21. Statues

HUSKER DU- 1984-01-21 Royal Albert, Winnipeg, MB FLAC. rar

Monday, August 19, 2019

Whoa, It's Been Thirteen Years Of Trouble!! Day One: Kathleen Edwards

Yes, it's true. Teenage Dogs In Trouble is still going strong after celebrating 13 years of being online earlier this month. Despite the lack of posts so far in 2019, I'm hoping to make up for it with more frequent posts for the rest of the calendar year. Similar to last year's #12daysoftrouble challenge, I'm going to attempt to make 13 posts in the next 13 days! To be realistic (who am I kidding!), this will not happen, but I do hope to complete this within the next month, so I will write, day 1, day 2, day 3...for each of the thirteen posts mainly to personally keep track and as incentive I'm going to make it.

Every year in early July, I agonize whether or not to attend the annual Winnipeg Folk Festival. Nowadays, even though I love music and watching musicians perform it usually takes a lot of convincing or some interesting acts to get me to make the trek. This year I have some regrets because Kathleen Edwards performed on the last night of the festival and according to people I have talked to it was a fine performance. She has been in the studio recording, so I think a new album will be coming soon and I haven't seen Kathleen live for several years so I hope to have the opportunity soon with luck in an indoor venue within driving distance. If you're familiar with this blog, you know I'm a huge supporter of Kathleen's music and I can never have enough live recordings of hers.

A very good source of Kathleen Edwards live shows was a music blog I followed called, blog.haterhigh.com. Unfortunately, the blog is no longer online, but Jason who operated the blog had tons of excellent concerts he recorded including 11 Edwards shows for download. This site was one of my favourite live concert blogs, not only because he shared lots of local (Toronto) shows, but because he wrote a very detailed description of his recording experience including the equipment he used, where he recorded from and his interaction with people that attended and performed. To top it off he is Canadian and it's refreshing to read something written by someone so passionate about the music. I don't know the circumstances of why the blog is no longer around, so if anyone knows Jason or familiar with the blog I would love to find out why. Through the magic of the Internet Wayback Machine (archive.org), you can read the archived screenshots of webpages. The download links do not work, but fortunately I downloaded all the KE shows before the site went down, and I don't think they are presently being shared anywhere else.

The show I'm sharing is from the haterhigh site and it's an intimate, unique show that sounds amazing. To best describe the concert here's an excerpt from the taper stolen ripped off from haterhigh.com:

In the first night of a once-weekly residency series of shows at the Drake Hotel (Underground), Kathleen Edwards debuted some brand new songs for the loving Toronto crowd, paced through some old favourites and finished off with a welcome cover. The sound was absolutely phenomenal, allowing the band’s performance to shine brightly through. The intimate Drake Underground encourages a strange, respectful silence amongst the rapt crowd, reserving their loud enthusiasm for between-song applause and the curtain call.

And the crowd had a reason to be enthusiastic on this night. Kathleen brought a new band and a batch of new songs, but her same old inimitable self. Good news! All of the above were great!

I was initially disappointed not to see Kathleen sharing the stage with local legend Colin Cripps, but Gord Tough filled his large, clown-like shoes admirably. The rhythm section was also superbly on point, and was perhaps one of the tightest sets I’ve seen performed in some time. The new songs sounded as fleshed-out as nearly decade-old favourites, and show a powerful strength and confidence that hint at phenomenal follow-up record to 2008’s acclaimed Asking For Flowers LP.

Additionally, it's interesting to note that some of the early performances of songs that would eventually appear on her next album, Voyageur sound quite different than on the studio album. In particular, Chameleon/Comedian (Chameleon) is missing the "Punchline" chorus and Change The Sheets (Change) is much more rock and upbeat. In some ways I prefer the rawer early versions to the slicker sounding album versions. These residency shows are an opportunity for the band to work out the new songs live and an extra special treat for fans to hear the transformation of the songs taking shape. The band does sound surprisingly tight and the atmosphere has a relaxed and intimate vibe to it that makes this a very special recording. Thanks so much Jason!

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Do NOT trade this in lossy format.
Convert to lossy for personal use only.

Kathleen Edwards
April 20th, 2010
The Drake Underground
Toronto, CAN

Source:  CSB>Edirol R-09hr (WAV 24bit/48kHz) [AUD > SD
Location:  ~ 10ft from right stack, toward centre
Transfer:  PNY Class 4 SD>USB>PC
EQ Process:  WAV>Goldwave>Cool Edit Pro>Goldwave>SRCdrop>CDwave
EQ Details:  GW: Volume, Fades; CEP: EQ; SRC: downsample to 16bit/44.1kHz WAV; CDw: track splits,
time:  01:13:47
01. I Make The Dough, You Get The Glory
02. Empty Threat
03. In State
04. Asking For Flowers
05. [banter]
06. Chameleon
07. Run
08. Mercury
09. 6 O'Clock News
10. The Cheapest Key
11. Mint
12. Change
13. [banter]
14. Hockey Skates
15. Back To Me
16. [encore]
17. [banter]
18. Soft Place To Land(?)
19. Houses On The Hill [Whiskeytown]

KATHLEEN EDWARDS- 2010-04-20 The Drake Underground FLAC. rar

The first of three residency shows Kathleen performed at the Drake Hotel.

Monday, May 20, 2019

The Disciplines- Live In Sweden 2009

Ken Stringfellow has been a member of so many bands and projects it's hard to keep track of all his musical contributions be it as a singer, songwriter, musician, arranger and producer. According to Wikipedia, Stringfellow's discography includes more than 200 albums, as he continues to stay busy with the Posies and the various side-projects he's been a part of. His original claim to "fame" would be as co-founder of the Posies with Jon Auer. He and Auer were also members of the re-formed Big Star in the 90's and 2000's with Alex Chilton and drummer, Jody Stephens, until Chilton's death in 2010. Stringfellow probably played in front of his largest audiences as a touring/recording member of R.E.M. in the late 90's to the mid-2000's. I'm guessing his association with R.E.M. began when he was member of the Minus 5 with Peter Buck and Scott McCaughey (who was joined R.E.M.). I've previously posted a great album by the Orange Humble Band, Assorted Creams which featured Stringfellow as their lead singer. I think it's still downloadable, so if you haven't heard it, I highly recommend a listen, it's a power-pop classic.

In 2007, Stringfellow formed the Disciplines with members of the Norwegian band, Briskeby and he was the lead singer. Their music is a raw, melodic, powerful garage rock that sounds fantastic live. I fluked into purchasing their first album, Smoking Kills while record shopping in Philadelphia in 2009 and I was instantly blown away. They released a second album, Virgins of Menace (which I have not seen or heard) as they were active from 2007-2011 with the two albums and tours of Europe and North America.

I hadn't thought of the Disciplines for while until I read this message recently on the Posies website:

“Hello from Ken!
Recently my band THE DiSCiPLiNES has found themselves in a trademark dispute with another artist… we need to register our name as a trademark (read: hire a team of lawyer$) to resolve this situation and we have launched a GoFundMe to help raise $$ for our legal fund. Could really use your help — this is not only about The D’s music, which could virtually disappear if we don’t successfully navigate the dispute, but also my own ability to make music as an independent musician is highly impacted by these legal costs–right at a time when I’m devoting my energies to working exclusively on the Posies new album for 2020. Any and all help appreciated!

Thank you,


As of this writing, the campaign is over halfway to it's goal of $5,000. So if you want to contribute to help support the Disciplines legal fund, head over to GoFundMe and pledge what you can. Even if you haven't heard the Disciplines music before or aren't yet a fan, please support Ken for all the great music he has shared as a solo performer, with his bands and other music projects he's been a part of. To help entice you, I'm posting an incredible sounding live show from the Disciplines from their mini tour of Sweden in 2009. A small venue with Stringfellow rocking out hard, you can almost feel the sweat flying...yeah, it was probably amazing!

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Raw Bar, 

Eskilstuna, Sweden
11 September 2009

Taped & edited by raya
Lineage: SP-CMC-2 > SP-SPSB-6 > Edirol R09 (WAV 24 bit / 44.1 KHz) > wav > Audacity (fades, track splits, edits) > TLH (fix SBEs, Flac level 5)

01 Yours for the taking
02 Falling knives
03 Complicated times
04 Best mistake
05 Wrong lane
06 Get it right
07 Some kind of sickness
08 Gonna get worse
09 For you I walked over the line
10 [pointless shit]
11 I got tired
12 One *)
13 Fate's a strong bitch
14 There's a law
15 Hurricane
16 Cause or FX

Bonus track:
17 Virgins of menace
Lilla Hotellbaren @ Scandic Malmen, Stockholm, Sweden, 12 September 2009

*) Ken playing guitar

The Disciplines are:
Ken Stringfellow, vocals
Bjørn Bergene, guitar
Bård Helgeland, bass
Ralla Vilnes, drums

DISCIPLINES- 2009-09-11 Eskilstuna FLAC. rar

Sunday, May 19, 2019

Yo La Tengo- Request-A-Thon 2019

Once again, Yo La Tengo performed on WFMU-FM (out of Jersey City in the good ol' USA) for an afternoon of accepting fundraising pledges in exchange for a song. This annual, Request-a-Thon has had the honour of having Yo La Tengo live-on-air taking your requests for something like 24 straight years, if that's true it's simply amazing! As a music fan outside of the listening zone of New Jersey (though, I'm sure online is a possibility) I await for someone to post the show so I can hear YLT always interesting covers and I'm more than eager to share it here. I've posted the last three years broadcasts along with a couple others from the early 2000's and to make it easier to access the previous posts, I've started to add tag labels (at the bottom of the post). For example, at the bottom of this post, if you click Yo La Tengo or WFMU, the search will bring up the other posts with the same label, easy eh?

In case you're not completely familiar with the format of the all request live-on-air show, here's an excerpt from Yo La Tengo's page:
  Anybody who pledges at least $100 gets to make a song request, and we will do our best to play it.  And if you’ve heard this show before you are well aware that all too frequently our best, to quote Eric Burdon, just ain’t good enough.  This is the 24th year in a row that we’ve done this, and you’d think we’d have it down by now.  

A word or two about these requests.  We will not be consulting computers, phones or anything else to help us play these songs, relying strictly on our “wits” and a lifetime of listening to records.  We do not pretend to know every song ever written, and by the end of the afternoon, you’ll be wondering if we in fact know even one.  If you are of a mind to give us a couple of choices, or “any song by _____,” you’ve got a better chance of hearing us try to take your request.  Whether that’s a good thing or not remains to be seen.            

As the show goes by, the requests tend to pile up faster than we can keep track of them, so pledging in advance will increase the odds that we play your song. We swear on a stack of Hit Paraders that the four of us will know nothing of the requests until after the show begins.

Special thanks to Yo La Tengo and WFMU-FM for making this recording available. WFMU-FM is a listener supported, independent community radio station. It is the longest-running freeform radio station in the U.S.

Donations to the station can be made here:

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Yo La Tengo
Live on Todd-o-phonic Todd's
Request-a-Thon with Gaylord Fields and Evan Funk Davies
WFMU-FM's Monty Hall
Jersey City, NJ USA
7 sets from 3-6pm

Broadcast live over 91.1 WFMU-FM, Jersey City, NJ USA.

WFMU-FM > Sony XDR-F1HD > Edirol R-09HR (44.1/16) >
Sony Soundforge 10 > FLAC level 6 aligned on SB

Set 1:
01 - Rumble (Originally by Link Wray) (2:03)
02 - For Pete's Sake (Originally by The Monkees) (2:03)
03 - Daydream Believer (Originally by The Monkees) (2:47)
04 - Puff The Magic Dragon (Originally by Peter, Paul and Mary) (2:00)
05 - Be My Baby (Originally by The Ronettes) (2:53)

Set 2:
06 - Rock n Roll High School (Originally by Ramones) (1:45)
07 - I'm A Man (Originally by Spencer Davis Group) (2:28)
08 - Mother-In-Law (Originally by Ernie K Doe) (1:54)
09 - Autumn Sweater (Originally by Yo La Tengo) (4:54)
10 - Agitated (Originally by the electric eels) (1:48)

Set 3:
11 - Girls Just Want To Have Fun (Originally by Cyndi Lauper) (2:01)
12 - Panic In Detroit (Originally by David Bowie) (2:06)
13 - Ya Ya (Originally by Lee Dorsey) (2:35)
14 - He's Frank (Originally by the Monochrome Set) (3:21)
15 - Betty Lou's Got A New Tattoo (Originally by the Creep) (1:59)

Set 4:
16 -  TV Party (Originally by Black Flag) (2:05)
17 -  Cast A Shadow (Originally by Beat Happening) (2:16)
18 -  Lay Lady Lay (Originally by Bob Dylan) (2:33)
19 -  Synthetic World (Originally by Swamp Dogg) (2:47)
20 -  Rock And Roll (Originally by the Velvet Underground) (3:16)

Set 5:
21 - Get Dancin' (Originally by Disco-Tex and Sex-o-lettes) (1:38)
22 - Cowgirl In The Sand (Originally by Neil Young) (2:40)
23 - Ever Fallen In Love (Originally by Buzzcocks) (2:20)
24 - Can You Get To That? (Originally by Funkadelic) (1:46)
25 - You Really Got Me (Originally by The Kinks) (2:21)

Set 6:
26 - Theme from M*A*S*H (OST) (1:19)
27 - Chewy Chewy (Originally by Ohio Express) (2:40)
28 - Unsatisfied (Originally by the Replacements) (2:38)
29 - She's Not There (Originally by the Zombies) (2:16)
30 - Babysitter (Originally by Ramones) (3:15)

Set 7:
31 - Ain't Got No Home (Originally by Clarence "Frogman" Henry) (2:16)
32 - Mickey (Originally by Toni Basil) (2:36)
33 - Anything Could Happen (Originally by The Clean) (2:15)
34 - Poison Ivy (Originally by the Coasters) (2:03)
35 - She Cracked (Originally by the Modern Lovers) (3:09)
36 - Re-Make/Re-Model (Originally by Roxy Music) > Medley of Requests (5:56)

With references to:
Auntie Grizelda - Monkees
The Beautifule Ones - Prince
Bumpy Ride - Mohombi
I Am A Scientist - Guided By Voices
Kids - MGMT
The Beautiful Ones - Prince
What Do I Get - Buzzcocks
Follow Me Around - Radiohead
Always Everytime
Do You Love Me - Kiss
See The Sky About To Rain - The Byrds
New Girl In School - Freedy Johnston
Sweet Child O' Mine - Guns N' Roses
Insane Clown Posse/X-Ray Burns

Total Running Time: 1hr 30min 59sec

Georgia Hubley - drums, vocals
Ira Kaplan - guitar, vocals
James McNew - bass
Bruce Bennett - guitar, vocals

YO LA TENGO- 2019-03-09 WFMU-FM Jersey City, NJ FLAC .rar

Wednesday, March 27, 2019

The Guess Who- Playhouse Theatre, Winnipeg, MB, April 1975

 I thought this post would be appropriate because of two things in the news recently. The old Playhouse Theatre (aka: Pantages Playhouse Theatre) where this show was recorded was recently sold to new owners that will continue to operate the theatre. The theatre was up for sale last year and closed it's doors at the end of 2018 with the hope someone might be interested in keeping it running. The new owners paid just over half a million dollars (CDN) for the heritage property. The other bit of interesting news involves former Guess Who frontman, Burton Cummings coming across a little wacky in his new hometown of Moose Jaw, Saskatchewan. Apparently, Cummings wasn't too impressed with his neighbors, a dance fitness studio, that was playing it's music too loud. Cummings and other residents have complained and it has led to the studio facing 6 noise bylaw charges against the owner of the business. Cummings' complaint led to city council to re-evaluate business licenses for areas with homes and businesses. This seems fair and I have no doubt that residences should have protection from noise and loud music, I would hate to live close to a bar or outdoor music venue, but the owner has tried to reach out to Burt to discuss a solution, but so far he has declined. Remember it is just an indoor dance studio (that opens it's windows...maybe a suggestion is to close them?) and Burt, well he has a concert theatre venue in downtown Winnipeg named after him because he was a famous rock star in his former life, so you'd think he might be more tolerant or... not.

This live recording is a radio broadcast of the Guess Who live at the Playhouse Theatre in 1975. This was about 6 months before the band split up in October with frontman, Burton Cummings in the band. The band would later form in different incarnations without Cummings, with original  bass player, Jim Kale registering and taking control of the band name and to this day, the Guess Who continues to tour and record albums with drummer, Garry Peterson the lone original member. The 1975 band personnel and sound was a far cry from the hit-making "classic" lineup from the late 60's. Peterson and Cummings were in the band, but Randy Bachman (who had left in 1970) was long gone with a succession of guitar players replacing him and in 1974, Domenic Troiano joined the band.

I grabbed this recording from Dime, thanks to Krw co for posting and sharing. I have seen this live recording CD for sale at McNally Robinson (semi-officially released?) and for sale at my local record store as an unofficial bootleg (probably downloaded from the same source), so get it here while you can. The sound quality is excellent and the performance is fine. If you're even a moderate fan of mid-period Guess Who this is a must hear and for fans that want to hear that Bachman/Cummings sound of the 60's, this still holds it's ground, though there is a lot of filler. Regardless, this is an important document from one of the greatest bands from Winnipeg at one of finest concert venues still being used today.

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Winnipeg Playhouse Theater
Winnipeg Manitoba Canada
April 15TH 1975

Soundboard/FM Broadcast From
The Joe Maloney Collection
Presented By Krw_co

Lineage Unknown Generation Soundboard/FM Broadcast
to CDR Clone to EAC Secure Mode to TLH FLAC Level 8

   Disc 1
1 Down and Out Woman
2 Dirty
3 Hand Me Down World
4 Albert Flasher
5 Diggin` Yourself
6 Star Baby
7 Those Show Biz Shoes
8 Straighten Out
9 Seems Like I Can't Live With You
10 Clap For The Wolfman

   Disc 2
1 Medley (The Way We Were/Laughing/These Eyes/Undun/Hang On To Your Life/American Woman)
2 Roseanne
3 When the Band was Singing
4 Long Gone
5 No Time
6 Dancing Fool
7 Instrumental Interlude
8 Orly / DJ Talking

Burton Cummings  vocals keyboards
Garry Peterson   Drum backing vocals
Domenic Troiano  Guitars backing vocals
Bill Wallace     Bass backing vocals

GUESS WHO- 1975-04-15 Disc 1 FLAC. rar 
GUESS WHO- 1975-04-15 Disc 2 FLAC. rar 

Saturday, February 23, 2019

Neil Young & Crazy Horse- Centennial Concert Hall, Winnipeg Feb. 4, 2019

Since there was a policy of no photography during the show, this is the best I have.
Back in December, when pre-sale tickets for a pair of Neil Young & Crazy Horse shows in early February went on sale I had no idea he was even coming to town. My brother asked if I was a member of the Neil Young Archives because being a member meant first dibs for tickets. I wasn't, so he joined and snagged tickets in the sixth row for the first show on February 3rd at the Burton Cummings Theatre. I used his password for the second show at the Centennial Concert Hall the following night. Before I bought the tickets I agonized whether I should "invest", I hadn't seen Young live before and he was on my imaginary list of bands I should see before I (or they) die, but tickets weren't cheap and the cheapskate that I am hasn't paid that much for concert tickets ever. What pushed my decision towards going was the fact his band Crazy Horse would be performing as well as Neil solo and I figured this might be one of the last opportunities to see the electric Neil. My theory is he can play the solo musician-thing for longer than the full-on band. I opted for the third most expensive price level which meant I was back to row 22 on the floor, but dead centre. This could be good!

I must admit I'm not a big fan of opening acts. I get the reason why they have them, it extends the actual performance time for your evening so you're not there for only an hour and a half to see the actual reason why you're there as opposed to two and a half hours with the opening act and the intermission before the headliner. No offensive to the opener (William Prince was fine), but I'm paying the big bucks to see Neil Young. In this case, a quick run to the bathroom during intermission turned into an overly long lineup and without warning (that I know of), the concert resumed as I was walking down the row to my seat. Without announcement, the lights go out, pitch black dark as Neil wanders onto the stage and launches into the first song. I scramble for my recording equipment, setup and hit record, trying the best I can to set the volume levels. Because it's so dark I use my small flashlight to see which shines "like headlights" according to the people beside me as I struggle to level on the fly. The woman beside me tells me, "could you please stop that" and I don't look at the levels again, this isn't a good thing!

Neil played seven songs for his solo mini set, meandering between guitar, piano and banjo which was mellow and cool, not overwhelmingly exciting, but probably satisfied the older folk festival going fans the most. Things got cooking more once Crazy Horse joined Young for the electric band set. Rockin' In The Free World was the perfect set opener, I think Neil is at his best when he plays with Crazy Horse. Songs like, The Losing End, Roll Another Number and Winterlong are great underrated songs from his extensive catalog and Cortez The Killer is truly a Neil Young & Crazy Horse classic! For me, the guitar interplay on that song was worth the price of admission and seeing Neil shred with the great Nils Lofgren was a thrill. The main set closed with Fuckin' Up, which of course led to a two song encore with another classic, Like A Hurricane and ended the evening with Hey Hey, My My (Into The Black), which also closed the show the prior evening. Overall, a solid show, but wish there was a longer set from Neil with Crazy Horse, but I'm glad I was there.

The sound on the live recording is really good, not much nearby crowd noise or talking, so the sound is clear thanks also to the supreme acoustics of the concert hall, which is made specifically for concerts. There are though some imperfections on this recording I should mention before you listen:
  • The recording joins the first song (Out On The Weekend) a verse or so into the song. I missed the start before I got to my seat. There was no introduction before the song so you don't miss much. 
  • After the first song when I was adjusting the sound levels, the sound is stabilized and the rest of the solo set is fine. Thanks again to the lady beside me for talking in my ear, I didn't take any photos because I was worried she would freak out with the light from my phone if I dared.
  • During the beginning of Rockin' In The Free World the volume shoots up (Warning, you might want to turn it down a bit) for a moment, as I blindly turn the levels down almost too low for the rest of the song. By Danger Bird, the sound levels are up more evenly and stays that way to the end.
I originally was going to post this show to Dime (you have to be a member), but since I took my sweet time preparing the files and writing this, someone beat me to it. There is another recording from this show posted, I haven't listened to it, but it probably didn't have the issues I mentioned above. Also, on Dime there is a recording of the first night at the Burt. If you are not a member and you are interested, I might re-post the show here with the permission of the taper (please let me know). Since I don't want to post another version on Dime, this recording is exclusive to TDIT and is available for all to enjoy.

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Centennial Concert Hall
Winnipeg, MB, Canada
February 4, 2019
AUD Master

Sony ECM-DS70P mic> Tascam DR-07> SD card > 16 bit Wav>
Direct Wave MP3 splitter> FLAC> rar file

Neil Solo
01. Out On The Weekend (in progress)
02. Distant Camera
03. War Of Man
04. Old King
05. Green Is Blue
06. Don't Let It Bring You Down
07. Journey Through The Past

with Crazy Horse
08. Rockin' In The Free World
09. Danger Bird
10. Wonderin'
11. The Losing End
12. Roll Another Number (For The Road)
13. Winterlong
14. Cortez The Killer
15. Fuckin' Up

16. Like A Hurricane
17. Hey Hey, My My (Into The Black)

Crazy Horse
Neil Young- vocals, guitar
Nils Lofgren- guitar
Billy Talbot- bass
Ralph Molina- drums

NEIL YOUNG & CRAZY HORSE- 2019-02-04 Winnipeg, MB FLAC Master. rar

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