The Weakerthans In Australia

I guess it's pretty obvious, I'm a bit of a Weakerthans fan. I've written about them frequently on this blog posting snippets of live shows and reviewing their albums. If you're a fan, you might want to check a soon to be released full-length documentary about the band called, "We're The Weakerthans, We're From Winnipeg". The exclusive sneak preview screening is taking place on May 8th at the Globe Theatre. Tickets are $5 at the door or at Kustom Kulture and Into The Music. This screening is part of the Nuna (now) celebration of Icelandic and Canadian art and culture.

As a teaser, I found an excellent Weakerthans recording of an in-studio radio performance in Melbourne, Australia from February of this year, when they were in town for the Soundwave Festival. Nice acoustic versions of some songs from their latest album. This show was posted on Dime and on a blog called Fan Made Recordings, in case you're interested in live recordings from Australia. Lot's of cool bands, photos and live recordings of bands from Down Under, as well as touring bands from North America and Europe.

THE WEAKERTHANS
Studio 5, PBS Studios
Melbourne, Australia
February 2?th, 2010

1. Intro
2. Tournament of Hearts
3. Night Windows
4. Sun In An Empty Room
5. The Reasons
6. Bigfoot
7. Pamphleteer
8. Psalm For The Elks Lodge Last Call

THE WEAKERTHANS- 2010-02 Live in Australia. rar

Jayhawks Debut Reissued May 18th!

The Jayhawks self-titled debut, (aka "Bunkhouse album") will finally be available for the first time on May 18th on CD (and again on vinyl) by Lost Highway Records. When the album was originally released in 1986 on Bunkhouse Records, they only pressed 2000 vinyl copies and has been unavailable for almost 25 years.

As I told you in a previous post, my sister has a vinyl copy of that pressing and I remember when I had my first apartment, I hung up the poster that came with the album. I need to make a serious search for that poster as I know this album demands hundreds of dollars on eBay and should be a premium with the original poster. The reissue will feature a 8 page booklet with photos from that time period. The band at the time was Mark Olson, Gary Louris, Marc Perlman and Norm Rogers (drums).

Just a reminder, I previously posted the album back last June and if you still haven't had a listen it's still active here. (let me know if it's not!)

Something New Mondays- The New Pornographers

Though the new album by the New Pornographers, Together isn't officially released until May 4th, fans have an opportunity to listen to the entire album for a free, via streaming on the npr.org and exclaim.ca's website. I've been enjoying a pre-release listen from a downloaded leaked copy for a week already and my first impression of this much anticipated album is it sounds promising. Their last album, The Challengers took some repeated listening to fully appreciate the depth and quality that you come to expect from a New Pornographers album, but I didn't think it ranked as one of their best. This new one will require much more in-depth listening until I can fully review the album, but I'm excited because there is a little more Neko than on The Challengers and to support the album the band is on tour with the full line-up of eight members (7 is Neko Case, 8 is Dan Bejar). So far my favourite song on the album is Crash Years.

One thing you have to say about the New Porns is that their sound is instantly recognizable and you never mistake it for any of their solo work and arguably they save their best work for the band (especially Carl (AC) Newman!). See what you think and post your comments!

THE NEW PORNOGRAPHERS- Together (full album stream) npr.org
or Together (full album stream) exclaim.ca
THE NEW PORNOGRAPHERS- Crash Years (mp3)

p.s.- I'm not going to post the album on my blog as I might get a warning from the copyright police, so if you want a mp3 version, please leave a request.

The Plimsouls- One Night In America

With the recent release of The Plimsouls live CD, Live, Beg, Borrow & Steal, an unearthed live recording from this great pop-rock band from nearly 30 years ago, it got me thinking about another good sounding live recording from the band. Much like Live, Beg, Borrow & Steal, One Night In America was recording from their 1981 tour of America, but instead of the legendary Whiskey A Go-Go, One Night is set in Cleveland. Both discs showcase their powerful supercharged power-pop live show that sometimes over shadows their studio input with it's sheer energy and showcases the band at their raw best.

I never had an opportunity to see The Plimsouls in concert, but the closest I got was seeing singer/songwriter Peter Case at the Winnipeg Folk Festival in the late 80's (88 & 89), but it was much more folk and troubadour than power-pop. At the time I didn't know too much about Peter Case, but I knew he was part of Plimsouls years earlier and he was suppose to be something special, so I was eagerly anticipated seeing Case. At the time he was married to Victoria Williams, so they collaborated together for a couple of songs, I wasn't disappointed with Peter Case, but I must confess her voice was a required taste, at least at that period in my music listening life. It wasn't until I heard the cover of A Million Miles Away performed and recorded by the Goo Goo Dolls, that I seeked out the Plimsouls back catalogue. Case has enjoyed a long and cult-successful career in the music industry, but to really appreciate the influence and legacy he has left, please track down a copy of Live, Beg, Borrow & Steal, I know I will and you can get it here.

THE PLIMSOULS
One Night In America (1988)
(recorded in Cleveland in 1981)

01. Hush Hush
02. Now
03. How Long Will It Take?
04. I Want What You Got
05. A Million Miles Away
06. Time Won't Let Me
07. In This Town
08. One More Heartache
09. Help Yourself
10. I'll Get Lucky
11. Dizzie Miss Lizzie
12. Come On Now

13. Sorry

THE PLIMSOULS- One Night In America. rar

Back From Chi-Town!

Actually I was back last Tuesday, but then the NHL playoffs began on Wednesday and I really haven't done much since then besides going to work and watching hockey (2-4 days a night!). I love the first round of playoffs, lots of upsets and lots of fast paced entertaining hockey. Anyways, I've lost a bit of momentum as far as posting goes, so I'll try to be consistent and get something new up every second day or so.

I haven't been to Chicago since the mid-eighties and one the most noticeable things about the downtown (and the surrounding areas) is the lack of record stores. I managed to visit the Reckless Records store downtown location, which is really the only place to buy vinyl or even CD's downtown. It would have been worth the L-train ride to visit one of the other locations in Wicker Park or Broadway Street, because the downtown store was small and lacked much selection or ambiance. I only bought one CD (Old 97's- Satellite Rides) and a Reckless Records t-shirt.

In case you missed it, it was International Record Store day on Saturday and many of your local shops celebrated by hosting in-store performances and selling exclusive releases. Personally I had to work on Saturday, but the day is a reminder to support local independent stores that are being swallowed up by non-music chain stores stores such as Starbucks, Walmart, Chapters/Indigo, as well as online giants like Amazon and iTunes. If I had a band, I would even prefer my fans to file share than to support evil retailers like Walmart!

When I think of Chicago music, I think of the Blues, Wilco and the band, Chicago. I was seriously thinking about transferring my 4-LP vinyl box set copy of Chicago at Carnegie Hall , in tribute to the city of Chicago, but that would be cruel and painful. Instead, I have something from a fav Chicago band, an rare early EP from the Eleventh Dream Day that demonstrates what a great band EDD would become. If you want to check out EDD at their best, I suggest Beet or Lived To Tell. This underrated band has never gotten the attention or received the success they deserve and it's good to see they still play the odd show once in a while.
Enjoy!

ELEVENTH DREAM DAY
Self Titled EP (1987)
01. Walking Though the Barrel of a Gun
02. Vein of Gold
03. Not the Ballad of a Girl
04. Liz Beth
05. The Arsonist
06. Cascade

ELEVENTH DREAM DAY- Self Titled EP. rar

Going To Chicago!

I'm going to Chicago today, so I thought it would be appropriate to post some vintage Wilco from 1999, live at the Tower record store in their hometown of Chicago. This show sounds sweeeet!!
I'm back next Tuesday and I'll have some new music on Wednesday (Gotta scan out the record stores in Chicago).
Enjoy!

WILCO
Tower Records
Chicago, IL
November 3, 1999

01 - I'm Always In Love
02 - Via Chicago
03 - How To Fight Loneliness
04 - She's A Jar
05 - We're Just Friends
06 - Can't Stand It
07 - I Got You
08 - Forget The Flowers
09 - California Stars

WILCO- Tower Records 1999-11-03. rar

Something New Mondays- Cubs 2010

Installment two from the Baseball Project's Broadside Ballads project is an optimistic song for Chicago Cubs fans, Cubs 2010. Scott McCaughey's prediction for the upcoming season is that the Cubs could go all the way, a championship season to end the 102 year drought that has plague Cubs players and fans for generations.

This song is of particular interest personally because I'm taking a vacation to Chicago later this week and while I'm there I'll be taking in the Cubs home opener at the historic Wrigley Field. In one of those bucket-like lists, one of things I gotta do is go to a Blackhawk's game and see a ball game at Wrigley Field. Ticket's to the Cubs game were hard to come by, but with the Internet and sites such as Stubhub.com, finding tickets to sold-out events are possible and in this case affordable. I'm sure Cubs 2010 will be the anthem the team will rise up to on their way to the pennant.
Go Cubs go!!

Baseball Project- Cubs 2010 mp3

The Figgs- Rejects

While the Figgs earliest releases were only available on cassette, the Figgs 2000 release, Rejects was only released on vinyl. If you get your hands on a copy of this now out of print album of outtakes, please let me know. This a great collection of "rejects" combined with quirky between song interludes and funny answering machine messages and a must for any Figgs fan. This album has shades of the Young Fresh Fellows, Gag Fah (a compilation of live, outtakes and demos) and the New Duncan Imperials, Live, Rare & Bad, both in it's content and format. Come to think of it I should post both those "for fan's only" tapes (If any one's interested?), because they are hard to come by and they're a lot of fun. Rejects collects songs from 1993-1999 and contains some real gems, including a cover of the Young Fresh Fellows, Hillbilly Drummer Girl and some kick-ass songs like, Rollerskate and Fucks Off.

If you ever come across any Figgs CD's, tapes or vinyl records, give them a listen. I would love to catch them at a club or playing backup to Graham Parker and I almost got the chance as I'm off to Chicago later this week. I noticed GP and the Figgs are playing the Windy City on April 17 at the Old Town School Of Folk, unfortunately it's a couple days after I come home...Damn!!

THE FIGGS
Rejects (2000)

1. answering machine #1

2. Rollerskate

3. What Became of It

4. Hillbilly Drummer Girl

5. Sully

6. Much to Lose

7. Barely There # 1

8. Rice Chicken commercial

9. ''Kick into da blues''
10. Fucks Off

11. The Bar

12. Getting Down With L.T.D.

13. My New Gun

14. She's Fine

15. commentary from Mike Gent

16. Barely There # 2

17. answering machine # 2 (WEQX)

THE FIGGS- Rejects. rar

The Figgs- Ginger

To celebrate the start of Spring and the month of April, I think this blog needs a double shot of The Figgs. When I think of a band that has stuck close to it's roots producing great rock 'n' roll since they formed of 1987 and has never compromised it's sound to draw in larger audiences or sell more records, I think of the Figgs.

The Figgs have produced nine full length albums and numerous EP's, singles and live albums. They have served as a backing band for Graham Parker since 1996 and are currently on tour together. The Figgs have also toured as Tommy Stinson's band. If you want to get a feel of how straight forward rock should be, pick up one of their two live recordings, Continue To Enjoy The Figgs Vol. 1 and Vol. 2. Guitar, bass and drums, no overdubs, raw, tight, unpretentious and amazing.

Ginger was the first release by the Figgs and was a cassette-only release limited to 500 copies. Ginger and their next cassette release, Ready Steady Stoned, were the precursors to their first full length, Lo-Fi At Society High, which coincidentally was my first introduction to the Figgs. I was at the Musicplex music store downtown (now defunct) in 1994, browsing the listening stations (which I rarely try) and this Figgs album caught my eye. I listened to the first two songs and I bought the cassette on the spot, considering I bought the tape at the Musicplex, it must have been a major label release and I think at this time they got tagged in the "most promising band" category. Their follow-up Banda Macho was on Capital Records, but because of poor sales, since 1997 they have been on smaller indie labels or self-released. Their last album from 2006, Follow Jean Through The Sea was well-received and brought some well deserved attention to the band. In my opinion it is my favourite Figgs album since Lo-Fi.

Ginger is a fine debut, maybe a little more demo-ish and less polished than their other albums, but their present sound hasn't strayed too far from their early tapes. An early version of Wasted Pretty is a highlight (it was re-recorded on Lo-Fi), along with Kristy McNichol's Boots which is another strong song that got my attention. To be truthfully revealing, Kristy McNichol was my teen crush and obsession, but more on that later!
Next post: More Figgs! Enjoy!!

THE FIGGS Ginger (1992)

01. Bitch Theme

02. Kristy McNichol's Boots

03. Sleaze

04. Floored

05. Milk Dud

06. Happy

07. Pretty Wasted

08. Can't Be Cloned

09. Donahue

10. Treble Head

THE FIGGS- Ginger. rar

She & Him- Live In Session On MBE

One of my favourite albums so far in 2010 is the new release, Volume Two, from She & Him. Rolling Stone describes it as, "It's the sunniest sad record you'll hear all year- pretty love songs set in a "nation" where the summer never ends".

In case you missed out the first time, for their debut, Volume One, She & Him is actress Zooey Deschanel and M. (Matt) Ward. Volume One surprised many listeners with it's charming old-timey sensitivity that proved that Zooey was more than a pretty face that liked to dabble in singing and their songs became instantly catchy and enjoyable. They up the ante for Volume Two as the songs are even richer, fuller and so wonderfully bittersweet. Any shyness and hesitation that Zooey's vocals displayed on the first record has been lost, as her confidence is not only in her voice, but also in her songs that are strongly displayed here. M. Ward's arrangements and instrumentation add to the retro-feel in both it's production and it's overall sound. His contributions can't not be understated and the chemistry between the two is much more noticeable on Volume Two.

The session that I have posted is from KCRW's Morning Becomes Eclectic aired last week, a day after the release date of Volume Two. This is an excellent performance that features their whole band live in the studio and the program includes two sets of new music squeezed between an interview with Matt and Zooey.

SHE & HIM
KCRW FM- Morning Becomes Eclectic
Santa Monica, CA
Aired- March 23, 2010

1. [Intro]
2. Thieves
3. Me And You
4. Ridin' In My Car (NRBQ Cover)
5. Gonna Get Along Without You Now (Skeeter Davis Cover)
6. [Interview]
7. [-dead air-]
8. Home
9. Over And Over / Sing
10. [-talking-]
11. Take It Back
12. In The Sun
13. [Outro]

The Band:
Zooey Deschanel - Piano, Wurly, Vox,
M. Ward - Guitar, Vox,
Scott McPherson - Drums,
Matt Brown - Bass, Guitar,
Mike Coykendall - Acoustic Guitar,
Abigail Chapin - Vox, Keys,
Lily Chapin - Vox, Keys

SHE & HIM- Live In Session. rar

Kate Maki- Live At The Folk Exchange

Wish I brought my camera!- photo from 2008 by Clayton Turner

I didn't know what to expect when I attended the Kate Maki show last Friday night at the Folk Exchange. I heard this was a good intimate concert venue that had good sound and nice sight lines. For me as a concert taper I like small spaces that have good acoustics that fill the room without too much crowd noise and distractions. Well, I guess I should have anticipated a small crowd because exactly a week before the show when I bought my tickets at the Folk Fest office, my ticket numbers were 001 and 002. Yes, I think I bought the first two tickets! Sure enough when we showed up 10 minutes before the concert was to begin (8:00pm, doors were 7:15), there were only 3 other people there already. Things picked up though, as in total there were 11 audience members (+ 5 volunteer staff) that paid $12 to see Kate Maki.

Kate Maki is a singer-songwriter from Sudbury, Ontario who had a career as a teacher, but quit to pursue music full-time. She says she still substitutes ("to pay off her tour expenses"), but her true love is music and you have to respect someone that goes after that dream and can make a living doing what you love. She has four albums to her credit and has toured back and forth, up and down extensively across the country (U.S. as well) touring on her own and as a supporting act. Her last stop in Winnipeg was last year with the Great Lake Swimmers.

The show opened with Kate's tour mate, Brent Randall from the band, the Pinecones. Brent played a respectable set of organ-infused pop songs that brought to mind late 60's Brit-pop. Maybe it's his sleepy-Paul McCartney eyes that kept me thinking he was British, but he obviously has a lot of talent and as sparse as they were performed, the songs sounded good. I would definitely like to see him with the whole band if they tour through here anytime soon.

By the time Kate took the stage, we had already become familiar with her. During Brent's set she called out some requests from the chair beside us and later joined him on stage to sing backing for a song. Her set got off to a little slow start, after her first song, Bloodshot & Blistered, she searched on the floor in front of her to try and find a screw that fell off her pickguard on her vintage Gibson hollowbody. She ended up using a piece of electrical tape the sound guy offered, to tape on the guard and the show carried on. The show was everything a good concert should be, Kate actually talked to the audience, not just, "Hey Winnipeg I love your hockey team or whatever", but actual conversation, asking us questions and telling us about her last few years. She said she was being much more candid than she should be, but that just added to personal and genuine performer (and real person) that she seems to be. She was funny, she was charming and she was sincere. At one point she pleaded, "Whatever is said in this room does not leave this room" and "Please don't say anything, I hope no one's recording this"... Oops, I guess I won't be sharing this recording. Her songs kept me captivated despite playing without a band, though Brent added some keyboards and bass on some songs, and she was a very capable guitar player that was able to fill out the sound. All in all, the small audience, the cozy venue and Kate's easy-going honest persona made for an enjoyable evening out. It was almost like having her play in your living room. (except with a better sound and light system)

At the end of the show I bought her latest CD, Two Song Wedding (I have her other 3, buy them! If you can find them.) and asked Kate to sign it. She also signed the back of her setlist for me with, "What was said in the exchange, stays at the exchange", how appropriate!

(I think I'll send Kate a copy of the recording and see what she thinks. I'll try to post a sample or two from the show.)

The Guess Who Live At River Heights Community Club

Since we're on the topic of Winnipeg and Burton Cummings, I thought it would be appropriate to post an early show from one of the most well-known bands to ever come out of Winnipeg.

Back in the early and mid-sixties, bands in Winnipeg played anywhere they could just for a chance to play in front of an audience of anxious teenage kids. Bowling alleys, drive-in theatres, coffee shops, restaurants and community clubs were a popular meeting place to hear the newest sounds from the many young bands in our city. I haven't seen a lot of early Guess Who live recordings especially with their original front-man, Chad Allan, so this is worth a listen even if you're not from the band's hometown.
Other reasons why this recording is special:

• River Heights Community Club is where I played hockey from the age of 6-19. This is the neighborhood where I grew up and the community centre, or at least the hockey arena part of the building is where I spent a huge part of my childhood. The gymnasium was upstairs with an old stage and curtains (the last time I saw it was maybe 20 years ago?), this would have been similar to a school gym, but probably smaller.
• Chad Allan was still the leader of the band, while Burton Cummings was a supporting player (piano), but takes lead vocals on a couple of songs. This may have been one of Allan's last shows with the Guess Who, so this is a pretty historic show.
• The sound quality is great, especially given the time period. A soundboard recording both for the River Heights show and the bonus songs from the Winnipeg Arena. They could easily officially release this recording and I know there would be a demand with fans worldwide.
  
• During this time period the band was known as the Guess Who?, the question mark would be dropped in 1968. They were formerly known as, Chad Allan And The Expressions.

THE GUESS WHO
River Heights Community Club
Winnipeg, MB
February, 1966

01 - Wham!
02 - Tribute To Buddy Holly
03 - Back & Forth
04 - Shy Guy
05 - Made In England
06 - Baby's Got A Brand New Beau
07 - Inside Out
08 - A Shot Of Rhythm & Blues
09 - Stop Teasing Me
10 - Shakin' All Over
11 - Where Have You Been All My Life
12 - Tossin' & Turnin'
13 - Instrumental (Title Unknown)
14 - Hey-Ho (What You Do To Me)
15 - Monday Monday (partial)
16 - California Girls
17 - I Should Have Realized
18 - It's The Loveliest Time Of The Year
19 - I'd Rather Be Alone
20 - I Saw Her Standing There
21 - Tuff E'nuff
22 - We Gotta Get Out Of This Place (partial) (Vocal: Burton)
23 - Wait
24 - Blue Is The Night (Vocal: Burton)
25 - Little Latin Lupe Lu - Money (That's What I Want) (Vocals: Burton/Jim)
26 - Baby's Birthday
27 - Shakin' All Over (Winnipeg Arena)
28 - It's Too Late (Winnipeg Arena)
29 - I'm Down (Winnipeg Arena) (Vocal: Burton)
30 - Wham! (Original rip w/ tape glitch)

Chad Allan - Vocals, Rhythm Guitar
Burton Cummings - Keyboards, Vocals
Randy Bachman - Lead Guitar, Vocals
Jim Kale - Bass, Vocals (Lead vocal on "Money")
Garry Peterson - Drums

THE GUESS WHO- Winnipeg, MB- Feb. 1966. rar

THE GUESS WHO- 1966-02-xx Winnipeg, MB FLAC. rar (NEW version!)

Weakerthans- Live At The Burton Cummings Theatre

It's not often a concert I attended becomes a official CD release, but even more intriguing is the fact I also recorded this same concert last April. On Tuesday March 23, hometown heroes, The Weakerthans are releasing a CD/DVD package entitled, Live At the Burton Cummings Theatre, which documents their concert here last April 17, 2009. Up until today (actually, now yesterday), Exclaim.ca streamed the album in it's entirety to give fans a preview of the goods (you can now listen at epitaph.com). I had a listen so I can compare their recording to the one I captured on my mini-disc recorder. As expected, the official release is a well produced soundboard recording that is crisp, balanced and basically flawless sound quality. My recording is actually pretty respectable even though it was recorded from the back half of the floor with a little bit more crowd noise and chatter. In my review of the show, I complained about all the talking and shouting from the crowd that became a bit of a distraction to John K, which led to him stopping mid-song to compose himself. Interesting enough the song in question, My Favourite Chords is not included on this release along with 4 other songs that were performed at the show. If you want the complete recording of the concert, I suggest you download my version (see link below), what you don't get in perfect sound quality, you do get the full concert as it was performed (especially to all you completests, personally I would sacrifice sound quality for all the songs). Incidently, my recording (along with a Ray Davies and Wilco show) of this concert showed up and was being sold at a local record store. Just to set the record straight, I never sell my shows for money, I only trade and share my recordings and if you see anything you like and can't or don't want to download, send me a message and I'll make you a copy.

I'm confused, as I look over the set list from the show then compare it to the Live At Burton Cummings Theatre track list I notice something strange. Please correct me if I'm wrong, but if you subtract the songs that aren't on the official release (Elegy For Elsabet, Relative Surplus Value, My Favourite Chords, Confessions Of A Futon Revolutionist, Pampheteer), and the fact they played 21 songs at the show, you get 16 songs, but wait, there's 18 songs on the CD. On the track listing they have substituted Sun In An Empty Room and Wellington's Wednesdays for EFE and RSV...I don't think they played those songs, again correct me if I'm wrong, but it's very bizarre.

Editor's note: Oops, I'm an idiot! Thanks John for correcting me (in the comments section), the Weakerthans played two consecutive nights last April, April 17 & 18, 2009. This is ideal if you're recording a live album because you can play a similar set, with a few different songs substituted in, and be able to pick and choose the best versions from both shows. Back in December, Danny Michel recorded two nights at the West End Cultural Centre with the intention to release a live album. My apologies to the Weakerthans for jumping to any conclusions about the origins of the songs without completely thinking.

So, buy this CD/DVD, it sounds amazing and it's a great representation of their live show! The bonus is the accompanying DVD that allows you to see the band up close and in action.

"Weakerthans Roll Into Town"- April 23, 2009 (my original post/download link)
Download re-post: Weakerthans 2009-04-17. rar (mp3's)

Big Star- Nobody Can Dance

Nobody Can Dance is a collection of unreleased tracks, the first half of the disc is a band rehearsal and the second half, a live set. The rehearsal is a real treat, the band is loose, raw and Alex Chilton is spirited and the band is tight and crisp. Personally, in some ways I prefer these versions compared to the studio albums (#1 Record and Radio City). The live set is okay, but the sound quality isn't quite as good as the rehearsal half, as it suffers from a bad mix and a rough performance. The live segment was recorded a couple of months later and even features a version of The Letter, a classic tune made famous by Chilton's previous band, The Box Tops.

This is a must for Big Star fans! Please seek out some of their other releases and see for yourself why they are considered the quintessential American band.

BIG STAR
Nobody Can Dance (1999)

1		Don't Lie To Me	3:25
2		Back Of A Car	2:56
3		O My Soul	5:33
4		Mod Lang	2:33
5		She's A Mover	4:02
6		September Gurls	3:02
7		In The Street	3:16
8		You Get What You Deserve	4:00
9		Baby Strange	3:54
10		Mod Lang	2:55
11		You Get What You Deserve	3:07
12		The Letter	3:12
13		September Gurls	2:56
14		Way Out West	2:32
15		O My Soul	6:01

Tracks 1-8 studio rehearsals, Ultra-Sonic Studios, Hampstead, NY, March 1974
Tracks 9-15 live at The Overton Park, Memphis Tennessee, May 1974

BIG STAR- Nobody Can Dance. rar

The Replacements- Shit, Shower And Shave

When I think about some of my favourite bands and their influences, one name that seems to often pop up is Big Star. Though they only really recorded three proper albums, their musical influence and underdog attitude can't be denied in the history of alternative-rock. Bands such as the Replacements, R.E.M, Teenage Fanclub and the Posies carried on the spirit and melodic gift Big Star brought to the world and you can imagine my shock when I heard Big Star front man, Alex Chilton died at the age of 59 today.

Paul Westerberg immortalized Chilton on the song, Alex Chilton with, Children by the million sing for Alex Chilton when he comes 'round. They sing "I'm in love. What's that song? I'm in love with that song." . In fact, Westerberg was considered or possibly turned down an opportunity to join a revamped version of Big Star in the early 90's, instead Jon Auer and Ken Stringfellow (of the Posies) filled in alongside Chilton and drummer Jody Stephens for the reunion. The Replacements often included Big Star covers into their set, as Westerberg was instrumental in educating the masses (modern music fans) about what a great unsung band Big Star was.

If you want to seek out some Big Star music, essential listening should start with #1 Record and Radio City and if you have the cash, buy the recent 4-disc box set, Keep An Eye On the Sky, which pretty much includes everything, plus demos, rehearsals, alternate and unissued tracks.

I was originally going to post a Big Star show or some outs, but I need to search on my other hard-drive or "the room with the boxes" to find something good first. As a consolation, I'm posting a live concert compilation from the Replacements' (ill-fated?) 1989 tour with Tom Petty. Shit, Shower And Shave isn't the Replacements at their best live (I personally love their loud and sloppy), but offers up some fine songs and the sound is excellent soundboard quality, probably the best sounding Replacements bootleg out there. This is still a reminder of what a great band the Replacements were live and why they should have released a 4 disc live anthology instead of Tom Petty. SS and S also features an outstanding version of Big Star's, September Gurls and Westerberg's tribute song, Alex Chilton.

REPLACEMENTS
Shower, Shit And Shave (1989)

1		Talent Show
2		'Round And 'Round
3		The Ledge
4		Can't Hardly Wait
5		September Gurls
6		Another Girl, Another Planet
7		Within Your Reach
8		Left Of The Dial
9		Alex Chilton
10		Nightclub Jitters
11		I'll Be You
12		Bastards Of Young
13		Talent Show
14		Answering Machine
15		Anywhere's Better Than Here
16		Another Girl, Another Planet
17		Here Comes A Regular
18		Achin' To Be
19		Waitress In The Sky
20		Don't Ask Why
21		Unsatisfied
22		I'll Be You
23		I Will Dare

Tracks 1-12 Bristol Connecticut August 31 1989 Tracks 13-17 Milwaukee Wisconsin, June 1989 (originally released on Sire’s Inconcerated promo CD) Tracks 18-23 Mansfield Massachusetts August 28, 1989

THE REPLACEMENTS- Shower, Shit And Shave. rar

Before They Was Famous- Emily Haines

Long before she fronted Metric or even before she was part of the Broken Social Scene, Emily Haines self-released a solo album called, Cut In Half And Also Double. Released in 1996, this album is rare and very hard to find and sells for big bucks on eBay, as there were only about 1,000 copies made. She wrote and recorded the songs while in university, UBC in Vancouver 1992-93, Toronto 1995 and Concordia University in Montreal 1995-96. This is actually a really strong sounding record, it has the foreshadowing of what's to come, as the influences and the pop rock sounds are evident even before she recorded Grow Up And Blow Away with Metric. Compared to her second solo project, Knives Don't Have Your Back, the acoustic guitar is foundation for the songs instead of piano, but that might be attributed to the fact it's easier (and more portable) to write songs on guitar than piano when changing locales every few years. A fine record worth a listen especially if you're a big Metric fan. Emily might be embarrassed to see this recording being traded and shared amongst her fans (she shouldn't be!), but this is a chance to hear Emily Haines before she was famous, or at least life before Metric. EMILY HAINES Cut In Half And Also Double (1996)

1. Dog

2. Bore

3. Eden

4. Pretty Head

5. Freak

6. The View

7. Eau De Toilette

8. Carpet

9. Pink

EMILY HAINES- Cut In Half And Also Double. rar

Baseball Project Every Month! (At Least Until November)

Baseball and music, is there a better combination? And if you're a fan of the Baseball Project (Scott McCaughey, Steve Wynn, Linda Pitman and Peter Buck) you are in for a big treat this season as the Baseball Project present, Broadside Ballads. Since the band members are such hardcore ball fans, they have offered up their musical commentary throughout the season by writing and recording one song per month. Technology has allowed McCaughey and Wynn to pass portions of a song back and forth to complete the songs while at their homes on the opposite sides of the country (New York City/Portland, Oregon). They will be draw their inspiration on what actually transpires during the season. As Scott McCaughey says, "We figured out a way to give ourselves even more work and make less money," while Steve Wynn offers up, "I think doing one a month, that'll be a breeze -- I think I could do one a day, but I don't know if my bandmates would agree with my enthusiasm on that". This promises to be a fun and interesting season and of course will be soundtracked by a great band.

Read more: ESPN- Baseball Project Steps Up To the Plate.
ESPN- Chat: Steve Wynn

Download: BASEBALL PROJECT- "All Future And No Past" mp3

Jonathan Richman- The Laura Palmer Tape

If you are a true Jonathan Richman fan (like I am!), this recording is truly an amazing find! I stumbled upon this recording when I was searching for information about the "Living Room demos" and I can't believe I hadn't heard about this before. This is another home recording from Jonathan, circa 1974, that is essentially an audio love letter to a girl named, Laura Palmer. Jonathan sings and talks directly to Laura about the difficulty he's having balancing the mic and how he has to stop the recording to change a string. This was recorded after the original Modern Lovers broke up so Jonathan was in a transitional period in his career. He experiments and "wings it" while he casually performs these demos of demos in his bedroom or living room. All I can say it that this is one of the most unique and special performances I've heard in a while and you MUST hear this!

The supposed back story about this tape is that many years after Laura received the tape she packed it away. She was visiting a friend who was playing some Jonathan Richman and she recognized the voice as someone she once dated. She still had the tape he had made for her and passed it onto the Jonathan Richman fan trading circles.
The volume is a little low, so crank it up!...Enjoy!!

JONATHAN RICHMAN
The Laura Palmer Tape (1974)
Government Center
The New Teller
Thunderbolts Of Joy
My Honest Dear
Singing In The Rain
So Much Respect For You
I'm Not Alone (The Heaven's Love Me)
Cumbaya
Hi Fred, We Still Love You
Flying Saucers Rock n' Roll
Wonderful Girl

JONATHAN RICHMAN- The Laura Palmer Tape. rar

Jonathan Richman In Your Living Room!

Not quite IN your living room, but pretty darn close. If you close your eyes while listening to this, you'd swear it was Jojo performing at your house, a strange, but unique concept. This recording surfaced as an acetate which are generally produced in very low quantity and often had hand written labels. It may have been made possibly for a promo or Jonathan was using this format much like recording to a cassette tape recorder. The intimacy of this recording makes it very charming and his loose performance is reminiscent to a practice in a bedroom or living room, hence these recordings became known as the Living Room Demos (aka: 74 Acetates). The music fills the gap between Richman's break-up from the Modern Lovers and post-76, the new version of the Modern Lovers. While some of the songs are fragments and some are repeated, this recording has some great songs still on it and offers an early look at Jonathan's unaffected child-like approach to performing that he started to embrace at this time and continued with throughout his career.

JONATHAN RICHMAN
The Living Room Demos (1974)

I Feel Alright

Veil Of Cold

Crazy Little Mama

I See Your Light

Falling In Love Must Be Two Way

Awkward Love

Song Of Remembrance For Old Girlfriends

Hey There Little Insect

Goin' Home

Guitar Doodle No.1

Touch Me If You Want

Do You Believe In Magic

It Will Stand

Chat And Guitar Doodle No. 2

Let's Take The Long Way Home

Young And In Love

Just Wanna' Be Young

Government Center

Do de do do

Little Latin Lupe Lu

Winters Get Hard In New England

Song Of Remembrance For Old Girlfriends (LA Version)

Twist And Shout

Willie And The Hand Jive

Trip To The Sea

JONATHAN RICHMAN- Living Room Demos. rar

Talking Heads- 1975 Demos

The Talking Heads were one of the most influential and critically acclaimed American bands from the 1980's. Their new wave musical style combined elements of punk, pop, avant-garde, world and art rock. In 1975, the trio of David Byrne, Tina Weymouth and Chris Frantz recorded a series of demos for CBS, the label didn't sign them, but in 1977, Sire Records did.

What I'm posting today are those original CBS demos from November 1975, these are pretty much the earliest recording the band made. It contains songs that would appear on their first album, Talking Heads 77 and More Songs About Buildings and Food, as well as four songs that went unreleased until they appeared on the Vaseline In The Sand compilation. I'm not a huge Talking Heads fan, but I do love their first two albums. In fact, I think Talking Heads 77 is one of the best debut albums of the 70's! Maybe it's because they have a simple straight forward sound before they added more instrumentation and other worldly influences to their music. The demos are even more raw and basic, but the band is tight and precise. This is a historic and important recording that is a must for any Talking Heads fan and a very satisfying listen for anyone else.
Enjoy!
(Note: I'm out of town for the first part of this week, but I have some more demos and unreleased material to share when I return.)

TALKING HEADS
Demos, CBS Studios
New York, NY November, 1975

01 Psycho Killer
02 Sugar On My Tongue
03 Thank You For Sending Me An Angel
04 I Want To Live
05 I Wish You Wouldn't Say That
06 The Girls Want To Be With The Girls
07 Who Is It?
08 With Our Love
09 Stay Hungry
10 Tentative Decisions
11 Warning Sign
12 I'm Not In Love
13 The Book I Read
14 Love Goes To Building On Fire
15 No Compassion

Talking Heads- Demos 1975. rar