Saturday, February 27, 2021

New York Dolls- Montreal 1974: R.I.P. Sylvain Sylvain

 
 
There are few bands that have been as influential and important in the early punk scene in the early 70's. The first New York Dolls album debuted in 1973 to mixed reviews, in a Creem Magazine poll, they were elected the best and worst new band. Their look and musical style were all over the place, some called them proto-punk, they were basically a hard rock band with heavy metal, punk, glam and girl group influences mixed together for an original sound. Their glam look with spandex and platform boots set them apart, at the time, but their sound (to me) was like a sleazier (if that's possible), Rolling Stones. David Johansen definitely had a "Jagger"-thing happening and Johnny Thunders as the Keith Richards, with a sound not dissimilar to the Stones. Unfortunately, some good things don't last as the band only released two original albums during their original 1971-76 run, but the music from the members of the band continued with solo projects. Thunders left to form The Heartbreakers with drummer, Jerry Nolan, Johansen formed the David Johansen group and released many solo albums including reinventing himself with his Buster Poindexter alter-ego and Sylvain Sylvain had a solo career, and performing with others including the reunited New York Dolls in the 2000's.

On January 13th of this year, sadly Sylvain Sylvain passed away after a battle with cancer, he was 69. With his death, David Johansen remains the only living member of the original New York Dolls and though another New York Dolls incarnation may not be in the near future, the Dolls music is still prominently significant today.
 

I don't have many NY Dolls live recordings, so when I saw this one posted on Dime in tribute to Sylvain Sylvain, I jumped at the chance. It's an excellent sounding recording taken from a radio broadcast in Montreal and the post includes a newspaper review about the concert (included in the download folder), a photo and the ad for the show. This recording is too good not to share and it's proof the New York Dolls were a great live band. Too bad (according to the article) the turnout was so small, if they knew then what they know now, it should have been packed! Thank you to the person that recorded this concert off the radio, thanks to the original poster on Dime and to Borzage who re-seeded the post after Sylvain's death. A must-hear for any New York Dolls fans!
Enjoy!

Do NOT sell or profit from this recording!
Please do NOT convert to lossy formats, except for personal use.
Please share!

 
Palais du Commerce 
Montréal, QC
September 27, 1974
FM Broadcast


01 Lookin for a kiss
02 Mystery Girls
03 Something else
04 Pills
05 A Great Big Kiss
06 Subway Train
07 It's too late
08 Trash
09 Bad Girl
10 Chatterbox
11 Puss n Boots
12 Stranded In The Jungle(cut)

Broadcast by CKVL 96.9 FM radio on 28-Sep-74
(With Peter Jordan on bass, instead of Arthur and Buddy Bowser on saxophone)

Wednesday, February 17, 2021

The Jayhawks- All "Covers" Show- Minneapolis 2021




 
In this weird topsy turvy world we're living in, I haven't been to a live concert in almost a year. I've had other dry spells in recent years, but I've had the choice to attend or not. Now, at least here in Canada, gathering of people is still a non-starter and my guess is that it will still be a while before I can see a band or any type of live performer in the foreseeable future. Musicians have had to be creative to continue to make a living playing music and finding a venue for their performances have moved for the most part online. The last concert I personally recorded was the Wilco show last March a day or so before they cancelled the rest of their tour. It's funny because in the days and weeks leading up to the concert, I was considering cutting back on recording and taking the time to actually listen and enjoy shows without the worry of capturing a good recording. I haven't taken this approach in decades now because I was always worried I would "miss" some great moment I would regret missing. Now that there are no concerts to attend, I do miss the adrenaline of the live show and the reward of a great sounding souvenir. Enter the concept of live streaming concerts where bands can perform remotely from their home, recording studio or a stage in a cafe or club without a live crowd present, performing to an online audience. The quality of these performances have greatly varied, but they are rapidly improving and it's been worth checking out. Some are free, some you can donate what you want, while others you need to purchase tickets to view these live events. I have watched some shows from each category and while the performances have been generally good, the sterile atmosphere without an audience takes away that interaction, connection and excitement a live concert generates. This is similar to watching live sports (hockey comes to mind) without the crowds, it definitely loses something even with the fake crowd noise and flashing lights, it has become a made-for-TV event.




There are many pros to the online live streaming concerts to consider. You don't even have to leave your house (or apartment), you can eat and drink what you want during the show, you can wear what you want without considering the weather outside (hot or cold) and the comfort of sitting on your couch or desk chair is surely an upgrade from sitting or standing some distance from the stage. You don't have to feel crowded and squished while attending and as a taper, the worry of talkers, slammers or general ass-holes at the show sometimes makes attending a show an unpleasant experience. I stress a lot taping shows, on the lookout for bouncers and security, adjusting sound levels and pressing the right buttons in the dark and timing bathroom breaks (the balance of drinking vs not drinking during a concert). Location of the the seats or on the floor are also an important factors for getting a decent recording and since I'm height restricted (short), I often can barely see the stage, so it's much easier in the comfort of
home. While watching these live streams I've decided to put my recorder to good use and I'm inputting the audio directly into the recorder. Though the sound quality has been great, it hasn't been without flaws and glitches on my end with internet lag issues and me clicking the wrong buttons. The previously posted Juliana Hatfield streams sound fantastic, not without some issues that don't take away too much from the recording. The Jayhawks and front-man, Gary Louris have been streaming live shows throughout the pandemic and the latest group show was in January with an all-covers concert. The band performed many covers I've never heard them play and clearly many songs in the set they were still learning (sheet music), as well as a couple that have been known to be in a Jayhawks set (Driving Wheel, Revolution Blues). A very interesting, loose fun show (some false starts) with everyone in the band taking lead vocals, a refreshing take on these covers and I'm sure many of these songs will appear in future Jayhawks shows.

Notes:
  • As mentioned earlier, there are glitches in this recording most obviously during the first track (Different Drum) where there are a couple of gaps of silence. Apparently, I clicked the screen when I was increasing the volume and it either paused or muted the audio for 10-15 seconds (twice!). I would have rerecorded the song if video was still up, but because of licensing issues it is no longer available. If anyone has a clean copy of the song, please DM me.
  • A pleasant reoccurring appearance from sometimes Hawk/Smogger, Kraig Johnson on several songs and lead vocals on Revolution Blues, a Neil Young cover he sings with Golden Smog.
  • Jim from the Facebook The Jayhawks Fan Page posted the setlist with the original artist and in bold, who sang lead vocals.  (The setlist posted at the bottom of the page will be in the text file in the download.)
    1. “Different drum” – Mike Nesmith 1964, also covered by Linda Ronstadt/Stone Poneys [GARY]
    2. “The End of the World” – Arthur Kent and Sylvia Dee song, first made popular by Herman Hermits, also covered by: Skeeter Davis, Brenda Lee, Carpenters [KAREN]
    3. “Couldn’t I Just Tell You” – Todd Rundgren 1972 [GARY]
    4. “She Sold Blackpool Rock,” Honeybus (1960s pop group) [TIM]
    5. “This Will be our year” - Zombies [GARY]
    6. “King of Hearts” – Lucinda Williams (from Happy Woman Blues) [KAREN]
    7. “Someone Who Cares” - The Only Ones [MARC]
    8. “What the Hell I Got” - Michel Pagliaro [TIM]
    9. “You Tore Me Down” - Flamin’ Groovies [GARY]
    10. “To Sir with love” – LuLu 1967 [KAREN]
    11. “I Don’t Want” - Sir Douglas Quintet [GARY]
    12. "Driving Wheel" a song written by British-born Canadian folk singer David Wiffen, popularized by Roger McGuinn, Tom Rush, The Cowboy Junkies, David Bromberg (appears on the Jayhawks “Live at the Women’s Club 1 CD) [TIM]
    13. “A Salty Dog” - Procol Harum 1969 [GARY]
    14. "We Have All The Time In The World" – Louis Armstrong [KAREN]
    15. “Make Me Smile (Come Up and See Me)” - Steve Harley & Cockney Rebel (glam rock, later covered by Duran Duran and Suzi Quatro) 1974 [GARY]
    16. “Satellite of Love” - Lou Reed, (from “Transformer,” produced by David Bowie, Mick Ronson, later covered and made a hit by U2) 1972 [MARC]
    17. “Got To Get Out of Here” - Badfinger (from “Wish You Were Here”) 1974 [TIM]
    18. “Here Comes Your Man” - The Pixies [GARY]
    19. “Revolution Blues” - Neil Young [KRAIG]
  • Since the video is no longer available, I don't know about the logistics of posting the audio of the show. This whole live stream concert etiquette is still somewhat new, so if there is any objection to posting this show, either the band or management label people, please let me know. 

Enjoy!

Please do NOT sell or profit from this recording! 
Do NOT convert to lossy formats, except for personal use.
Please share!



THE JAYHAWKS
Slamhammer Production Facility
Minneapolis, MN.
January 10, 2021
Live Stream
All covers show!

01. Different Drum (G)
02. End Of The World (K)
03. Couldn't I Just Tell You (G)
04. She Sold Blackpool Rock (T)
05. This Will Be Our Year (G)
06. King Of Hearts (K)
07. Someone Who Cares (M)
08. What The Hell I Got (T)
09. You Tore Me Down (G)
10. To Sir With Love (K)
11. I Don't Want (G)
12. Driving Wheel (T)
13. A Salty Dog (G)
14. We Have All The Time In The World (K)
15. Make Me Smile (Come Up and See Me) (G)
16. Satellite Of Love (M)
17. Got to Get Out Of Here (T)
18. Here Comes Your Man (G)
19. Revolution Blues (KJ)

Musicians:
Gary Louris- guitar, vocals (G- lead vocal)
Marc Perlman- bass, guitar, vocals (M- lead vocal)
Karen Grotberg- piano, vocals (K- lead vocal)
Tim O'Reagon- drums, guitar, vocals (T- lead vocal)
Kraig Johnson- guitar, bass, vocals (KJ- lead vocal)
 

Friday, January 29, 2021

Juliana Hatfield- Live At Q Division Studios, January 2021: Bed Album

 
 
Juliana Hatfield continued her series of solo acoustic concerts live streamed online with a performance last Saturday of her album, Bed. The album was originally released in 1998, after the fiasco of God's Foot, a still unreleased album Juliana recorded in 1996 and intended for release in 1997. Bed was a stripped down record that didn't incorporate digital effects and according to Juliana, "It sounds as raw as I felt. It has no pretty sheen. The mistakes and unattractive parts were left in, not erased. Just like my career. Just like life." I bought Bed on CD years ago and after re-listening to it last week, it really is one of her better albums and probably her most under-appreciated album. It is a solidly raw rocking record, so I wondering how it would translate to an all acoustic performance. It turned out just fine, Juliana's performance was far more confident than her previous "album" show (Become What You Are) and her guitar work was excellent, pounding out power chords and energetically transformed these songs to a different level, plus she only played the album once (see last show). I love the album and the acoustic version is a very fine compliment to the songs. I highly recommend you listen to both back-to back to compare. Juliana rounded out the set with some bonus tracks, including Waves (from a compilation. Volume 13:The Lucky Issue), As If Your Life Depended On It (from the Please Do Not Disturb EP) and Staying In (from Weird).



Notes:
  • Juliana said she would like to perform an album a month. Next month, she plans to play the Only Everything album in it's entirety, from 1995. I am especially interested in this show because this was the album that introduced me to her music. The only time I have had the pleasure of seeing her live was when she came to town touring this album (1995). This just might be her most "successful" record and possibly her best-seller (?) and I still love this album, arguably my favourite Juliana album.
  • Her next album is called, Blood followed by another all-covers record. She continued to receive suggestions of who she should cover next during the Q and A session at the end of the set, like she did last time. American Laundromat Records is taking presale orders, as well as for signed copies, test pressings, special vinyl colours and VIP bundles for the new album. Release date is May 14th.
  • Listen to the first single off Blood, Mouthful Of Blood. Song sounds great! Hopefully she'll perform it next live stream?
  • The sound quality of the stream is excellent, the vocals and guitar are balanced perfectly. I recorded this "live on the fly" with a direct output to a digital recorder. Not sure if the re-broadcast audio would be as lossless as the original livestream. Unfortunately, there are a couple issues probably due to laggy internet as there a few audio glitches in the sound. Particularly, tracks 1 and 5, but it doesn't affect the enjoyment of the music too much. I will upgrade my internet speed before next month! 
  • As of this writing, the video of the performance is still posted on YouTube. Watch it while you can! You can still donate here.
  • Juliana showed off the needlepoint guitar case her mother made for her. Very sweet and amazing detail. Nice!!
Enjoy!
 

Please do NOT sell or profit from this recording!
Do NOT convert to lossy formats (except for personal use)
Please share! 

 
 
Q Division Studios
Somerville, MA
Live Stream
January 23, 2021
Bed album (acoustic)

01. Down On Me
02. I Want To Want You
03. Swan Song
04. Sneaking Around
05. Backseat
06. Live It Up
07. You Are The Camera
08. Running Out
09. Bad Day
10. Let's Blow it All

11. Waves
12. As If Your Life Depended On It
13. Staying In
14. talk (Q & A)
15. more talk

Tracks 1-10: BED album in it's entirety
Tracks 1-14: will fit on one CD (I split the Q & A talking so you can exclude track 15 so it will fit perfectly on a 80 minute disc, if you are burning)

 

Tuesday, December 29, 2020

Young Fresh Fellows- Live Acoustic In Seattle 1984

 
 
I think a good way to end the year would be live recording from the Young Fresh Fellows. Despite the uncertainty in our world this past year, it was a very productive year with several Scott McCaughey/Fellows-related releases. New releases from the:
As well, Scott appeared on a new ep from the Junior League (Summer of Lies) and maybe there were others. A new Young Fresh Fellows record was a much needed breath of fresh air this year. The album's release date was pushed back a couple times to coincide with Record Store Day and it was finally released during the third RSD on October 24th. I ended up buying from a seller on Discogs (no regrets!), so I didn't get a vinyl copy of the album for a few weeks later (on bright toxic green colour vinyl!). It's an excellent record, definitely one of my favourites of the year and might be their best album since, Because We Hate You or even, Electric Bird Digest! Unfortunately, live shows were a no go this year, so hoping to see YFF/Scott play some live shows in the near future. I see the No Ones have already booked some live dates from the spring of 2022, I'm optimistic there will be more live shows way before then. Fingers crossed! 
 
 
For the final post of 2020, I've unearthed a live recording from the Young Fresh Fellows from 1984. This is a rare acoustic performance from the early days after the release of their debut album, The Fabulous Sounds of the Pacific Northwest and includes a couple songs from their next record, Topsy Turvy and an interesting cover of Elvis Costello's, Green Shirt. I don't know much about the lineage of the recording or know how much longer the set was (it cuts during track 13). I received this in a trade many years ago, but it sounds pretty good, I'm always interested in hearing Chuck-era live shows which I don't have a lot of. Season's greetings and happy new year, hopefully 2021 will be a tad bit better. Continue to listen to good music in the new year!
Enjoy!
 
Essential Listen of the week: In a couple days it will be new year's eve, traditionally an evening of celebrating with family, friends and complete strangers, but this year will be significantly different. Some of my favourite live concert recordings are from new year's eve shows with the countdown and sometimes bands kick it up a notch with a unique show (Local H for example is know for their "themed" shows). Some years back I posted a Young Fresh Fellows NYE show from 1987, that is special to me, not only because it was the first YFF live show I received in a trade, but because it is very cool. I only wish this was a complete set, but regardless there isn't a better way to bring in the new year!
 
#14yearsoftrouble
Please do NOT sell or profit from this recording! 
Do NOT convert to lossy formats. (except for personal use)
Please share!
 
Seattle, WA
September 25, 1984 
(acoustic)
AUD recording

01. Big House
02. Dodge City
03. The New John Agar
04. Down By the Pharmacy
05. This Little Mystery
06. Back Room Of The Bar
07. Teenage Dogs In Trouble
08. Sharing Patrol
09. All Messed Up
10. Green Shirt
11. Very Fine Man
12. Rock 'n' Roll Pest Control
13. Young Fresh Fellows Theme (cuts off) 
 
 

Wednesday, December 23, 2020

Juliana Hatfield- Live At Q Division Studios, Dec. 2020

 
 
With the continuation of restrictions due to the ongoing pandemic, live online concert streams have become pretty popular through a lot of 2020. The loss of income from live performances have caused many artists to seek alternative ways to earn a living and to reach out to fans. The live stream concerts help connect the artist with fans and while some shows are pay per view, others are free or rely on donations and selling merch/recordings. 
 
Juliana with the "setlist" for the show
 
Juliana Hatfield performed her first live stream concert on Saturday, December 19th from Q Division Studios in Somerville, MA. She played a solo acoustic performance of her classic second album (or her first with the Juliana Hatfield Three band) from 1993, Become What You Are (played in it's entirety) not once, but twice! After a shaky start (according to her), she repeated the first track on the album, Supermodel and when she completed the album with two bonus tracks (Christmas Cactus, her latest 7" single and Make It Home from the My So-Called Life soundtrack), she switched guitars and played the whole record all over again. Since I wasn't going anywhere, I stuck around and enjoyed part two, the "Martin guitar version" of Become What You Are
 
It was a joy and pleasure to see and hear Juliana perform live, just her voice and guitar. Hearing these songs acoustically without the JH3, takes the songs to a different level especially so many years later from their original release and lays bare the quality of songwriting and song structure and that Juliana is a really good guitar player. Once she became more comfortable and during the second run, she warmed to the idea of doing this again, possibly another album in it's entirety. At the end of the two sets, Juliana answered questions from fans who were able to live comment throughout the stream. We found out she's going to release her next album in 2021 called, Blood and she is planning on recording another "covers" album and she took suggestions about which artist to cover. She said she has some ideas, but suggestions ranged from the Carpenters to Nirvana and everything in between. She seemed interested in the possibility of covering someone like, Madonna, R.E.M. or Dinosaur Jr. (she's cover Dinosaur twice before!), but then again I didn't see Olivia Newton John or the Police on the radar before those records.
 
Juliana played her Martin acoustic guitar for the second set.
 
The sound quality is excellent and if you want to hear the audio only, I recorded the show live directly from the feed (line-out) into my recorder. I've split the tracks and though I considered splitting the two sets, the total download file isn't too large. (For burning purposes, I would suggest splitting the two sets (after track 16) and if you don't want to hear the Q & A from fans online, track 29 is quite long and could be omitted)
Enjoy!

The video of the show is still available online and you can watch it below or on YouTube


 
Essential listen of the week: During the Q & A portion when Juliana asked what album she should play next, a popular request was her unreleased album demos from circa 1996, God's Foot. Got me thinking about those recordings again and are worth another listen. I previously posted about it in 2009.
God's Foot (download mp3)
God's Foot (stream YouTube)


#14yearsoftrouble
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Do NOT convert to lossy formats.
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JULIANA HATFIELD
Q Division Studios
Somerville, MA
Live Stream
December 19, 2020
Become What You Are album (acoustic)


01. Supermodel
02. Supermodel (take 2)
03. My Sister
04. This Is the Sound
05. For The Birds
06. Mabel
07. A Dame With A Rod
08. Addicted
09. Feelin' Massachusetts
10. Spin The Bottle
11. President Garfield
12. Little Pieces
13. I Got No Idols
14. Christmas Cactus
15. Make It Home
16. <Talk>

17. Supermodel
18. My Sister
19. This Is The Sound
20. For the Birds
21. Mabel
22. A Dame With A Rod
23. Addicted
24. Feelin' Massachusetts
25. Spin The Bottle
26. President Garfield
27. Little Pieces
28. I Got No Idols
29. <talk (viewers Q & A)>

 

Sunday, November 15, 2020

Hanson Brothers- Live At the Underground 2002

 
 
While watching NHL playoffs this past September, I was simultaneously reading the book, Lonely End Of The Rink by Grant Lawrence (his second book, I've read his most recent book, Dirty Windshields). It's a very interesting read because the subject matter of the book mirrored many of my interests and shared many of my passions. I grew up watching and playing hockey, I was a goalie, I played lots of ball hockey in my youth, I continued to play hockey as an adult, I was a singer in a band (my songwriting is heavily influenced by hockey in a self-described "hockey-rock" band) and I'm a writer (haha hardly, not really). Well, some of those things are similar, but in a different order. Grant had a love/hate relationship with hockey, when he was young, he often associated hockey with getting bullied by the jocks (hockey guys) at school, but it didn't stop him from organizing ball hockey games with friends. He grew up with a NHL team in his own backyard that was either really crappy, or oh so close to winning the cup, twice! He eventually played organized ice hockey as an adult (spoiler alert), as a goalie. His band, the Smugglers did a very cool hockey song, Our Stanley Cup that was included on the Johnny Hanson Presents...Puck Rock Volume One compilation. I highly recommend Grant's book, though it was hard to read at times (he was bullied hard!), it was inspiring and I will definitely seek out his first book (I'm reading them in reverse order) because I like his personal easy to read writing style.
 
Speaking of hockey rock, more specifically puck/punk-rock, Johnny Hanson's band, The Hanson Brothers (NO relation to the group, Hanson) has given us three marvelous full length studio albums all hockey themed. They have been entertaining audiences with their hard hitting, Ramones influenced punk rock since the members of Victoria, BC's, No Means No performed under the Hanson Brothers name in 1984. You can call it an alter ego, side project or spin off band, their music is much appreciated, world wide. 

I'm posting a live concert from the Hanson Brothers recorded in Germany in 2002. Special thanks to Mitch who sent me this show recorded at the club he worked at, with a high quality soundboard recording of this amazing show. I haven't seen the Hanson Bros live, but I imagine this is the next best thing to being there. Drop the puck and drop the gloves! Game on!
Enjoy!
 
 
 
Essential Listen of the Week:  Johnny Hanson Presents...Puck Rock Vol. 1- A 21 track compilation of hockey songs from various artists (mainly Canadian) including, Hanson Bros, The Smugglers, S.N.F.U., D.O.A., Huevos Rancheros, The Sweaters and more! If you happen to find a used copy somewhere (which I did), buy it not only for the liner notes (lyrics and bios of the bands), but for the cool band "hockey team"-style logos on the back cover.

#14yearsoftrouble
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The Underground
Cologne, Germany
May 13, 2002
 
01 - Intro - Total Goombah! 
02 - Hockey - My Girlfriend's A Robot 
03 - My Game 
04 - A Night Without You 
05 - Third Man In 
06 - Stick Boy 
07 - Tranquil
08 - I've Been There
09 - Hockey Night in Cologne - Sabrina
10 - Comatose
11 - 100 + 10 % 
12 - Rink Rat
13 - Unsung Heroes
14 - Joey Had To Go
15 - Rockaway Beach
16 - Duke It Out - Road Pizza - Jack Off
17 - You Can't Hide The Heino
18 - Bad
19 - They Made Her Mine
20 - We're Brewin'
21 - No Emotion
22 - Let's Go Out Tonight
23 - Danielle (She Don't Care About Hockey)
24 - Blitzkrieg Hops
25 - Sudden Death 
 

Thursday, November 12, 2020

Neil Young- Happy 75th! Elektra Demos 1965 & More

 

Today, November 12th is Neil Young's 75th birthday! Despite the worldwide pandemic that has shut down concert tours and most live performances, Young has had a busy 2020 so far, releasing new and "new" old music. He was also preoccupied with his displeasure with his president (he has dual Canadian and American citizenship), Donald Trump. In February, he wrote an open letter to Mr. President Donald Trump: "You Are A Disgrace To My Country". In August, he filed a copyright infringement lawsuit against the Trump campaign for using his music at Trump rallies and in September he released, The Times (EP) that included a new song, Lookin' For A Leader that expressed more of his feelings towards the Trump presidency. In June, Young finally released the long unreleased album, Homegrown that was originally suppose to be come out in 1975. And just last week, a live album, Return To Greendale, recorded in 2003 in Toronto while on tour to promote the album, Greendale with his band, Crazy Horse was released. Upcoming on November 20th, the Neil Young Archives Volume II: 1972-1976 is set to release, a 10-CD box set that will consist of 131 tracks, 63 previously unreleased. These include live and alternative versions of previously released songs, plus 12 never released songs. Wow, quite the busy year indeed!
 
I thought this would be an appropriate time to post some early demos from Young from 1965, the Elektra demos which is an unofficial release, but has been widely available. Some of these songs appear on the Archives Vol. 1, but a couple don't and as a bonus there are some rare live tracks. These early demos are Neil solo acoustic and the sound quality is very good. The interesting thing is that his voice actually sounds slightly smoother and more coherent than we're used to, but it's still unmistakably Neil Young. A true gem for any Neil fan and an important recording in his early career. Happy 75th!
Enjoy!
 
 
 
Essential listen of the week: As far as Neil Young cover tributes go, this one's great! NEIL (Vol 1) from Scott The Hoople (aka: Scott McCaughey -YFF, Minus 5, Baseball Project...etc) is a 13 track digital album of Neil covers that just came out November 6th. 
Scott: "For 50+ years, his music has been a huge part of my life - a source of immense pleasure, comfort, and pleasurable discomfort...". I highly recommend giving this a listen, it's definitely worth the measly $7.00 he's asking. Get it!
 
#14yearsoftrouble
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NEIL YOUNG
Elektra Demos 1965 & More


Transfer: Original silvers -> EAC -> Flac

01 Sugar Mountain
02 Nowadays Clancy Can't Even Sing
03 Run Around Babe
04 Don't Pity My Baby
05 I Ain't Got The Blues - False Start 1
06 I Ain't Got The Blues - False Start 2
07 I Ain't Got The Blues - False Start 3
08 I Ain't Got The Blues - Final Take
09 The Rent Is Always Due
10 When It Falls, It Falls All Over You

The Elektra Demos Recorded at the Elektra Studios in New York City, September 1965. Engineered by Peter Siegel. All Tracks are just Neil and his acoustic guitar. First time available in stunning sound quality!

11 Everybody's Alone
Recorded during rehearsals at KQED TV, December 1970.

12 Traces (With CSNY)
13 Love Art Blues (With CSNY)
Recorded at the Coliseum, Seattle, July 9, 1974.

14 Stringman
Recorded at the Hammersmith Odeon, London, March 31, 1976.

15 Southern Man (With Stills/Young Band)
Recorded at the Civic Center, Providence, July 7, 1976.

16 Give Me Strength
Recorded in the USA, November 1976.

17 Lady Wingshot
Recorded at the Bicentennial Park, Miami Beach, November 12, 1977.

18 Amber Jean
19 Let Your Fingers Do The Walking (a.k.a. Good Phone)
20 Helpless
21 Down By The River
Recorded at the Austin City Limits TV Show, Austin, September 25, 1984.
 

Sunday, November 01, 2020

Halloween Special- Local H As Nirvana 1997

 
 
 
Actually this is a post-Halloween special as I was too busy yesterday preparing for the onslaught of costumed kids by carving pumpkins and bagging up treats. Despite our efforts, by spreading bags on a table outside and social distancing sitting outside in costume for over 2 hours, we had a whopping 11 people at the house. Half of those took candy after we retreated inside after 8pm, because it is cold and windy enough to still have snow on the ground. Damn you Covid! Oh well, the night wasn't a total loss...more candy for me! We live in a region that is in a "code red alert" lock-down so Halloween parties and concerts are definitely not happening, so the next best thing is listening to or watching some Halloween themed concerts.

One band that always delivers on Halloween is Local H, who have performed almost every year at the Double Door in Chicago for their annual Halloween bashes, which began in 1996. Local H would perform as other bands and play a complete set with that band's music. They have performed as Nirvana several times, in 1997, 2016 and last night for an outside drive-in concert (because of epidemic) in the parking lot of Booomers Stadium in Schaumburg, Illinois. They have also performed Halloween shows at the DD as Bruce Springsteen and the E Street Band, Hall and Oates, AC/DC, The Doors, Sex Pistols, Tom Petty and more, all with their amazing likenesses that would make most tribute bands jealous. Not only are the songs worthy covers, but the mannerisms and movements of the performers are uncanny. A couple nights ago, I fell through the rabbit hole and watched many of these complete shows on YouTube. Thanks to all that uploaded these great videos!
 
The first time Local H played as Nirvana was the Halloween show at the Double Door in 1997. I plucked the live audio recording off archive.org (where they have well over 500 Local H shows!) and they remarkably sound pretty convincing, and if you watch the video, Scott Lucas does a pretty good Kurt Cobain impression. If you're a fan of Nirvana, Local H or good clean fun, this is well worth a listen. 
Enjoy!

#14yearsoftrouble
Please do NOT sell or profit from this recording!
Do NOT convert to lossy formats (except for personal use)
Please share!

Local H
Playing as Nirvana for Halloween
The Double Door
Chicago, IL
October 31, 1997

01. Intro/School
02. Aneurysm
03. Breed
04. About a Girl
05. Serve the Servants
06. Sliver
07. Been a Son
08. Negative Creep
09. Love Song?
10. Rape Me
11. Tourette's
12. Lithium
13. Smells Like Teen Spirit
14. Territorial Pissings


Sunday, October 18, 2020

Alex Chilton & Teenage Fanclub- Live In Glasgow 1996

Among the records I got from my sister recently were a couple of Alex Chilton related albums, Big Star's second album, Radio City (a classic!) and a solo Chilton import compilation from 1985, Document. It's evident from these records, Chilton was an extremely talented songwriter especially his work with Big Star and he carried it on through most of his solo albums, though like most artists some were uneven and inconsistent. His music has influenced a whole generation of musicians that have incorporated the (once) underappreciated sound of Big Star who have updated and expanded on their sound. A couple bands immediately come to mind, the Replacements played several Big Star covers live and Paul Westerberg paid tribute to Chilton in the aptly titled song, Alex Chilton from the Please To Please Me album. Chilton even produced a couple of tracks for the band on Tim, though those tracks didn't appear on the original album. 

The Posies worshiped at the temple of Big Star as their sound was clearly influenced by Big Star. Jon Auer and Ken Stringfellow from the Posies were the obvious choice to play alongside Chilton (and original drummer, Jody Stephens) in a revised version of Big Star that was formed in 1993. They toured several times and recorded an album of new material (Big Star's last studio album), In Space in 2005.

Another band that embraced the sound of Big Star was Scottish revivalist band, Teenage Fanclub who enjoyed considerable success in the 90's and continue to this day touring and releasing excellent albums. The band hasn't shied away from collaborations with other musicians as they recorded an album with Jad Fair (Words Of Wisdom And Hope), a track with De La Soul (Fallin'), a session with Frank Black and recording (still unreleased) tracks with Alex Chilton. 

When Alex Chilton played a couple concerts in Scotland in 1993 and 1996, he selected Teenage Fanclub as his backup band to perform Big Star songs, solo material and several covers. The band seamlessly performs the songs and Chilton is in good spirits and fortunately the concert is captured by BBC Scotland with an excellent sounding broadcast quality live recording. As a bonus, the latter part of the broadcast (track 19 on), the Alex Chilton Trio perform a "jazz set" (not sure if it's the same night?) which proves to be just as enjoyable. This show has been widely available, but I have seen this listed as April 8, 1993 and April 8, 1996 on different boots of this recording. The source I got this from (on Dime) several years ago was dated 1993, so for now (*) I'll stick with this date. Overall a great show with amazing sound and fans of Alex Chilton, Big Star and Teenage Fanclub will not be disappointed!
Enjoy! 

Essential listening samples (buy these records!)
Big Star- #1 Record
Big Star- Radio City
Teenage Fanclub- Bandwagonesque
Teenage Fanclub- Grand Prix

#14yearsoftrouble
Please do NOT sell or profit from this recording!
Do NOT convert to lossy formats (except for personal use)
Please share!

ALEX CHILTON & TEENAGE FANCLUB
13th Note
Glasgow, Scotland
April 8, 1996?


BBC FM Radio Scotland Broadcast

01. Intro
02. September Gurls
03. Girl Like You
04. My Heart Stood Still
05. Patti Girl
06. Any Way The Wind Blows
07. Walk Right Back
08. Free Again
09. Telstar
10. Have I The Right
11. Dark End Of The Street
12. What Do You Know About Love
13. All The Love
14. Lifes A Gas
15. Audience Chat
16. Waltz Across Texas
17. Wolly Bully
18. Hey Little Child
19. Intro To Jazz Set
20. My Baby Just Cares For Me
21. We're Gonna Make It
22. I've Got A Lot Of Living To Do
23. Hide And Seek
24. Margie
25. Goodnight My Love

 [* UPDATE: read the comments. Changing to date to 1996 unless anyone has a better argument. The file name will remain the same]

 ALEX CHILTON & TEENAGE FANCLUB- 1993-04-08 13th Note, Glasgow, Scotland FLAC. rar

Saturday, September 19, 2020

The Suitesixteen- Mine Would Be The Sun

 
 
When I first heard the album (CD), Wanna Smash Sensation by Victoria, BC's, BUM, it was love at first listen. The songs were catchy, the guitars were crunchy and the songs were amazing, not just a few, but the whole album! It really was a revelation, I regard this album as one of my favourite records of the 90's, maybe even of all-time. Whenever I listen to the album (which I still do consistently), it never fails to put a smile on my face. During the next year, I saw the band twice, bought their 7" singles and their follow-up CD's, I Am Superwoman and Shake Town- Live! and the band broke up. Actually, co-founder, guitarist vocalist, Rob Nesbitt left the band within a year of Wanna Smash Sensation's release and the band limped along briefly without him and released their final record the little known (and underrated), Make It Or Break It released in Spain (vinyl only) with Nick Thomas from the Smugglers on guitar. 
 
Purchased Wanna Smash Sensation through Popllama's mail order. That and The Smugglers CD.

Thanks to Scott McCaughey for the advice! Excellent show!
 
 After Nesbitt left the band, life went on. The band has reunited a few times since reuniting in 2014 for the Rifflandia festival in Victoria, guitarist Andrew Molloy released a great record with his band Budokan and Rob Nesbitt has been writing and recording material for a new project. Nesbitt's "project" is 25 years in the making and 16 years of work that was finally released this January. Mine Would Be The Sun is a concept album of songs he had written about a girl he spent his teen years obsessing about, a one-sided romance, call it self-therapy. This proved to be an epic obsession!

What we have is sixteen tracks from The Suitesixteen, Rob Nesbitt's career defining moment comulating on two discs of vinyl packaged in an incredible presentation. For the full experience, you must get the ultra-deluxe limited edition of this record and apparently, there is only 500 physical copies available. I can't honestly say I've even seen (or owned) such a lavish package with a triple gate-fold housed with two LPs, 45 rpm for the finest possible sound quality and a 52 page full colour book. The book and the gatefold is the highest quality and with it's meticulous detail it's obvious no expense was spared to make this a very special and one of a kind item. The book includes 15 pages of handwritten lyrics and photos taken at the sites where the events occurred on the album beautifully shot by Nesbitt's wife, Wendy. The package reads a lot like a coffee-table sized (autobiographical) memoir with a very cool soundtrack. The album is also available digitally on The Suitesixteen Bandcamp page that includes a high res pdf version of the book and you can sample the tracks before purchasing.



The album speeds fast out of the gate, side one could easily be mistaken for long lost tracks from BUM. It shouldn't come as a surprise the melodic pop-punk sound of BUM is evident throughout, which is a good thing because if you're a fan like me I've long missed the sound of this great band. It's an updated version of BUM with perhaps a more mature sound, depth and wider musical range. A Very Well Known Secret and My Wife, Doom, Singular, Fate are pure power pop, That Sweet Ache is a great pop song and Us In Pure Sound is pure punk and all the songs sound fresh and crisp. This isn't a lo-fi vanity bedroom project, the album sounds great, you can hear the attention to detail in the sound recorded at the JC/DC studio in Vancouver and Nesbitt's house with Rob doing all the vocals and most of the guitar work. He had help in the studio with several musicians including the likes of David Carswell from the Smugglers on guitar (who co-produced) and John Collins and Graham Watson (from BUM/Smugglers) on a couple of tracks. This album is completely an independent release. No record label, no grant money or fundraising, this album is completely funded with Nesbitt putting most of his life savings into the project. It's interesting how you change the way you listen to something once you realize what the subject matter is all about. Normally, I rarely listen closely to the lyrics of songs, but after reading the book and reading more about this project, I can't help listening to this story in a whole different way. Nesbitt claims that 98% of his songs even with BUM were about her.
 
For more insight about The Suitesixteen (aka: Rob)/Mine Would Be The Sun, I recommend this excellent article, "Why It Took Musician Rob Nesbitt 25 years To complete His New Album", written by (Smuggler/CBC-er) Grant Lawrence for the Vancouver Courier which includes an interview with Nesbitt. This album is clearly a leading candidate (personally) for the "best of the year" for 2020 and hopefully more people actually hear this record. I know there are fans of BUM that read this blog and trust me this is one of the best records I've heard in years and you won't be disappointed! Please spread the word and share this post.
Enjoy!

To purchase- The Suitesixteen- Mine Would Be The Sun
*Digital album (FLAC, mp3...) @ thesuitesixteen.bandcamp.com
 
*Ultra-deluxe limited vinyl edition (is not available in stores!) - contact Rob directly @ thesuitesixteen@hotmail.com 
 

Monday, September 14, 2020

The Damned- Live At The First International Punk Festival 1976

 
Last week I started reading Nick Lowe's biography, Cruel To Be Kind written by Will Birch and it's so interesting it's hard to put down. It follows Lowe from (pre-) infancy up until I'm present day, as in a couple years ago when he recorded and toured with Los Straitjackets. I was looking forward to reading about his career in the 1970's where a lot of the action took place that followed Lowe through his early band's, Kippington Lodge, Brinsley Schwarz and of course, the great, Rockpile. He even crafted a pretty successful solo career as well. He made a lot of great music with those bands and played a ton of live shows while battling, believe or not, addition problems. The book provides a rare look at Lowe's personal life and there's lot's of insight from fellow musicians Lowe worked with, including his ex-Carlene and the author who had connections with Lowe back in the day. Elvis Costello spoke highly of Lowe as a performer and a producer who produced Costello's first five albums as well as Blood and Chocolate from 1986. Lowe got behind the board and started producing when Stiff Records was launched and he became the "in-house" producer for the label for a number of up and coming bands. 
 
One of those bands was the Damned who were briefly known as Masters of the Backside with (believe it or not) Chrissie Hynde, who later formed the Pretenders. In 1976, the band released their first single, New Rose and followed it up the next year with their debut album, Damned Damned Damned. They became the first punk rock band from the UK to release a single, album and tour the U.S. Up until this weekend, I only owned the band's critically underappreciated second album, Music for Pleasure and had the first album on a cassette I made back in the mid-80's (backed with the Buzzcocks- Singles Going Steady!). This weekend, my sister was downsizing her records and I scooped up a vinyl copy of that first record (beautiful yellow vinyl!) and their third album, Machine Gun Etiquette which I'm enjoying a lot.


The live recording I'm posting is supposedly the Damned's 5th ever live show. It would still be another couple months until the band would release New Rose (October 22) and another six months until their debut album came out. The sound quality is definitely not great, but it was fortunate someone taped the show since they were still a fairly new band and it's a great setlist made up of most of the songs from Damned Damned Damned. I've had this for a while so it was nice to re-discover this recording again and any early Damned is worth sharing and a listen.
Enjoy!

#14yearsoftrouble
Please do NOT sell or profit from this recording!
Do NOT convert to lossy format (except for personal use)
Please share!

THE DAMNED
1st International Punk Festival
Mont De Marsan, France
August 21, 1976


source: unknown gen. audience recording

01. 1 Of The 2
02. New Rose
03. Help
04. Fan Club
05. I Feel Alright
06. Feel The Pain
07. Fish
08. See Her Tonite
09. I Fall
10. So Messed Up

THE DAMNED- 1976-08-21 Mont de Marsan, France FLAC. rar 

Thursday, September 03, 2020

X- Live At The Whisky A Go-Go 1978

Photo by Frank Gargani
When I think of the definitive band of the L.A. punk scene of the late 70's /early 80's I immediately think of the band X. X formed in L.A. in 1977 and quickly established itself the front-runner of the local scene with it's punk sound rooted in a rockabilly style with the off kilter harmony vocals of Exene Cervenka and bassist-singer, John Doe. The band's first two albums are punk classics, Los Angeles (1980) and Wild Gift (1981). The songs are short and fast, on record they don't come across especially punk, but live the band performs with a punk energy with their furious shows set behind poetry, that set them apart from other bands from that era. Once the band signed to a major label their sound on later albums mixed rockabilly with country, folk rock and Americana influences, but still maintained their signature sound. This is another band I would have love to have seen in their prime and heyday, but even after over 40 years the band is going strong. This year, the band celebrated it's 40th year since their debut record with it's first studio album in 27 years, Alphabetland. A mighty fine comeback with the original lineup, this release caught me by surprise and it doesn't sound out of place in the X catalog, in fact, it's a really good album! The album has garnished a lot of positive reviews, I highly recommend a listen.


Unlike the Go Go's when they played the Whisky A Go Go in 1978, X wasn't in search of a sound, they already had material in their setlist that would appear on their first two albums when they played the Whisky in the same year. This set was two years before their debut album, Los Angeles would be released honing their skills in front of frantic crowds still early in their career. This is an audience recording that has decent sound considering it's age and the taper probably dodging reckless bodies bashing around the dance floor in front of the stage. Yet another 'historic" document from the early punk scene in L.A., this live recording should be shared and heard by fans of X and curious fans of early American punk...! I present: X, live at the Whisky A Go Go! *
Enjoy!
 
* (not to be confused with the live album from 1988)
#14yearsoftrouble
 
Please do NOT sell or profit from this recording!
Do NOT convert to lossy formats (except for personal use)
Please share!

 
X
Whisky A Go Go
Hollywood, CA
September 14, 1978
 
AUD recording

01. Soul Kitchen
02. Back 2 The Base
03. Year 1
04. Los Angeles
05. Adult Books
06. ???
07. When Our Love Passed Out On The Couch
08. Johnny Hit And Run Pauline
09. We're Desperate
10. Nausea
11. Soul Kitchen
12. I'm Coming Over

36:39
 

Friday, August 28, 2020

The Go Go's- Live At The Whiskey A Go-Go 1978

 

 
If you're like me you listened to a lot of music on the radio when you were younger. There was definitely music that stuck with me from high school to the present that I listen to today. Pre-high school I listened to the safe bets at the time, Elton John, Paul McCartney/the Beatles, that sort of thing. High school expanded to the popular groups at the time, Boston, Foreigner, Supertramp, Cheap Trick and Van Halen (the last 3 groups I saw in concert in the late 70's), as well as bands that were already considered "classic rock", Rolling Stones, CCR, the Kinks, Hendrix, the Who. As the 80's arrived, my musical tastes expanded further to included new wave, mod and punk bands through more progressive radio stations and the emergence of MTV (MuchMusic, for you Canadians) that also offered some alternative to mainstream commercial radio. The new music of the early 80's on mainstream radio introduced more female-based music, as music videos on MTV that marketed the look and image of the performers that led to to the popularity of Madonna, Bananarama and the Go Go's. You couldn't go anywhere without hearing the annoying ear-worms of Like A Virgin, Venus (note: the original version from Shocking Blue is a great song!) and the Go Go's, We Got the Beat and Vacation. My opinion at the time of the Go Go's was that they were too pre-packaged and slick, thanks to MTV! How judgemental can I be! I must admit, songs from the Go Go's (and the Bangles) became guilty pleasures, they are upbeat songs, great to dance to (which I avoid) and fun! When the compilation record, Return to the Valley Of The Go Go's was released I became aware this band had roots in the punk/new wave scene in the L.A. area in the late 70's with recordings that pre-dated, Beauty and the Beat that were raw and hungry. It's true when the band signed a deal with I.R.S. records, the band's sound smoothed out to a more pop-oriented sound that was ideal for radio, but the fact they are the first all-female band to write their own songs and play their own instruments to top the Billboard album charts proves they were a talented deserving band.

 
There has been recent attention and interest about the Go Go's because of a new documentary film, The Go Go's that was released on Showtime in August (and can be streamed here). From the film's PR: "As the first multi-platinum-selling, all-female band to play their own instruments, write their own songs and soar to No. 1 on the album charts, the Go-Go's are the most successful female rock band of all time. Underpinned by candid testimonies from The Go-Go's past and present, this documentary chronicles the meteoric rise to fame of a band born of the LA punk scene that not only captured but created a zeitgeist". It might be worth checking out, I tend to enjoy music documentaries and I'm sure I would learn a lot that I don't know.

Speaking of the Go Go's rising to fame from the LA punk scene, I have an early live recording from the band from 1978. According to the Go Go's concerts wiki, this was their 5th ever show (opening for the Dickies). Yes, this is another historic recording! I'm not sure if any of the earlier shows were recorded, regardless this is one of the earliest live recordings from the band. The band is raw and sloppy (when the sound isn't great it always sounds rough), so not for the faint of heart. Lots of rare and unreleased songs with only a couple appearing on Return To The Valley. An interesting recording that really shows how quickly the band progressed to what they soon became. I respect that they played clubs like this in the early days and their first two albums are good, so I shouldn't feel too guilty for liking the band...a bit more.
Enjoy!

#14yearsoftrouble
Please do NOT sell or profit from this recording!
Do NOT convert to lossy formats (except for personal use)
Please share!

 
The Go-Go's
Whiskey-A-Go-Go, 
Los Angeles. CA
October 4, 1978

 
Lineage: CDR Trade > EAC (verified lossless) > WAV > FlacFrontend (Level 8) > FLAC > Dime

01. We're Here Now
02. B-Movie
03. London Boys
04. Robert Hilburn
05. Remember (Walking In the Sand)
06. Don't Hang Up
07. Fashion Seekers
08. Screaming
09. Party Pose
10. Over Run
11. Just A Number
12. Luxury Living


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